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Podcast title LATINUM - The Online Latin Language Audio Course from London
Website URL http://latinum.mypodcast.com/
Description The Online Latin Language Audio Course. Learn Latin through Total Immersion. Download our free lessons and accompanying .pdf textbook, and soak yourself through with the sounds of spoken Latin. Its the only way to rapidly acquire fluency. We offer free lessons in spoken Latin, an expanding repository of readings from classical texts, and a wide range of study materials for every level of learner.
Updated Wed, 03 Dec 2008 18:13:36 +0800
Category Education
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Link to this podcast LATINUM  - The Online Latin Language Audio Course from London

Episodes

1. LXXII - B - PART II - PENSUM ALTERUM ET SEPTUAGESIMUM
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2. LXXII - B - PART I - PENSUM ALTERUM ET SEPTUAGESIMUM
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3. Catullus VIII - Morgan - Memorisation
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Description: Same poem as previous, but this time read by Morgan. Slowed down, with pauses added to assist with memorisation. Note the more natural style of reading of the Morgan recording, where the V.N. reading follows the vowel lengths and resulting ictus assiduously. VN's reading is possibly the more useful one, in terms of learning how to scan Roman Poetry. This is from an old cassette tape, hence the tape hiss.

4. Catullus VIII - memorisation
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Description: Catullus 008 read by V.N., slowed down and with pauses inserted to help learn the rhythm and assist you in memorising this poem.

5. LXXII - A - PART III - PENSUM ALTERUM ET SEPTUAGESIMUM
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6. LXXII - A - PART II - PENSUM ALTERUM ET SEPTUAGESIMUM
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7. LXXII - A - PART I - PENSUM ALTERUM ET SEPTUAGESIMUM
download (audio/mpeg, 11.66Mb)

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8. La Fontaine: Fabulae 1 -10
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Description: From 'Porta Latina' Latin translation of La Fontaine's Fables. English versions are available on Google Books if needed. 1. The Ant and the Cricket 2. The Frog that wanted to be like a Cow 3. The Fox and the Grapes 4. Two Mules 5. The Fox and the Stork 6. TheIiron and Earthen pots 7. The Lion killed by a Man 8. The Old Lion. 9. The Cock and the Fox 10. The Oak and the Reed.http://aesopus.pbwiki.com/lafontaine

9. LXXI - C - PART IIII - PENSUM UNUM ET SEPTUAGESIMUM
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10. LXXI - C - PART III - PENSUM UNUM ET SEPTUAGESIMUM
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11. LXXI - C - PART II - PENSUM UNUM ET SEPTUAGESIMUM
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12. LXXI - C - PART I - PENSUM UNUM ET SEPTUAGESIMUM
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13. LXXI - B - PART IIII - PENSUM UNUM ET SEPTUAGESIMUM
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14. LXXI - B - PART III - PENSUM UNUM ET SEPTUAGESIMUM
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15. LXXI - B - PART II - PENSUM UNUM ET SEPTUAGESIMUM
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16. LXXI - B - PART I - PENSUM UNUM ET SEPTUAGESIMUM
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17. LXXI - A - PART III - PENSUM UNUM ET SEPTUAGESIMUM
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18. LXXI - A - PART II - PENSUM UNUM ET SEPTUAGESIMUM
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19. LXXI - A - PART I - PENSUM UNUM ET SEPTUAGESIMUM
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20. LXX - C - PART IIII - PENSUM SEPTUAGESIMUM
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21. LXX - C - PART III - PENSUM SEPTUAGESIMUM
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22. LXX - C - PART II - PENSUM SEPTUAGESIMUM
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23. LXX - C - PART I - PENSUM SEPTUAGESIMUM
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24. LXX - B- PART IIII - PENSUM SEPTUAGESIMUM
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25. LXX - B- PART III - PENSUM SEPTUAGESIMUM
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26. LXX - B- PART II - PENSUM SEPTUAGESIMUM
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27. LXX - B- PART I - PENSUM SEPTUAGESIMUM
download (audio/mpeg, 11.35Mb)

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28. ora maritima cap 12- 14
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Description: Ora Maritima can be dowloaded as a pdf from the Internet Archive.http://www.archive.org/index.php

29. ora maritima cap 10 - 11
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Description: Ora Maritima can be downloaded as a pdf from the Internet Archive.http://www.archive.org/index.php

30. ora maritima cap 8 - 9
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Description: Ora Maritima can be downloaded from the Internet Archivehttp://www.archive.org/index.php

31. Ora Maritima Cap 7
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Description: Ora Maritima can be downloaded as a pdf from the Internet Archivehttp://www.archive.org/index.php

32. Ora Maritima 6
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Description: Ora Maritima can be downloaded as a pdf from the Internet Archivehttp://www.archive.org/index.php

33. Ora Maritima Chapter 1 - 4
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Description: Ora Maritima is available as a pdf on the Internet Archivehttp://www.archive.org/index.php

34. LXX - A - PART III - PENSUM SEPTUAGESIMUM
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35. LXX - A - PART II - PENSUM SEPTUAGESIMUM
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36. LXX - A - PART I - PENSUM SEPTUAGESIMUM
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37. LXIX - C - PART IIII - PENSUM UNDESEPTUAGESIMUM
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38. LXIX - C - PART III - PENSUM UNDESEPTUAGESIMUM
download (audio/mpeg, 10.39Mb)

