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Podcast title Branded in the 80s!
Website URL http://smurfwreck.libsyn.com
Description Branded in the 80s is an ongoing discussion about the pop culture I've grown up with and loved since I was a kid.
Updated Wed, 27 Jan 2010 15:08:00 GMT
Image Branded in the 80s!
Category TV & Film
Games & Hobbies
Society & Culture
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Episodes

1. Soda, an explanation...
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So, I thought I'd start off this new column with a quick explanation of why I wanted to start writing about bubbly colored sugar water, as well as to sort of backdate the column to include some pieces I wrote about six million years ago that really seem to fit into this whole idea.

First, the backdating.  Content-wise on this site, one of the first things that I couldn't wait to write about on this site was my love of the 7-Eleven Slurpee, and the various related frozen soda-esque drinks that dot the landscape of fast food joints, gas stations, and convenience stores in America.  While breaking down all of the various nostalgic memories of food-related items into categories, I can't help but notice that a few float to the top.   When I think of fast food, I think of Long John Silvers.  Favorite at-home food item as a kid = Chef Boyardee Mini Raviolis.  And when I think of my favorite drinks, Slurpees are right up there at the top.

As a kid I wasn't really allowed to drink much soda.   Usually I was permitted my fill of Shirley Temples while dining at Red Lobster on special occasions, or whenever we hit a fast food joint, which was pretty rare.   The only exceptions were a free pass to get a Slurpee anytime we'd hit a 7-Eleven, or an Icee when we went to K-Mart. At the time I never equated frozen drinks with soda, most likely because I tended to stray from the basic Coke version of these frosty beverages in favor of whatever fruit flavor was available at the time.  But when you break it down, most of these frozen drinks are just slightly less carbonated sodas, so the series of article/reviews I did feel like they fit into the new column's tone and content.   I've also written about some crazy sodas over the years, so I figured for simplicity's sake (at least as far as making the site archives nice and neat) I'd include all of these past bits.

Now as far as why I all of a sudden have the bug to write about soda, well that came about this past November when the wife and I made out first visit to the World of Coke museum here in Atlanta.  Though I've lived in and around the Atlanta area for the past 20 years I never made it over to this liquid sugar shrine, and while twiddling our thumbs in boredom one weekend it finally seemed like it was time to check it out.  Honestly, I wasn't expecting the museum to alleviate my boredom as it really does seem like a hokey cash-grab by one of the nations largest companies, not to mention that it was almost certain to be two or three hours of in-your-face advertising that I was paying for the privilege to sit through.

While my cynicism for the experience was more or less confirmed, I had to admit that there was a charm to the place, in particular the final stretch of the self-guided tour which consisted of a free, all-you-can-drink tasting area.  This was the section I was really looking forward to having had a inkling of what it would be like after a couple recent visits to Disney's Epcot which houses a miniature version of this tasting room in the Future World section of the park called Club Cool.  Whereas there were only 8 flavors to choose from at Epcot, the full on World of Coke tasting area features over 60 different Coca Cola brand products.  I scoffed when the tour guide challenged everyone to try all the flavors, and then I left the museum with an intense tummy ache after only making my way through 50 off varieties.

Not being one that backs down from a stupid challenge, especially a stupid pop culture challenge, the wife and I decided to go back to the museum two weeks later determined to not only try each and every drink, but to also write up some reviews and thoughts.  You know, for content on Branded.  Anyway, after achieving this inane diabetes-inducing goal I inadvertently got soda fever and was curious about how many different varieties were peppering our local grocery and specialty stores.  100 bottles later I decided that the only way to justify the sugar intake, not to mention the expense, was to cover all of these finds for the site, hopefully jarring some interesting thoughts and observations along the way.

Next week I'm going to dive into the column proper with the first of a three part look at the insane tasting area at the World of Coke.



2. Coming soon, Soda Pop Culture!
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Usually around this time of year I can't help but slip into a post holiday internet coma, not unlike the hibernation schedule of many rodents, large hairy mammals, and marsupials, just with a lot less sleep-induced burning of fat, and a lot more avoiding the computer.  Seems like I've been shaken awake this year though and will probably start posting on a more regular schedule.  So I wanted to take a second and announce a new column I've been preparing, Soda Pop Culture

Hopefully it'll be taking an interesting look at the plethora of fine, fizzy, sometimes caffeinated, sometimes fruity beverages that have been keeping this country happy and alert for over a hundred years, not to mention contributing to the population's ill health and unfortunate rise in diabetics.  Sound like fun?  I hope so.  Since Peel Here has been winding down for awhile, I thought it would be nice to switch gears a and slip away form ephemera for awhile and get back to some of the r oots of this site.



I'll also be making a lot of noise about one of the projects I'm working on for this year that I’'m really excited about, the 1st Up! Fair coming November 19th and 20th, at the Carnegie Center for Literacy & Learning in Lexington, KY.  Heck, it even got me excited enough to put pencil & ink to paper for the first time in over a year (by designing and drawing this banner…



Anyway, consider this bear nudged.



3. Forget Thanksgiving, Come Visit Me at the Up Fair in November!
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Description: I thought I'd step up out of my post holiday malaise for a second and announce something just absolutely super-cool.  On November the 19th & 20th, at the Carnegie Center for Literacy & Learning in Lexington, KY, the very first Up Fair will be held!



So what's an Up Fair you ask, well in a nutshell it's a symposium celebrating independent creative artists, writers, and print publishers, providing a venue for sharing thoughts and ideas on the process of creating comics, as well as other forms of independent publishing (including zines and books.)  Basically it's an answer for those who are frustrated with the larger comic conventions and who find that there isn't a whole lot of room for truly independent self-publishers in the over-priced, low-traffic Artist Alleys of most mainstream shows.

In addition to an exhibitor's hall, there's also going to be all sorts of hands on workshops (screen printing, character design, process, self publishing, making mini and boutique comics, etc.) for all skill levels (novice to professional) lead by range of talented artists and writers.  There will also be an art exhibit as well as other activities (like a Drink & Draw social the evening before the convention.)