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39. LXIX - C - PART II - PENSUM UNDESEPTUAGESIMUM
download (audio/mpeg, 14.24Mb)

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40. LXIX - C - PART I - PENSUM UNDESEPTUAGESIMUM
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41. LXIX - B - PART IIII - PENSUM UNDESEPTUAGESIMUM
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42. LXIX - B - PART III - PENSUM UNDESEPTUAGESIMUM
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43. LXIX - B - PART II - PENSUM UNDESEPTUAGESIMUM
download (audio/mpeg, 11.47Mb)

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44. LXIX - B - PART I - PENSUM UNDESEPTUAGESIMUM
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45. LXIX - A - PART III - PENSUM UNDESEPTUAGESIMUM
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46. LXIX - A - PART II - PENSUM UNDESEPTUAGESIMUM
download (audio/mpeg, 4.61Mb)

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47. LXIX - A - PART I - PENSUM UNDESEPTUAGESIMUM
download (audio/mpeg, 9.64Mb)

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48. LXVIII -C- PART III - PENSUM DUODESEPTUAGESIMUM
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49. LXVIII -C- PART II - PENSUM DUODESEPTUAGESIMUM
download (audio/mpeg, 12.53Mb)

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50. LXVIII -C- PART I - PENSUM DUODESEPTUAGESIMUM
download (audio/mpeg, 7.90Mb)

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51. LXVIII - B- PART III - PENSUM DUODESEPTUAGESIMUM
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52. LXVIII - B- PART II - PENSUM DUODESEPTUAGESIMUM
download (audio/mpeg, 10.80Mb)

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53. LXVIII - B- PART I - PENSUM DUODESEPTUAGESIMUM
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54. LXVIII - A- PART IIII - PENSUM DUODESEPTUAGESIMUM
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55. LXVIII - A- PART III - PENSUM DUODESEPTUAGESIMUM
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56. LXVIII - A- PART II - PENSUM DUODESEPTUAGESIMUM
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57. LXVIII - A- PART I - PENSUM DUODESEPTUAGESIMUM
download (audio/mpeg, 7.56Mb)

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58. LXVII - C- PART IIII - PENSUM SEXAGESIMUM SEPTIMUM
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59. LXVII - C- PART III - PENSUM SEXAGESIMUM SEPTIMUM
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60. LXVII - C- PART II - PENSUM SEXAGESIMUM SEPTIMUM
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61. LXVII - C- PART I - PENSUM SEXAGESIMUM SEPTIMUM
download (audio/mpeg, 7.31Mb)

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62. Foedus Latinum - The Death of a Language?
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Description: In 2003, Michael Thomas Connaghton published a short thesis on the use of Latin in the Vatican State – in the hope of demonstrating that Latin was still alive. Instead, his thesis outlined the last gasp of Latin as a spoken language – across the Vatican, Latin as a language of daily intercourse is now in effect confined to a single room – the so-called “Office of Letters”............

63. LXVII - B- PART IIII - PENSUM SEXAGESIMUM SEPTIMUM
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64. LXVII - B- PART III - PENSUM SEXAGESIMUM SEPTIMUM
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65. LXVII - B- PART II - PENSUM SEXAGESIMUM SEPTIMUM
download (audio/mpeg, 20.17Mb)

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66. LXVII - B- PART I - PENSUM SEXAGESIMUM SEPTIMUM
download (audio/mpeg, 12.21Mb)

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67. LXVII - A- PART III - PENSUM SEXAGESIMUM SEPTIMUM
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68. LXVII - A- PART II - PENSUM SEXAGESIMUM SEPTIMUM
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69. LXVII - A- PART I - PENSUM SEXAGESIMUM SEPTIMUM
download (audio/mpeg, 12.20Mb)

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70. LXVI - C - PART III - PENSUM SEXAGESIMUM SEXTUM
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71. LXVI - C - PART II - PENSUM SEXAGESIMUM SEXTUM
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72. LXVI - C - PART I - PENSUM SEXAGESIMUM SEXTUM
download (audio/mpeg, 8.25Mb)

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73. LXVI - B - PART III - PENSUM SEXAGESIMUM SEXTUM
download (audio/mpeg, 10.54Mb)

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74. LXVI - B - PART II - PENSUM SEXAGESIMUM SEXTUM
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75. LXVI - B - PART I - PENSUM SEXAGESIMUM SEXTUM
download (audio/mpeg, 9.11Mb)

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76. LXVI - A - PART III - PENSUM SEXAGESIMUM SEXTUM
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77. LXVI - A - PART II - PENSUM SEXAGESIMUM SEXTUM
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78. LXVI - A - PART I - PENSUM SEXAGESIMUM SEXTUM
download (audio/mpeg, 10.60Mb)

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79. LXV - C - PART IIII - PENSUM SEXAGESIMUM QVINTUM
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80. LXV - C - PART III - PENSUM SEXAGESIMUM QVINTUM
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81. LXV - C - PART II - PENSUM SEXAGESIMUM QVINTUM
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82. LXV - C - PART I - PENSUM SEXAGESIMUM QVINTUM
download (audio/mpeg, 7.01Mb)