The Up Fair is the shared brainchild of a great pool of independent artists including Mark Rudolph, Kevin Cross, Sara Turner, and Anne & Jerzy Drozd (whose artwork you can see above in that order.)  Between the five of them they bring decades of experience in comic and print making, as well as teaching at a professional level.   My wife Carrie and I have also wormed our way into the organizational committee and we can't wait to start recruiting artists and publishers and getting the finalized programming nailed down.  Best of all, this show is completely FREE to the public, and being in Lexington it's centrally located so we're hoping to have a wide and varied turnout for what promises to be a really fun experience.

For more information on the show, please check out the Up Fair website and download episode 116 of the Art & Story Podcast for the official announcement and mission statement from the organizers.  You can also get updates on news, guests, and programming by subscribing to the Up Fair RSS feed, as well as following the Fair on Twitter.  If you're interested in exhibiting at the show, stay tuned as we're finalizing the jurying/registration process.  Finally, if you're interested in helping to support the show, a great start would be spreading the word and linking to the Up Fair site.





4. Saturday Supercast 25 - Christmas, Part 2!
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Like a playful snowball to the face, The Saturday Supercast is back again with episode 25!  In honor of the very merriest of seasons Jerzy, Kevin, and I decided is was the perfect time to tackle another Rankin/Bass special from the 80s as well as revisiting the G.I. Joe cartoon series.   This episode is the second of a two part exploration taking a look at the magic and wonder of some amazing Christmas themed stop motion animagic.

Beginning with The New Adventures of Pinocchio in 1960 Rankin/Bass established themselves as one of the foremost pop culture animation houses in America.  Arthur Rankin Jr. & Jules Bass (along with a bevy of puppeteers, seamstresses, artisans, animators, musicians and talented actors & voice actors) spent the better part of thirty years bringing exceptional all-ages entertainment into our homes and theaters.  In fact, from the debut of Rudolph, the Red-Nosed Reindeer in 1964 Rankin/Bass became synonymous with the Christmas season.  Between 1964 and 1985 the studio produced 18 beloved Christmas specials and feature films including Frosty the Snowman, Santa Claus is Comin' To Town, The Little Drummer Boy, 'Twas the Night Before Christmas, and Jack Frost.

For this special holiday episode of the Supercast we decided to kick of the discussion with a look at the obscure 1981 Rankin/Bass special, The Leprechaun's Christmas Goldâ



âand we follow that up with a special guest to the round-table, Mark Rudolph of CV Comics, the Art & Story podcast, and the creator behind the Curse of the Pharaohs, to talk about a very merry episode of G.I. Joe: A Real American Hero, Cobra Claws are Coming to Townâ



In the episode we also talk about Christmas episodes of other 80s/90s era cartoons like Batman the Animated Series (Christmas with the Joker), Justice League (Comfort and Joy), Batman: Brave and the Bold (Invasion of the Secret Santas, Part 1 & Part 2), the He-Man & She-Ra Christmas Special, the Flintstones Christmas special, the insane Star Wars Holiday Special (Find all 15 parts of the special here), and the one G1 Transformers Christmas story we can recall.  We also mention the new online video service called Jaroo.com which features free viewing of such great cartoon series as Paddington Bear, Pole Position, the Littles, Jayce and the Wheeled Warriors, Ulysses in the 31st Century, StarCom, Inspector Gadget, and Captain N the Gamemaster.

As for the Leprechaun's Christmas Gold we also get into some more great Rankin/Bass voice acting from Robert McFadden and a surprisingly well-done Irish brogue from Art Carney, Bing Crosby's rendition of Christmas in Killarney, 80s era political correctness keeping the Leprechaun's Christmas Gold a little more obscure, b anshees and the folklore and superstitions that arise in different regions of the world (including banshee combs and the concept of not directly passing the salt to another person), folklore hero and villain archetypes, battling the Devil, the lack of traditional Christmas lore in the LCG special, Czech shadow puppetry, the chroma key effect, the Last Unicorn and Rankin/Bass' tradition of great animated water/waves, and Rankin/Bass' clever use of common household items in their stop motion work.

While discussing the Cobra Claws are Coming to Town we also mention our previous round-table episodes on the G.I. Joe series in episodes 19 & 20 of the Saturday Supercast as well as getting into the very tenuous Christmas message in this episode, Toys for Tots, some more of the excellent voice-work by Frank Welker (who plays Polly in this episode), Neil Ross (Shipwreck), Arthur Burghardt (Destro), Morgan Lofting (the Baroness), & Liz Aubrey (Covergirl), the impending Shout Factory DVD re-release of G.I. Joe the Movie, Covergirl's make-over as the cartoon series progressed, the writing chops of Gerry & Carla Conway and Roy & Dan Thomas, Trojan horses, the awesome costume changes of characters in 80s cartoons that feature very obvious seasonal and location changes, Joes out of costume in The Viper is Coming, revealing the real names of the G.I. Joe characters (or the hilarious lack-there-of) in episodes such as Cobra Claws are Coming to Town, The Trader, Flint's Vacation, and Captives of Cobra.

If you're interested in watching The Leprechaun's Christmas Gold, it's available as part of the newly repackaged Classic Christmas Favorites set from Warner Brothers as a special feature on the How the Grinch Stole Christmas DVD.  As for the Cobra Claws episode of G.I. Joe: A Real American Hero, you can also view it for free via Veoh, or you can find the episode on the Complete G.I. Joe series footlocker set, or on the individual sea son 1.3 release scheduled to hit store shelves on February 2nd, 2010.

As for us, well you can find more of Jerzy's work at:
Make Like a Tree Comics
jdrozd.blogspot.com Art & Story Podcast

Kevin is freelance illustrator, comic creator, and podcaster whose work can be found at:
Kevin Cross.net
Big Illustration Party Time Podcast
Ghettomation Podcast
Money Mod Webcomic

âand I am a blogger and irregular podcaster whose stuff you can find, uh, here.

If you have any questions, comments, or heck, even complaints, you can drop us a line at Saturday Supercast!

Become a fan of the Saturday Supercast on Facebook or follow us on Twitter!

Subscribe Through iTunes
Podcast RSS

Direct download of the episode is available here.