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83. LXV - B - PART IIII - PENSUM SEXAGESIMUM QVINTUM
download (audio/mpeg, 8.11Mb)

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84. LXV - B - PART III - PENSUM SEXAGESIMUM QVINTUM
download (audio/mpeg, 10.75Mb)

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85. LXV - B - PART II - PENSUM SEXAGESIMUM QVINTUM
download (audio/mpeg, 7.18Mb)

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86. LXV - B - PART I - PENSUM SEXAGESIMUM QVINTUM
download (audio/mpeg, 11.14Mb)

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87. 004 - CORDERIUS SELECTED COLLOQUIES
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88. 003 - Corderius Selected Colloquia
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89. 002 Corderius selected colloquia
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90. LXV - A - PART III - PENSUM SEXAGESIMUM QVINTUM
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91. LXV - A - PART II - PENSUM SEXAGESIMUM QVINTUM
download (audio/mpeg, 11.06Mb)

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92. LXV - A - PART I - PENSUM SEXAGESIMUM QVINTUM
download (audio/mpeg, 10.40Mb)

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93. LXIV- C - PART IIII - PENSUM SEXAGESIMUM QVARTUM
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94. LXIV- C - PART III - PENSUM SEXAGESIMUM QVARTUM
download (audio/mpeg, 12.50Mb)

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95. LXIV- C - PART II - PENSUM SEXAGESIMUM QVARTUM
download (audio/mpeg, 11.15Mb)

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96. LXIV- C - PART I - PENSUM SEXAGESIMUM QVARTUM
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97. LXIV- B - PART IIII - PENSUM SEXAGESIMUM QVARTUM
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98. LXIV- B - PART III - PENSUM SEXAGESIMUM QVARTUM
download (audio/mpeg, 13.08Mb)

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99. COMENIUS PROJECT INTRODUCTION
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Description: John Amos Comenius produced a graduated series of Latin textbooks in the 1600's. These were very popular and exist in a great variety of versions with parallel translations in every major European language. Thus, they are of great utility to the student of Latin. I am currently marking up the texts for recording. This will take place gradually - in the meantime, if you follow the information link on the sidebar, you will be able to read the texts online in digital form.

100. LXIV- B - PART II - PENSUM SEXAGESIMUM QVARTUM
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101. LXIV- B - PART I - PENSUM SEXAGESIMUM QVARTUM
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102. LXIV- A - PART II - PENSUM SEXAGESIMUM QVARTUM
download (audio/mpeg, 18.51Mb)

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103. LXIV- A - PART I - PENSUM SEXAGESIMUM QVARTUM
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104. LXIII - C - PART IIII - PENSUM SEXAGESIMUM TERTIUM
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105. LXIII - C - PART III - PENSUM SEXAGESIMUM TERTIUM
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106. LXIII - C - PART II - PENSUM SEXAGESIMUM TERTIUM
download (audio/mpeg, 5.27Mb)

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107. LXIII - C - PART I - PENSUM SEXAGESIMUM TERTIUM
download (audio/mpeg, 5.89Mb)

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108. LXIII - B - PART IIII - PENSUM SEXAGESIMUM TERTIUM
download (audio/mpeg, 6.04Mb)

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109. LXIII - B - PART III - PENSUM SEXAGESIMUM TERTIUM
download (audio/mpeg, 8.96Mb)

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110. LXIII - B - PART II - PENSUM SEXAGESIMUM TERTIUM
download (audio/mpeg, 4.25Mb)

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111. LXIII - B - PART I - PENSUM SEXAGESIMUM TERTIUM
download (audio/mpeg, 7.89Mb)

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112. LXIII - A - PART II - PENSUM SEXAGESIMUM TERTIUM
download (audio/mpeg, 15.69Mb)

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113. LXIII - A - PART I - PENSUM SEXAGESIMUM TERTIUM
download (audio/mpeg, 10.88Mb)

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114. 001 - Colloquia Selecta Corderii
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115. LXII - C - PART V - PENSUM ALTERUM ET SEXAGESIMUM
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116. LXII - C - PART IIII - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 9.64Mb)

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117. LXII - C - PART III - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 3.48Mb)

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118. LXII - C - PART II - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 9.49Mb)

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119. LXII - C - PART I - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 5.93Mb)

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120. LXII - B - PART IIII - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 9.24Mb)

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121. LXII - B - PART III - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 11.25Mb)

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122. LXII - B - PART II - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 10.49Mb)

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123. LXII - B - PART I - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 8.37Mb)

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124. LXII - A - PART III - PENSUM ALTERUM ET SEXAGESIMUM
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125. LXII - A - PART II - PENSUM ALTERUM ET SEXAGESIMUM
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126. LXII - A - PART I - PENSUM ALTERUM ET SEXAGESIMUM
download (audio/mpeg, 10.11Mb)

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127. LXI - C - PART III - PENSUM UNUM ET SEXAGESIMUM
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128. LXI - C - PART II - PENSUM UNUM ET SEXAGESIMUM
download (audio/mpeg, 10.09Mb)

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129. LXI - C - PART I - PENSUM UNUM ET SEXAGESIMUM
download (audio/mpeg, 6.09Mb)