5. Saturday Supercast 24 - The Year Without a Santa Claus!
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Jiminycrickets these past two months have been hectic.  As you've probably already deduced there won't be anymore Boris Karloff posts as I'm way off schedule for that week of celebrating and the year is steamrolling over regardless.  On a positive note, Jerzy, Kevin and I had a chance to record some new Saturday Supercasts.  With the holiday season upon us, we decided it was the perfect time to tackle some Rankin/Bass specials from the 70s & 80s.  This episode is the first of a two part exploration taking a look at the magic and wonder of some amazing stop motion animation (Animagic for those Rankin/Bass-o-philes out there.)

Though Stop Motion Animation has been around since the turn of the 20th century (with some of the earliest work attributed to Albert E. Smith and J. Stuart Blackton's The Humpty Dumpty Circus in 1898, not to mention notable live-action/stop-motion pastiches such as The Lost World in 1925 and King Kong in 1933), it wasn't until the 50s & 60s that the medium really enjoyed a golden era.  Between the work of Ray Harryhausen & Willis O'Brian in films such as Mighty Joe Young ('49) and The 7th Voyage of Sinbad ('58), and Art Clokey's Gumby ('57) & Da vey and Goliath ('60) series on television, stop motion was wowing audiences all over the world.

Beginning with The New Adventures of Pinocchio in 1960 Rankin/Bass established themselves as one of the foremost pop culture animation houses in America.   Arthur Rankin Jr. & Jules Bass (along with a bevy of puppeteers, seamstresses, artisans, animators, musicians and talented actors & voice actors) spent the better part of thirty years bringing exceptional all-ages entertainment into our homes and theaters.  In fact, from the debut of Rudolph, the Red-Nosed Reindeer in 1964 Rankin/Bass became synonymous with the Christmas season. Between 1964 and 1985 the studio produced 18 beloved Christmas specials and feature films including Frosty the Snowman, Santa Claus is Comin' To Town, The Little Drummer Boy, 'Twas the Night Before Christmas, and Jack Frost.

For this special holiday episode of the Supercast we decided to kick of the discussion with a look at the 1974 classic inspired by Phyllis McGinley's poem of the same name, The Year Without a Santa Clausâ



In the episode, aside from an in depth summary of the film, we also mention some comic strip inspired seasonal specials such as Ziggy's Gift (parts 1, 2, & 3), Blondie & Dagwood, and Cathy (parts 1, 2, & 3), as well as some other 80s Christmas cartoon specials like Garfield's Christmas (parts 1, 2, & 3), Pac-Man: Christmas Comes to Pacland (parts 1, 2, & 3), and the He-Man & She-Ra Christmas Special.  We also discuss the swell Rankin/Bass tradition of casting wonderful narrators for their specials including Fred Astaire, Burl Ives, Jimmy Durante, Red Skelton, Buddy Hackett, and of course Shirley Booth in The Year Without a Santa Claus, as well as the interesting choices for voice actors including Robert McFadden (best known for playing Snarf and Slythe on Thundercats), Paul Frees, Bradley Bolke, Dick Shawn, George S. Irving, and the number one star in the world Mickey Rooney.

In addition we dig into some of TYWaSC merchandising, the newly produced sequel from Warner Brothers called A Miser Brother's Christmas (which reunites Mickey Rooney and George S. Irving), how Rankin/Bass has that It' s a Small World vibe from the famous Disney attraction, growing up with and without a white Christmas, epic adventure (Rankin/Bass) vs. schmaltzy storytelling (e.g. Olive the Other Reindeer, Growing Pains Christmas special (parts 1, 2, & 3), and < em>Santa Claus: The Movie) in holiday specials, the Boris Karloff reading of McGinley's original poem, The Life & Adventures of Santa Claus, other Rankin/Bass productions (such as Thunderc ats, Silverha wks, Tigersha rks and t he Hobbit), the weird storytelling aesthetics and well-drawn villains of Rankin/Bass productions (Kubla Kraus, Burgermeister Meisterburger, MonStar, Mum-Ra, and the Winter Warlock), the very high degree of craftsmanship in the R/B productions, The differences between the original poem and the animated special, trying to figure out when the special is set (using references and homages like the Charlie Chaplin cameo and the Keystone Cop-like police officer), the connection to the previous Christmas special Santa Claus is Comin' to Town, Murray Laws & Jules Bass' musical collaborations, as well as replacement animation.

If you're interested in watching The Year Without a Santa Claus it's available in both a stand-alone release as well as part of the newly repackaged Classic Christmas Favorites set from Warner Brothers.  You can also view it for free via youtube (parts 1, 2, 3, 4, & 5.)

As for us, well you can find more of Jerzy's work at:
Make Like a Tree Comics
jdrozd.blogspot.com Art & Story Podcast

Kevin is freelance illustrator, comic creator, and podcaster whose work can be found at:
Kevin Cross.net
Big Illustration Party Time Podcast
Ghettomation Podcast
Money Mod Webcomic

âand you probably know where you can find my stuffâ

If you have any questions, comments, or heck, even complaints, you can drop us a line at Saturday Supercast!

Become a fan of the Saturday Supercast on Facebook or follow us on Twitter!

The Sugary Serials theme song was preformed by Umberto.

Subscribe Through iTunes
Podcast RSS

Direct download of episode 24 is available here!

6. Karloff, Day 1...
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Well, it's the first day of the Boris Karloff blog-a-thon, and I am totally unprepared (thanks goofy day job.)  I was working on a theme for this week's worth of Karloff tomfoolery, but the sudden unavailability of the Rankin/Bass film the Daydreamer, kicked that theme right in the short pants.  Basically, I wanted to take a look at Karloff's work in animation, both via his own personal credits (Mad Monster Party, How the Grinch Stole Christmas, and the Daydreamer) as well as the various homages I've noticed. Iâm still going to try and stick to that theme, so we'll see how that goes.

For today though, I wanted to kick things off by saying that I'm one of those kids that has been deeply influenced by the man's performances without really knowing all that much about the man himself.  My first contact with a Karloff was through his narration for Chuck Jones' How the Grinch Stole Christmas, though I never made the connection that this was the same great performer that also brought Frankenstein's monster to life with the 1931 Universal classic.  Actually I don't recall ever thinking about who the man was behind Jack Pierce's wonderful makeup until I was a teenager.  I know I read about Karloff in the Crestwood House Frankenstein book in elementary school, but must not have made an impression (even though that series of books made up a huge portion of my early readingâ)



Even though I count myself among the legion of Universal Horror fans, I still feel that I don't know all that much about the great Karloff, and that's one of the main reasons I wanted to take part in this blogging event.  If nothing else, I'm mighty curious about what the other 100 or so people participating have to say, or what insights into his amazing career I might uncover. 

To find the list of participating sites you should sprint on over to the Frankensteinia, Pierre Fournier's exhaustive and very well written site that covers all aspects of the monster Karloff helped to cement into the popular culture.

With that I'll leave you with an ink drawing of Karloff as the monster I did almost a decade agoâ





7. Branded Microcast Episode 20, Dudikoff!
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Wow, two double-stuffed episodes in a row.  Weird.  At first I was struggling a little to get these up to 10 minutes, now I'm trying my best to keep them below 20 minutes.   Micropodcasting indeed.  Anyway, in episode 20 I spend some time discussing the 1993 action TV series Cobra< /a>â



I also talk about the show's prolific creator Stephen J. Cannell, the new FCC rules regarding "payments" for reviewing, the budget Millcreek DVD release of this series, and the soft-spoken, face-kicking Michael Dudikoff!

8. Branded Microcast Episode 19, You'll believe Richard Pryor can fly...
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As promised in yesterday's Peel Here column, today's microcast is a double stuffed conversation/rant about Superman III.  From the madcap romp of an openingâ



âto the uncomfortably underachieving comedy of the usually much better Richard Pryorâ



There are still a couple of good moments though, including my favorite Superman movie moment, dark Supes versus Clark Kent (even if it doesn't make any logical sense)â



âand the seriously creepy Braniaic-like robot villain ladyâ



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9. Peel Here #95: You'll no longer believe that a man can fly as you see all the bad wirework...
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Peel Here is back after the Halloween hiatus, and I've had some fun with the research for this installment.  The wife and I recently decided it was past time for a culling of our DVD collection as we amassed an insane amount of movies and TV box-sets.  Mind you they were all purchased on the cheap as one of my hobbies is shopping around for bargain DVDs, but after awhile these things start to take up too much space and you find yourself wondering if you really need to own every comic book film ever produced, or those pesky Star Wars prequels.  Well, one of the things that I'd hoped to do was to get rid of any movies in those annoying cardboard snapper cases that Warner Brothers used to be so fond of because they stick out like a sore thumb in the collection and if the plastic spindle that holds the DVD breaks, the whole case is ruined.  I noticed that a lot of stores started carrying a 2-Disc slimcase that has all four Superman movies for $10, so I figured I could upgrade out old snapper case editions of Superman I & II.   Plus I hadn't seen Superman III or IV since the 80s and I kind of wanted to watch those again.

Well, I picked up the DVD this past weekend and Carrie and I sat down over breakfast to watch the train-wreck that is Superman III.  Holy molie was this flick schizophrenic.   I knew there was a bit of light comedy in the Superman movies, but I didn't remember that part three was, for all intents and purposes, a straight up madcap romp!  Anyway, I've recorded an episode of the newly formatted Branded Microcast talking about some of my feelings on the flick, and in conjunction I decided this would also be a great time to share my collection of Superman III Topps sticker cards from 1983â



These have to be, hands down, the ugliest Topps sticker cards ever.  It's the insanity of the patriotic border the designers decided to go with.  Those red and white stripes are enough to make you go blind, especially when you look at a handful of cards all at once like this (apologies to your retinas.)  At least all the main characters are accounted for (though we could have done without the Margot Kidder as Lois Lane sticker seeing as she's only in 5 minutes of the movie after throwing a tantrum over Richard Donner being dismissed during the filming of Superman II.)  Maybe she could have been replaced by Brad the jackass drunk who is horrible at his post-high school security job.  Can I say though how excited it makes me that I now have a Richard Pryor sticker in my collection?  Why didn't the Toy get a Topps card and sticker set?!?



As far as the rest of the set is concerned, I was a little bummed that there were no "dark" Superman stickers included, as that sequence is still a favorite of mine no matter how silly it is in the film.  The designers did pick a nice range of screen captures that encompass most of Superman's powers (heat vision, check, flying, check, super strength, check, super breath, check), though it would have been neat if they'd of used one where he picked up the frozen lake to extinguish the fire in the chemical plant.  We even get a Superman weakened by kryptonite which is nice.



I'm also glad we got at least one sticker of the Vera Webster character turning into the creepy Brainiac-like robot woman, though it would have been super-cool if they'd picked a scene just a few seconds later that had her looking like thisâ



Of course, like most Topps sticker card sets there were some included puzzle-back postersâ



Personally I think the Superman-trapped-in-the-force-field-bubble was a slightly odd choice (I'd of gone with evil Superman and Clark Kent facing offâ)  I do like the second one featuring Supes giving Richard Pryor's Gus a lift home at the end of the filmâ



All in all this was one heck of a bad movie on all sorts of levels.   It wasn't all that funny as a comedy, it was pretty boring as an action film, it was weirdly confusing as a romance, and it was a flat out terrible super hero/comic book movie.  We did get to see Christopher Reeve crush a piece of coal into a perfectly cut diamond to make one of the gaudiest rings known to mankind though.  Hmm.  Eh.

Anyway, come back tomorrow for a microcast where you can listen to me bitching about the movie for twenty minutesâ

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10. Branded Microcast Episode 18, Indian Guides make me feel like Ned Beatty in Deliverance...
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         & nbsp;         & nbsp;         & nbsp;  
In this episode of the microcast I'm reminded of my tenure in the Y MCA sponsored Indian guides program.  Fake bearskin ponchos, gaudy feathered necklaces, goofy yellow headbands, and some great memories of my Dad.  Here's another interesting recollection of the Guides as wellâ



That's me in the middle with the tacky plaid shortsâ



Again, me on the back of the fire truck and my dad marching alongside with the walking stick...