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130. LXI - B - PART IIII - PENSUM UNUM ET SEXAGESIMUM
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131. LXI - B - PART III - PENSUM UNUM ET SEXAGESIMUM
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132. LXI - B - PART II - PENSUM UNUM ET SEXAGESIMUM
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133. LXI - B - PART I - PENSUM UNUM ET SEXAGESIMUM
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134. LXI - A - PART III - PENSUM UNUM ET SEXAGESIMUM
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135. LXI - A - PART II - PENSUM UNUM ET SEXAGESIMUM
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136. LXI - A - PART I - PENSUM UNUM ET SEXAGESIMUM
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137. LX - C - PART IIII - PENSUM SEXAGESIMUM
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138. LX - C - PART III - PENSUM SEXAGESIMUM
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139. LX - C - PART II - PENSUM SEXAGESIMUM
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140. LX - C - PART I - PENSUM SEXAGESIMUM
download (audio/mpeg, 7.05Mb)

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141. LX - B - PART IIII - PENSUM SEXAGESIMUM
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142. LX - B - PART III - PENSUM SEXAGESIMUM
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143. LX - B - PART II - PENSUM SEXAGESIMUM
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144. LX - B - PART I - PENSUM SEXAGESIMUM
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145. Niobe - Fabulae Faciles
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146. Androclus and the Lion - Fabulae Faciles
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147. LX - A - PART III - PENSUM SEXAGESIMUM
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148. LX - A - PART II - PENSUM SEXAGESIMUM
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149. LX - A - PART I - PENSUM SEXAGESIMUM
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150. LIX - C - PART IIII - PENSUM UNDESEXAGESIMUM
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151. LIX - C - PART III - PENSUM UNDESEXAGESIMUM
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152. LIX - C - PART II - PENSUM UNDESEXAGESIMUM
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153. LIX - C - PART I - PENSUM UNDESEXAGESIMUM
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154. A Day at the Games - Fabulae Faciles
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155. Lucius returns home - and also the Story of Manlius - Fabulae Faciles
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156. Romulus and Remus - Fabulae Faciles
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157. Castor and Pollux - Fabulae Faciles
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158. Cornelia 015 - Fabulae Faciles
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159. Cornelia 014 - Fabulae Faciles
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160. Cornelia 013 - Fabulae Faciles
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161. 003 - Tacitus Annalium Liber Primus (third part) - read by Johan Winge
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Description: 003 - Tacitus Annalium Liber Primus (third part) - read by Johan Winge. Released under Creative Commons License, and may not be reproduced for commercial purposes.http://www.archive.org/details/TacitiAnnali umLiberPrimusStudyPace I have altered the tempo of this series of recordings by 20%. Johan initially recorded the book at a slower pace (to facilitate study).

162. 002 - Tacitus Annalium Liber Primus (second part) - read by Johan Winge
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Description: Read by Johan Winge of Sweden Released under Creative Commons License, and may not be reproduced for commercial purposes.http://www.archive.org/details/TacitiAnnali umLiberPrimusStudyPace I have altered the tempo of this series of recordings by 20%. Johan initially recorded the book at a slower pace (to facilitate study).

163. 002 - Gender of Nouns - Hickie
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Description: Second Part for learning the Gender of Nouns, given over in Latin only, from Hickie's Grammar.

164. 001 - Gender of Nouns - Hickie
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Description: The rules for memorising the gender of nouns, given over in Latin only, from Hickie's Grammar.

165. 001 - Tacitus Annalium Liber Primus (first part) - read by Johan Winge
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Description: Tacitus Annalium Liber Primus (first part) Read by Johan Winge of Sweden Released under Creative Commons License, and may not be reproduced for commercial purposes.http://www.archive.org/details/TacitiAnnali umLiberPrimusStudyPace I have altered the tempo of this series of recordings by 20%. Johan initially recorded the book at a slower pace (to facilitate study).

166. Cornelia 012 - Fabulae Faciles
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167. Cornelia 011 - Fabulae Faciles
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168. Cornelia 010 - Fabulae Faciles
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169. Cornelia 009 - Fabulae Faciles
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170. Cornelia 008 - Fabulae Faciles
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171. Cornelia 007 - Fabulae Faciles
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172. Cornelia 006 - Fabulae Faciles
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173. Latinum 001 - Fabulae Faciles
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Description: From Robinson's "Latinum", A Reader for the First Stage of Latin. Cambridge University Press, 1940. Reproduced here in audio with the kind permission of the publisher.

174. Cornelia 005 - Fabulae Faciles
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175. Cornelia 004 - Fabulae Faciles
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176. Cornelia 003 - Fabulae Faciles
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177. Cornelia 002 - Fabulae Faciles
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178. Cornelia 001 - Fabulae Faciles
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179. Hercules' Early Life - Junior Latin Reader
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Description: Story of Hercules until the start of this Labours, from the Sanford and Scott's "Junior Latin Reader." If you have reached lesson 50 or so of Adler, and have listened at least once to the vocabulary building files, you should be able to listen to and enjoy this story in simple Latin, which is read slowly. The book can be downloaded as a pdf from the Internet Archive.

180. Perseus - from The Junior Latin Reader
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Description: Story of Perseus from the Sanford and Scott's "Junior Latin Reader." If you have reached lesson 50 or so of Adler, and have listened at least once to the vocabulary building files, you should be able to listen to, and enjoy this story in simple Latin story. The book can be downloaded as a pdf from the Internet Archive.

181. LIX - B - PART IIII - PENSUM UNDESEXAGESIMUM
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182. LIX - B - PART III - PENSUM UNDESEXAGESIMUM
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183. LIX - B - PART II - PENSUM UNDESEXAGESIMUM
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184. LIX - B - PART I - PENSUM UNDESEXAGESIMUM
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185. LIX - A - PART IIII - PENSUM UNDESEXAGESIMUM
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186. LIX - A - PART III - PENSUM UNDESEXAGESIMUM
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187. Declensions - all cases compared with the nominative singular forms.
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Description: I noticed that when I think of a case, I first think of the nominative singular form of the word, and then my mind jumps to the case form needed. As my mind seems to work this way, I thought this might be a common phenomenon - certainly, when speaking, there is no time to imagine a declension table and then pick the right form - the forms need to be available more quickly than that. This short recording, if played a few times, should help engrave this information into your mind, as it runs through examples drawn from all the word types found in all the declensions. 1.nominative singular versus nominative plural 2.nom sing versus accusative singular 3. nom.sing. versus accusative plural 4. nom. sing versus ablative sing. 5. nom sing versus dative and ablative plurals 6. nom sing versus dative singular 7. nom singr - genitive singular 8. nom sing - genitive plural

188. LIX - A - PART II - PENSUM UNDESEXAGESIMUM
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189. LIX - A - PART I - PENSUM UNDESEXAGESIMUM
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190. LVIII - C - PART IIII - PENSUM DUODESEXAGESIMUM
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Description: Online Latin language audio course for learning Classical Latin Opening the Tomb: “For fully two centuries the humanists acted as if Latin were, and must remain, the only language worthy to be written.” Their purified version of Latin spread beyond Italy to become the language of the nascent Republic of Letters all across Europe. But in time, the modernizing spirit that the Renaissance let loose came to see Latin itself as archaic and outmoded. Even as the Neo-Latinists were writing works they hoped would last forever, the modern European languages began to produce their own classics: Rabelais and Montaigne, Shakespeare and Cervantes. Today, it is these vernacular writers whom we read in order to taste the spirit of the Renaissance, and not Latin masters like Angelo Poliziano, Leonardo Bruni, and Leon Battista Alberti. The Neo-Latinists thought they were putting their works into a time capsule; in fact, it turned out to be a tomb." So, get on with your Latin lessons here on Latinum, and help the world re-open that tomb. All these wonderful books written in the renaissance are once again easily accessible through Google Books.

191. LVIII - C - PART III - PENSUM DUODESEXAGESIMUM
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192. LVIII - C - PART II - PENSUM DUODESEXAGESIMUM
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193. LVIII - C - PART I- PENSUM DUODESEXAGESIMUM
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194. LVIII - B - PART IIII- PENSUM DUODESEXAGESIMUM
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Description: Online Latin Language Audio Course for Classical Latin.

195. LVIII - B - PART III- PENSUM DUODESEXAGESIMUM
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Description: Online Latin language audio course for learning Classical Latin.

196. LVIII - B - PART II- PENSUM DUODESEXAGESIMUM
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Description: Online Latin language audio course for learning how to speak Classical Latin

197. LVIII - B - PART I- PENSUM DUODESEXAGESIMUM
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Description: Online Latin language audio course for learning how to speak Classical Latin On Renaissance Latin Authors: Polish Renaissance literature was essentially bilingual. Many writers, for example, Krzycki, Janiciusz, and Copernicus, wrote only in Latin. Some poets, most notably Kochanowski, Klonowic, and Szymonowic, used both Latin and Polish throughout their lives.

198. LVIII - A - PART IIII- PENSUM DUODESEXAGESIMUM
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Description: The course materials of Latinum make the language as accessible as possible for the distance learner and no prior experience of language learning is assumed by the course that we offer here. The Latinum course uses Adler's textbook, which holds your hand along the way. The course provides you with steady support throughout. Grammatical concepts are introduced gradually, and vocabulary that you learn is constantly reinforced in the multitude of oral exercises. The course is an audio course, and it requires that you listen to the lessons rather intensively - however, you can put the lessons on an ipod and go about your daily business, while studying Latin.