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11. Branded in the 80s Microcast Episode 17, diverting the Scorpio comet your way...
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Oh my god, three microcasts in a row?   I suppose in this post Halloween afterglow it's sort of nice to just talk about some of the stuff that's on my mind rather than try and jump right back into writing columns.  I do have a Peel Here that I want to get to this week though, so look for that later on.  Anyway, in this episode of the Branded Microcast I ramble on about the Pryde of the X-Men cartoon for a bitâ



If you're interested in watching this beauty of a one-shot cartoon, it's up on youtube in nice bite-sized chunks (Part 1, Part 2, Part 3, Part 4, and Part 5.)  I also talk about the X-Men arcade game that was sort of based on the cartoon..

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12. Branded in the 80s Microcast Episode 16, weird books...
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Chugging along with another microcast.  Today features a rambling discussion of odd books including Choose Your Own Adventure style, sitcom adaptations, photonovels, the Pryde of the X-Men graphic novel adaptation of the cartoon pilot, fumetti, and Sadistik (Satanik/Killing) pulps.





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13. Branded Podcast Episode 15, introducing the microcast...
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In trying to get myself podcasting again I've decided to try and stop being so precious with the recording and research and just do it.  My new idea to is too keep these episodes short, like under 15 minutes.  Micro-podcasting.  Anyway, here's the first microcast which is all about the great golden age we're living in as far as toys are concernedâ



In this episode I talk about all the properties and characters that have toys these days like t he Goonies, Akira, E dward Scissorhands, S nake Plissken from Escape from New York, A sh from Army of Darkness, the new Matty Collector Ghostbusters figures, the new Matty Collector He-Man figures, as well as some older stuff that could use some new figures, namely the Karate Kid and V.

You can download the episode here.

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14. Sesame Street turns 40!
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I just wanted to take a second and point to a cool part of the 40th anniversary celebration of Sesame Street that's been going on for a couple weeks now.   In honor of the milestone (and as a part of the upcoming release of the 40 years of Sesame Street DVD set) their website is featuring a 5 week series of voting polls to pick the best segments of the show.  Each week's voting is themed with a decade, and this week it's the 80s.  So head on over to the site and choose your favorite video (I'm all about the "Making Crayons" video personallyâ)





15. 31 Days of Monsters: A Full Recap!
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Well, I just wanted to do a quick re-cap of this year's Halloween Countdown.  I hope everyone enjoyed the 31 Days of Monsters, I know I enjoyed putting it together.  Though I kind of want to take a little breather, I can't help but think about what I'm going to do next year.  Hmmmm.  Anyway, enjoy the monsters!

   

   

   < img border="0" src="http://farm4.static.flickr.com/3596/3798361911_cf1c8815 99_t.jpg"/>

   

   

   

   

   

Now I kind of want to take a 31 day nap!


16. 31 Days of Monsters: #31, Oh the Horror!
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Welcome back to the final day of my 31 Days of Monsters Halloween countdown!  I can't believe the month is over.   In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on today, All Hallows Eve.

Today's monster was voted the creepiest by my lovely wife who just couldn't stand the look of it.  This one is a Class 4 free floating spirit of some alien origin and in the episode, the Ghostbusters have to shuttle up to a space station to fight itâ



I believe this is the sort of monster that falls into the category of a horror.   It's all teeth and tentacles, eyeballs and biting mouths.  Sort of like the Blob, this kind of monster doesn't seem all that scary until it starts to grow and the next thing you know there's just no running from it.  I guess it's a bit of fear through suffocation, and this guy is a bit more than I'd bet even Steve McQueen could handle.   Lucky for us the Ghostbusters were on the job.   If nothing else this monster is colored perfect for the occasion.



As for this particular cel, it's kind of neat because it's part of a scene in the episode where this monster is obscured by the gang of Ghostbusters who are trying to battle it.  So this is the first time that most of this art has seen the light of day (not that you couldn't see similar shots in other scenes...)  Here's a couple screen grabs, the first on the left with my cel, and a second which is a more natural shot of the creature on the right...

  

So that's it for the 31 Days of Monsters here at Branded in the 80s as another Halloween has come and by tomorrow morning it'll just be a great memory.  There was a lot of great stuff posted around the internet this year, so if you want to find your way to a lot more content you can head on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging event.  If you'd like to read more Halloween-y goodness from me, you can also click on the Halloween Archive link to the left (the orange banner with King Kong.)  I don't know about all of you, but I plan on kicking back and watching scary movies with my wife all day and into the night.  Here's hoping we get a good lot of Trick-or-Treators, and I hope every one of you has a great Halloween.  Thanks for stopping by!

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17. 31 Days of Monsters: #30, Weird Green SpiderDogCat!
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We're down to the second to last day of 2009's spooky event, the 31 Days of Monsters Countdown to Halloween.  It's the eve of All Hallow's Eve I guess, and I have my second to last set of monster cels to share.  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on Halloween day.

Today's cel is a really fun one that falls into that category of a more finished image.  The monster is from episode 53, "The Scaring of the Green."  Typically, most background elements are separated out onto a layer of their own, be it a painting on paper behind all the stacked cels, or on a cel layer if there's movement involved in the BG elements.  This cel featuring a huge green saber-toothed cat-like bog hound monster (with super creepy spider-esque eyes) chasing Mr. Venkman is a bit of an anomaly in that the BG elements, as well as both main foreground characters are all painted on one layerâ



I can see this presenting all sorts of problems in the process, most involving either syncing up the artwork in the various cels in the sequence to make sure the animation isn't so bumpy and making sure the cels are painted in the proper sequences so that everything is colored correctly and overlaps properly.  Maybe the animators were going for something more crude in a chase sequence like this and any jarring jumps between cels would work towards the tone of the sequence.  Either way, when taken out of context like this it works very well as a stand alone piece of art.