199. LVIII - A - PART III- PENSUM DUODESEXAGESIMUM
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Description: Online Latin Language Audio Course, for learning how to become fluent in Classical Latin. __________________________________ Nobilitas Literaria When the German humanist Crotus Rubeanus (1480-1545), known primarily as the co-author of the Epistolae obscurorum virorum, in 1521 wrote a report at the end of his brief rectorate of the university of Erfurt, he added a large picture. In the center of that colorful parchment he proudly had painted his family coat of arms, a hunting horn held by a hand, an allusion to his pre-humanist name "Jäger", that is hunter. This coat of arms is framed by 16 smaller coats of arms, of which the four somewhat larger one in the corners belong to Erasmus of Rotterdam, Martin Luther, Johannes Reuchlin and Mutianus Rufus, while the remaining twelve depict the heraldic signs of his personal friends: Ulrich von Hutten, Eobanus Hessus, Justus Jonas, Philipp Melanchthon, Johann Lang, Peter Eberbach, Forchemius (Georg Peltz aus Forchheim), Heinrich Urban or Urbanus, Andreas Carlstadt, Adam Kraft, Joachim Camerarius and Jodocus Menus. The document, preserved in the Municipal Archives of Erfurt, is remarkable for a number of reasons: first, next to the three leading heads of German Renaissance humanism of the time, Reuchlin, Mutian and Erasmus, Luther is added as the champion of the new cultural movement of humanism. Second, the inscriptions and mottoes are in the three holy languages the humanists thought essential for any humanist, Latin, Greek and Hebrew. Thirdly, the iconographical lay-out points to the typical humanist form of a community, a "sodalitas" . And fourthly, and for our context most importantly, the very fact that Crotus had made these coats of arms is in itself remarkable. Coats of arms were after all were the privilege of the nobility. All of the persons depicted here through their heraldic signs, with the exception of Ulrich von Hutten, came from a bourgeois background, and some like Eobanus Hessus and Crotus himself from peasant stock. To be sure, nine years before, in 1512, Mutianus Rufus, the undisputed head of the Erfurt, or to be precise Gotha humanists, had created his own set of coats of arms for his friends Spalatinus, Crotus, Urbanus and Jonas, thus eliminating the stigma of the lack of coats of arms. Crotus's colorful drawing as well as Mutianus's earlier heraldic creations on behalf of his friends point to the claim of the humanists to belong to a nobilitas literaria, a nobility, to be sure, which derived its identity not through birth and privileges but through education and personal achievement and a shared interest in antiquity.

200. LVIII - A - PART II - PENSUM DUODESEXAGESIMUM
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Description: Latin online audio course for studying how to speak classical Latin fluently. ______________________________ If you progress in your study of Latin, you will surely come to appreciate the virile style, expressive power of a language that was for centuries the main international language of the Western European intelligentsia. Sticking with the course we offer here on Latinum will enable you to fluently read the world's most famous poetry and oratory, while giving you access to a rich literature spanning centuries, without your mother tongue running through your head, but thinking in Latin.

201. LVIII - A - PART I- PENSUM DUODESEXAGESIMUM
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Description: Latin online audio course for learning how to speak Classical Latin. ______________________________ Today, Latin is taught primarily for the purpose of translating ancient literature. It is not really taught conversationally, however, this course is an exception to the general rule. Proficiency in Latin is achieved in reading and translating, but true fluency can only be achieved through learning how to speak the language.

202. LVII - C - PART IIII- PENSUM QUINQUAGESIMUM SEPTIMUM
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Description: Complete online audio course for studying the Latin language ______________________________ To be entirely ignorant of the Latin language is like being in a fine country on a misty day. The horizon is extremely limited. Nothing can be seen clearly except that which is quite close; a few steps beyond, everything is buried in obscurity. But the Latinist has a wide view, embracing modern times, the Middle Age and Antiquity; and his mental horizon is still further enlarged if he studies Greek or even Sanscrit. If a man knows no Latin, he belongs to the vulgar, even though he be a great virtuoso on the electrical machine and have the base of hydrofluoric acid in his crucible. There is no better recreation for the mind than the study of the ancient classics. Take any one of them into your hand, be it only for half an hour, and you will feel yourself refreshed, relieved, purified, ennobled, strengthened; just as if you had quenched your thirst at some pure spring. Is this the effect of the old language and its perfect expression, or is it the greatness of the minds whose works remain unharmed and unweakened by the lapse of a thousand years? Perhaps both together. But this I know. If the threatened calamity should ever come, and the ancient languages cease to be taught, a new literature shall arise, of such barbarous, shallow and worthless stuff as never was seen before. Schopenhauer (1788-1860)

203. LVII - C - PART III- PENSUM QUINQUAGESIMUM SEPTIMUM
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Description: online latin language audio course The abolition of Latin as the universal language of learned men, together with the rise of that provincialism which attaches to national literatures, has been a real misfortune for the cause of knowledge in Europe. For it was chiefly through the medium of the Latin language that a learned public existed in Europe at all -- a public to which every book as it came out directly appealed. The number of minds in the whole of Europe that are capable of thinking and judging is small, as it is; but when the audience is broken up and severed by differences of language, the good these minds can do is very much weakened. This is a great disadvantage; but a second and worse one will follow, namely, that the ancient languages will cease to be taught at all. The neglect of them is rapidly gaining ground in France and Germany. If it should really come to this, then farewell, humanity! farewell, noble taste and high thinking! The age of barbarism will return, in spite of railways, telegraphs and balloons. We shall thus in the end lose one more advantage possessed by all our ancestors. For Latin is not only a key to the knowledge of Roman antiquity; it also directly opens up to us the Middle Age in every country in Europe, and modern times as well, down to about the year 1750. Schopenhauer (1788-1860)

204. LVII - C - PART II- PENSUM QUINQUAGESIMUM SEPTIMUM
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205. LVII - C - PART I- PENSUM QUINQUAGESIMUM SEPTIMUM
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206. LVII - B - PART IIII- PENSUM QUINQUAGESIMUM SEPTIMUM
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207. LVII - B - PART III- PENSUM QUINQUAGESIMUM SEPTIMUM
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Description: ONLINE LATIN LANGUAGE AUDIO COURSE