I do think the hunter green which was chose as the color of the beast was a little unfortunate as it blends in to the black line-work enough to make the shape and features of the creature a little hard to distinguish.  Luckily I have the pencil under-drawing for this piece, thought it was a little damaged by the cel (the paint on the back of the cels sometimes bonds with the paper drawing underneath, probably in the years that these were stored in warehouses.)  You get the basic drift thoughâ



Apparently, the notation NR-5 refers to leaving paint off the cel as it's transparent on my copy of the finished cel.

I was also lucky enough to find a second cel from the same episode featuring this huge bog hound that shows it with a little more definition in the final celâ



I also dig this second one because of the little bits of light yellow green paint illustrating the creature being sucked into a ghost trap.  It's just a nice juxtaposition of a slight painterly style mixed with the clean cel art...



As weird as it might have turned out, I think maybe his spots should have been rendered in another color to help give him some more overall definition.  Anyway...

Also, for any of you Real Ghostbusters fans out there that haven't picked up any of the new DVDs, I've decided to give away a copy of the Volume 1 Steelbook edition of the show!  There are only two days left to enter, so get to the typing...



This 5-disc set contains the first 25 episodes of the series (including the 1st thirteen episode Saturday Morning run) as well as some fun special features.  So what do you have to do to win this beauty?  All you have to do is send me an e-mail (or click on the Creature From the Black Lagoon monster in the sidebar) and make sure to include the following:

-Please put "The Real Ghostbusters Contest" in the subject line.
-List your favorite monster/ghost/creature from the series.
-Include your name.

The deadline for entries is October 31st at Midnight eastern standard time.  I'll be drawing a winner at random from the e-mails, and will respond to the winner via e-mail on November 1st.  Also, if you feel inclined, I would love everyone to spread the word about the 31 Days of Monsters countdown and the contest, so hit up those social networks and tell a friend (my twitter handle is smurfwreck)!
Once again, if you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for the last installment and tell a friend about the 31 Days of Monsters.   If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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18. 31 Days of Monsters: #29, Cthulhu, eat your heart out!
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Welcome back to my 31 Days of Monsters Halloween countdown!  We're into the top three.  Again, as I've been reiterating all month long (imagine I'm saying this next bit super-fast like John Moschitta in a Micro Machines commercial), in honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve. Whewâ

I was thinking that yesterday's flying toothy head monster would have been my top choice, and it probably would be if just on the frightening scale, but today's is the one I think might take away the award for the coolest.  I've mentioned on the this site before how much I like cephalopods, and even though I haven't really gotten into H.P. Lovecraft's Cthulhu mythos all that much, I do love squid monstersâ



When I first came across this guy it was after finding the cel that's below this one, the close up of a similar creature's face.   So I was so happy when I found this zoomed-out view of one of the other spawn of Cathulhu to give the whole thing a bit more definition.  Also, how cool is it that I found a cel where the squid monster is getting his arm blown off!  As you can see from the pencil under-drawing below the destruction is being caused by a proton pack blastâ



In the original animated sequence this blast is obscured by another creature in the foreground, so it's kind of cool to finally get a clear view of this type of action in the cartoon.  Looking a bit closer at the pencil drawing you can see where the animator did a bit of a test with the image by using an exacto knife to cut out the lightning-like charges that surround the blacks from the proton packs.  My guess is that it was testing the backlit animation process, but I can't be sureâ



As I mentioned, I first came into contact with this guy when I found this cel below.   At a distance the create looks a lot less alien, but when you do a super close-up it gets very weird looking indeedâ



These are both from one of my most favorite episodes of the series, #41 "The Collect Call of Cathulhu." 



It was also written by one of my favorite animation writers, Michael Reaves, who has provided some of the best episodes in cartoon series such as He-Man and the Masters of the Universe and Dungeons and Dragons.  I love that for some reason or another he ended up adding the "a" to Cthulhu to differentiate it.  The episode is about as steeped in H.P. Lovecraft mythos as a 30 minute syndicated cartoon could possibly be with all sorts of refrences to the world of Cthulhu like the Necronomicon, Mi skatonic University, and the ficticious city of Arkham, Massachusetts.  Just great stuff!



Once again, if you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.   If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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19. 31 Days of Monsters: #28, Roller-Coaster Dragon!
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We're really getting down to the wire here, and imho these monsters are getting pretty messed up, especially for having aired on Network television in the mid 80s.  My 31 Days of Monsters Halloween countdown only has three more ghoulish creeps to unveil!  For those joining the party late, in honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today we have one of the creepiest bar none.  This probably would have been my pick for the last monster, but my wife is really a better judge of what's creep-tasitc.  Ever since I saw my first Friday the 13th jump-scare back in the mid 80s I've just never been all that afraid of all things horror and monster related.  I also started reading Stephen King and Clive Barker at a pretty young age, so I think I was tempered on the scary.  That doesn't mean I don't appreciate the genre, in fact I love it to death, but I'm very rarely scared or really creeped out (giant spiders, anthropomorphized food products, and multi-armed ghoulies do a pretty good jobâ)



I'm finding that a lot of sharp teeth, especially ones at weird angles are also one of my soft spots.   I think, like most people, I don't like the idea of being bitten, but being torn to shreds while being bitten seems so much worse.  This guy looks like a giant shark with wings and a really flat snout, and I'll bet it would be pretty ugly of you stuck your hand in that gaping maw of his.  Sort of like that scene in Jaws 4 at the beginning when the family's youngest had his arm bitten off and he held up the tattered yellow rain slicker all wet with blood and gore.   I love that I also got a chance to slip in a bit of Peter and Egon before this list came to an end, especially when they're clearly frightened out of their gourds.

This monster is actually a converted set of roller-coaster cars.  It was the handy work of the Boogeyman, one of the Ghostbusters most famous villains.  He hails from episode #81, "The Boggeyman is Back".



As for the cel itself, I was a little bummed that the black line-work on the photocopy portion of the cel has faded so much over time.  Again, not to harp on the quality issues as it worked at the time and for the the purpose it was made for, but as a collector these overseas produced cels just don't last.  In part I'm glad I have a site like Branded to preserve what is left of some of these cels so that I can at least get a digital copy that'll serve as a record frozen in time for anyone who might be interested in cel animation for years to come.

If you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.  Also, if you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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20. Saturday Supercast Episode 23, Halloween Cartoon Specials!
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Well, technically, it's not a Branded podcast, but the Saturday Supercast is back after a brief hiatus with episode 23.  This time out Jerzy, Kevin, and I are filled with the spirit of the Great Pumpkin as we discuss some favorite Halloween specials from our youth.  Throughout the 60s, 70s, & 80s kids all around the western hemisphere were treated with all sorts of cartoon and claymation specials in celebration of the creepiest of holidays.  From branded mainstays like It's the Great Pumpkin Charlie Brown and Garfield's Halloween Adventure, to one-off movies and shows like the Rankin/Bass Mad Monster Party or the Canadian gem the Devil and Daniel Mouse, cartoons have become a really great part of celebrating the spooky season.  In this episode we focus on a couple of obscure specials that we feel gives a nice overview of the genre as a wholeâ

Raggedy Ann & Andy in the Pumpkin Who Couldn't Smileâ


âand the off-the-wall Canadian special Witch's Night Out.


We also spend some time discussing the stable of General Mills' Monster cereals, in particular the wonderful commercia ls, toy premiums, and the actors that the characters pay homage to including Peter Lorre, Bela Lugosi, and Boris Karloff (as well as some missed opportunities in using Vincent Price, Christop her Lee or Peter Cushing for the characters Fruit Brute and Yummy Mummy.)

This episode is chock full of content including some reminiscing over great voice actors like Daws Butler, June Foray, Les Tremayne, as well as the voice talents of Gilda Radner & Cathe rine O'Hara.  We also talk about James Mason's wonderful performance in the UPA Studios amazing rendition of Edgar Allen Poe's The Telltale Heart, the resurgence of the Universal Monsters in the late 50s through the 70s, Marvel and DC monster comics, Aurora monster model kits, Famous Monsters of Filmland, Meg o Monster figures, Be n Cooper and Collegeville Halloween Costumes, the awesome skeleton costumes worn by Johnny and the Cobra Kai in the Karate Kid, the Drak Pack, the Groovie Goolies, Mary & Vincent Price's Treasury of Recipes cookbook, Tom Sito's Drawing the Line, the patented Chuck Jones devilish smile and his 60s & 70s specials including How the Grinch Who Stole Christmas, A Cricket in Times Square and Rikki Tikki Tavi, Dickens' A Christmas Carol, Banjo and Harmonica music, some Halloween history nuggets, Canadian animation and Canada's National Film Board, Nickelodeon, Doug, Mr. Men & Little Misses, Foster's Home for Imaginary Friends, the Halloween Specials website, the Paul Lynde Halloween Special, the iconic CBS Specials intro, the Toon into Animation podcast, Halloween is Grinch Night, and the Ghettomation podcast.

Unfortunately Witch's Night Out is out of print on VHS and currently not available for free viewing on the internet, but if you're curious about watching the Pumpkin Who Couldn't Smile, it's on youtube (part 1, part 2, and part 3.)

As for us, well you can find more of Jerzy's work at:
Make Like a Tree Comics
jdrozd.blogspot.com Art & Story Podcast

Kevin is freelance illustrator, comic creator, and podcaster whose work can be found at:
Kevin Cross.net
Big Illustration Party Time Podcast
Ghettomation Podcast

...and well, you probably know me by now.

If you have any questions, comments, or heck, even complaints, you can drop us a line at Saturday Supercast!

Become a fan of the Saturday Supercast on Facebook!

Follow us on Twitter for show updates and more!

The Sugary Serials theme song was preformed by Umberto.

Subscribe Through iTunes
Podcast RSS

Direct Download of the show here!

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21. 31 Days of Monsters: #27, Red & Handy!
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Welcome to day 27 of my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, (is anyone even reading this first paragraph anymore?) and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today's monster comes from episode 57, "Janine's Day Off", and is just downright weird, red and, well, handy.  There are way too many hands on this guy.  Between his finger goatee, the spider-like fangs coming out of his nose, his two bottom rat teeth, and the extra pair of hands coming out where his ears should be, it's just capitol F-reakyâ



This monster is actually made up of a bunch of little red gremlin-like devils that were besieging the firehouse while Janine was trying to teach a temp how to take care of the guys.  Peter, in his infinite wisdom, decided to reverse the polarity on his proton pack and he blasted the creatures causing them to bind and morph together into huge handy here.



Yeah, I don't know what else I can say about this guy besides the fact that I wouldn't want to meet him in a dark alley without a proton pack strapped to my back!

Once again, if youâre enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.   If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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22. 31 Days of Monsters: #26, Terror Dog!
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We're in the home stretch now on day 26.  For all of those joining me for the first time, welcome to my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today is my all time favorite of the Ghostbusters monsters, not to mention the second most iconic villain from the 1st movie, the Terror Dog.  I love the librarian wraith in the first main sequence of the original film, as well as Vigo the Carpathian in the 2nd (he has one heck of an imposing stare), and I'll always have a soft spot in my heart for the Stay Puft Marshmallow Man, but the Terror Dogs have always been my favorites.  When the artists and prop makers designed them they really hit the nail on the head in terms of an awesome, scary monsterâ



I also love this cel.  Part of it is the action of the dog smashing through the log, flinging wooden shrapnel all over the place, and part of it is that the artist just nailed the look from the movie (well except for the other-worldy blue in the body color), simplifying it just enough to translate it into the cartoon.  This is also an interesting piece for me because the guy who originally applied the paint to the log chose a color that was too bright and so they printed out a second copy of the line-work on another cel, re-painted the log and the bits of wood and then taped it over the original cel.  This provided me with a peek into another example of the process, an almost paint-free cel that has the line-work photocopied onto itâ



Obviously I could guess what it would look like, but now I don't have to.   Take that imagination!  Seriously though, it's just a neat little addition to the collection.



I also managed to pick up another cel in the sequence of the Devil Dog's attack with a pratfall gag that leads into the jump aboveâ



This one also came with a "corrected" cel taped to the top.   I decided not to scan it so that you could see the original color chosen for the log.  Though the Terror Dogs are pretty a pretty darn important part of what makes up the look and feel of the Ghostbusters franchise, they weren't in the cartoon nearly as much as Stay Puft. 