208. LVII - B - PART II- PENSUM QUINQUAGESIMUM SEPTIMUM
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Description: ONLINE LATIN LANGUAGE AUDIO COURSE"Francesco Petrarca would have been surprised at how it all turned out. In the end he acquired--as he had hoped--a fame that far outlived his time. But it happened not at all in the way he expected. The great scholar-poet (1304-1374) was already, it is true, famous in his own day as a writer of passionate love lyrics in Italian. There were few educated Italians of the fourteenth century who did not know his Canzoniere (Book of Songs). Yet Petrarch himself believed that the fame he had won from his intricately wrought sonnets and canzoni could not long survive. The private title he gave his Canzoniere--significantly, a Latin title--was Rerum Vulgarium Fragmenta, which means something like "Bits of Stuff in the Vulgar Tongue." This rather dismissive title shows, in effect, what Petrarch the Latin author thought of Petrarch the volgare poet. Petrarch the Latin author never dreamed that the canonical status he would one day enjoy would come not from his Latin epic, the Africa, or from his numerous other Latin writings, but from those little "bits of stuff." True, universal, eternal fame, he was sure, could come only from works written in the eternal tongue of the ancient Romans. That is why the greatest Italian poet of his time spent the better part of his career writing in a language that, today, hardly anyone reads." (i Tatti Library) So, get on with your Latin studies, a whole universe of magnificent Literature awaits you!

209. LVII - B - PART I- PENSUM QUINQUAGESIMUM SEPTIMUM
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210. LVII - A - PART III- PENSUM QUINQUAGESIMUM SEPTIMUM
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211. LVII - A - PART II- PENSUM QUINQUAGESIMUM SEPTIMUM
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212. LVII - A - PART I- PENSUM QUINQUAGESIMUM SEPTIMUM
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213. Ablatives, revision for singular and plural, all declensions
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Description: Ablatives of all declensions, in the context of a simple sentence, in singular and then plural. This method of rehearsing your knowledge is more useful than learning a declension table, when it comes to actualising and activating your knowledge. Just because it is possible to make tables of declensions, does not mean that memorising tables is the fastest way to learn the material. One's knowledge should be instinctual. This revision exercise is designed to encourage you to develop an instinctual knowledge of the ablative case.

214. Accusative Case Revision
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Description: This original lesson contains the singular and plural forms of examples drawn from all declensions of the accusative. The same examples are used as in the previous revision of the nominative, with the verb habeo. This is a more natural way of learning the case endings for the different declensions,and is probably similar to oral methods used by the ancients. Just because you can make a pretty grammar table, does not mean that memorising the table is the most practical way to internalise the information.

215. Nominative Case Revision
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Description: This original lesson follows the following form: Each question contains singular and plural in the form of question and answer, covering all declensions, nominative case only. Estne tibi charta? Immo, sunt mihi chartae. Suntne tibi musae? Vero, domine, sunt mihi musae. Estne tibi dominus? Immo, sunt mihi domini. Suntne tibi domini? Vero, sunt mihi domini. Suntne tibi dii? Immo vero, est mihi deus. Estne tibi deus? Ita est, domine, est mihi deus. All declensions are covered. This is a more natural way of learning the case endings for the different declensions,and is probably similar to oral methods used by the ancients. Just because you can make a pretty grammar table, does not mean that memorising the table is the most practical way to internalise the information.

216. LVI - C- PART IIII- PENSUM QUINQUAGESIMUM SEXTUM
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217. LVI - C- PART III- PENSUM QUINQUAGESIMUM SEXTUM
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218. LVI - C- PART II - PENSUM QUINQUAGESIMUM SEXTUM
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219. LVI - C- PART I- PENSUM QUINQUAGESIMUM SEXTUM
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220. LVI - B- PART IIII- PENSUM QUINQUAGESIMUM SEXTUM
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221. LVI - B- PART III- PENSUM QUINQUAGESIMUM SEXTUM
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222. LVI - B- PART II- PENSUM QUINQUAGESIMUM SEXTUM
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223. LVI - B- PART I- PENSUM QUINQUAGESIMUM SEXTUM
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224. LVI - A- PART V- PENSUM QUINQUAGESIMUM SEXTUM
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225. LVI - A- PART IIII- PENSUM QUINQUAGESIMUM SEXTUM
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Description: online latin language audio course On Renaissance Latin and the Great Latin Revivial after Petrarch: "Recovering the classics was only the beginning. Ancient Latin literature could not truly be said to be alive once more until modern writers were able to capture their own experience in that incomparable vehicle of thought and feeling that is the Latin language. To create the conditions for a modern Latin literary movement was the task of the humanist schoolmaster. Practice in Latin composition began in grammar school, with exercises in imitation of the best authors. Increased mastery led sometimes, in the case of a Poliziano or an Erasmus, to the emergence of a flexible, distinctive voice that, while still "classical" in grammar, syntax, and vocabulary, was recognizably individual. More commonly it led to facility in sub-Ciceronian prose, the mandarin discourse of the time, or an ability to turn out smooth Ovidian hexameters for all occasions. In the greatest artists it led to aemulatio, the attempt to rival and even surpass the ancients in power, precision, and beauty of expression." i Tatti Library Is the Renaissance dead? If the Scholars of the Renaissance could master Latin, so can you!!!

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227. LVI - A- PART II- PENSUM QUINQUAGESIMUM SEXTUM
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228. LVI - A- PART I- PENSUM QUINQUAGESIMUM SEXTUM
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229. LV - C- PART II - PENSUM QUINQUAGESIMUM QUINTUM
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230. LV - C- PART I - PENSUM QUINQUAGESIMUM QUINTUM
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231. LV - B - PART III - PENSUM QUINQUAGESIMUM QUINTUM
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Description: Online latin language audio course"Petrarch longed to master the language the ancient Romans had spoken: copious, precise, lapidary; grave and elegant by turns. Latin had once been an imperial language, a language of timeless beauty, spoken by beings of superior wisdom and virtue. It was a language bursting with potency, able to fire cold hearts and elevate base spirits. That language was now lost. If, as Petrarch and his followers hoped, the strength and civilization of the ancient Romans could have a second birth, that Renaissance would have to begin with a rebirth of the Latin language. A renewal of the ancestral language and literature of Italy was the key to the return of her ancient greatness. Thus the man the modern world remembers as a love poet (but who in reality was much more than that) began a great literary movement which was to last for more than three centuries after his death. The movement began in Italy in the fourteenth century but spread by the sixteenth century to Northern and Eastern Europe, the Balkans, Spain, and the New World. Its program was to reverse the linguistic effects of the fall of Rome, push back the borders of barbarism, and renew the noble, refined intercourse of the ancients. This program lay at the heart of the movement we call Renaissance humanism. It enlisted tens of thousands of literary men and women, and produced hundreds of thousands of literary artifacts. For three centuries it flourished alongside the developing vernacular literatures, sometime in rivalry with them, but more often in fruitful symbiosis. Indeed, the vernacular literatures of most Western countries were decisively shaped by their long cohabitation with modern Latin letters. The imitation of antiquity which is the keynote of early modern vernacular writing was always mediated by the Respublica litterarum, the living republic of Latin letters. " i Tatti Library

232. LV - B - PART II - PENSUM QUINQUAGESIMUM QUINTUM
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233. LV - B - PART I - PENSUM QUINQUAGESIMUM QUINTUM
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234. LV - A - PART IIII - PENSUM QUINQUAGESIMUM QUINTUM
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236. LV - A - PART II - PENSUM QUINQUAGESIMUM QUINTUM
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237. LV - A - PART I - PENSUM QUINQUAGESIMUM QUINTUM
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238. LIV - C - PART III - PENSUM QUINQUAGESIMUM QUARTUM
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241. LIV - B - PART III - PENSUM QUINQUAGESIMUM QUARTUM
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246. LIII - C - part III - PENSUM QUINQUAGESIMUM TERTIUM
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254. LII - C - Part III PENSUM ALTERUM ET QUINQUAGESIMUM
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Description: LATIN

278. L - C PART II PENSUM QUINQUAGESIMUM
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Description: LATIN

279. L - C PART I PENSUM QUINQUAGESIMUM
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Description: LATIN

280. L - B PART III PENSUM QUINQUAGESIMUM
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Description: latin

281. FABULAE FACILES - A LETTER FROM THE COUNTRYSIDE
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Description:

282. FABULAE FACILES - HERCULES AND THE SNAKES
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Description: FABULAE FACILES - HERCULES AND THE SNAKES LATIN These stories are in Latin only. Once you have reached chapter 50 of Adler,and have gone through the vocabulary building material,(both the oral stuff, and the photos on the imaginum vocabularium) then you should be able to listen to them with pleasure, and understand everything.

283. INTRODUCTORY EPISODE
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Description: WELCOME TO Latinum, Latin language learning podcast from London. - OVER 2,522,000 AUDIO FILES DOWNLOADED SINCE MAY 2007- " Example before the rule" is a great principle of language learning. Viva voce methods save time, rules are grasped more quickly. Systematic use of viva voce Latin leads to rapidly gaining the required intuitive familiarity with Latin sentence construction, and the learning of correct vowel quantity from the beginning. Vocabulary is learned in a more natural way. The intention is to use the resources offered here to get good enough to actually get to think in the language, to live in it. This is the Renaissance Method. The recorded lessons from Adler's Textbook, " A Practical Grammar of the Latin Language" form the core of the podcast. Adler's book can be downloaded for free from Google Books, who especially re-scanned this important textbook for us. Vale. Evan Millner London Many thanks to the following individuals and organisations for appearing (listed in no particular order) on this Podcast: The Cambridge University Press; The University of Canterbury, New Zealand; University of California, Los Angeles; Loyola Marymount University, Los Angeles; Swarthmore College, Department of Classics; Stephen Daitz (Sorgll); Robert Sonkowsky (Sorgll); Wakefield Foster (Sorgll); ISTA; Jeroen de Ost; Cantantor; Lucio Amadeo Ranierio; Lorna Robinson, Iris Project; Ruben Sitto; Hefyd; Melissa Foundation; Charles Umiker; Iohannes Alatius; Brad Walton; Charlie McNamara.

284. L - B PART II PENSUM QUINQUAGESIMUM
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Description: Latin

285. L - B PART I PENSUM QUINQUAGESIMUM
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Description: Latin

286. L - A PART XI PENSUM QUINQUAGESIMUM
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Description: Latin

287. L - A PART X PENSUM QUINQUAGESIMUM
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Description: Latin

288. L - A PART IX PENSUM QUINQUAGESIMUM