In fact they only make an appearance in two episodes, #73, "Egon's Ghost" (where is where these cels hail from), and #88, "Copycat".  They are in the second version of the opening credits though...



Also, for any of you Real Ghostbusters fans out there that haven't picked up any of the new DVDs, I've decided to give away a copy of the Volume 1 Steelbook edition of the show!  There are only five days left to enter, so get to the typing...



This 5-disc set contains the first 25 episodes of the series (including the 1st thirteen episode Saturday Morning run) as well as some fun special features.  So what do you have to do to win this beauty?  All you have to do is send me an e-mail (or click on the Creature From the Black Lagoon monster in the sidebar) and make sure to include the following:

-Please put "The Real Ghostbusters Contest" in the subject line.
-List your favorite monster/ghost/creature from the series.
-Include your name.

The deadline for entries is October 31st at Midnight eastern standard time.  I'll be drawing a winner at random from the e-mails, and will respond to the winner via e-mail on November 1st.  Also, if you feel inclined, I would love everyone to spread the word about the 31 Days of Monsters countdown and the contest, so hit up those social networks and tell a friend (my twitter handle is smurfwreck)!
If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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23. 31 Days of Monsters: #25, Famine!
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Well, we're into the last week of the Halloween festivities here at Branded in the 80s; there are only seven entries left in my 31 Days of Monsters Halloween countdown.  As I've been reminding you all this past month, in honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today's monster has a classic design, the ectoplasmic wraithâ



I really like the simplicity in this cel, so much so that I don't even miss any additional layers of shadow in the coloring, which is something I tend to prefer in well done cel animation.  This is also, for all intents and purposes, what I expect to see if I ever encounter a ghost, and I can tell you right now that I'd poop myself twice if I do see something like this.  I can only imagine the wailing moans that would come out of those decomposing lungs.  I'd like to note that the cel above and the drawing below were both slightly damaged.  There's a bit of a krinkled warp to the cel and the paper where the wraith is reaching out.

Though I like the simplicity of the one-color palette of this cel, I do sort of lament the nixing of suggestions made by the animator that penciled the original key pose belowâ



When the pencils were done I think it was the artist's intent to have the eyes and inside of the mouth around the tongue either different shades of green or in other colors (I'm guessing by those area being highlighted in colored pencil, something I've noticed in other cels and their accompanying drawings.)   I think those additions would really have made this cel pop.  Who knows, maybe the overall use of mint green was an error.   Taking these cels out of context as individual pieces of art has it's drawbacks as they weren't intended to be viewed as such, but it's the most visceral connection I have to the cartoons I grew up loving, so that's what I'm going to doâ

Anyway, this is actually the spirit of Famine, one of the four horsemen of the apocalypse.  He appears in episode #49, "Apocalypse - What, Now?" As you can see in the cel below he's riding a steed and is carrying a scale (as used during times of famine to measure out portions of bread.)  Unfortunately he's not riding a black steed, but honestly I'm surprised that this sort of content made it to air on an 80s cartoon in general.  I'd love to find some close-up cels of the other riders, War (I'm assuming the blue horseman in the middle), Pestilence (that yellow-orange guy on the right), and Death (following up the herd.)



In the episode, Peter inadvertently wins a mystical book at auction that contains the trapped spirits of the 4 Horsemen.   While looking for some light reading during lunch, Janine unwittingly sets them free to wreck havoc on New York.





If you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.   If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

24. 31 Days of Monsters: #24, Ghoulish Gloopy!
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Welcome back to my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

For today I offer a portrait of a monster in transition, well sort of...



This ugly mug hails from episode 27, "Doctor, Doctor", and is one of the weirder in the series.  Basically, this is the more or less final form of a hybrid creature.  While fighting a specter in a chemical plant, the Ghostbusters inadvertently create a new creature though they don't realize it at first.  The "thing" is actually covering all of the guys up to the neck like a huge glop of red goo (reminding me a lot of the imagery in GBII.)  The guys are admitted into the hospital and while there the goo on each of them starts morphing.  One gets an eye, one a nose, one an ear, and one a mouth.  Eventually the glop slides off of them and forms into a single creature, the disgusting monster you see above!



I find the idea of creatures like this that seem to be made from monster putty are kind of freaky because it would be really hard to dispatch them if the need arose.   I mean how do you stop a hulking brute of a creature when you can punch right through them and it doesn't phase him in the least?  You have to resort to trapping them at that point, luring them into a place where they can get zapped by a downed power line or tricked into falling into a vat of battery acid or something.  When you can't just stop them with a shovel to the face then the whole thing becomes a heck of a lot more dauntingâ

As for the cel itself, I really like the little details; the bits of leftover hair, the gross bubble of goo in the right ear, and those gnarly teeth.  Just plain ghoulish!



Once again, if you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.  If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

25. 31 Days of Monsters: #23, Bony Slug!
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Welcome back to my 31 Days of Monsters Halloween countdown!   In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

It's day 23, and this monster is one of the few that really grossed my wife outâ



There's just something unsettling and sickly about his slug-like body, the ultra creepy bone spikes for legs, and the puffiness around his fangs.  I'd hate to see something like this crawling around in my garden. 

This cel also marks the 2nd appearance (3rd if you count the preamble post last September 25th) of slimmer on the countdown, though the one on the Stay Puft cel was so tiny you could have missed him.  I didn't really want to add a cel of slimmer as a stand alone monster since he's really an ally of the Ghostbusters in the cartoon, and honestly, it just seemed a bit obvious.   But I couldn't keep him off the countdown altogether. 

Actually, this really isn't Slimer, but a doppelganger from the containment unit limbo world.  I didn't realize this until I recently watched this episode. I had noticed that there is kind of a weird aspect to this particular drawing of "Slimer".  I didn't remember him every having claws in the cartoon.   I know he has fingernails in the movie versions, but it's kind of weird to see him drawn like this in the cartoonâ



When I popped in this episode to get a screen capture for reference, I realized that this wasn't actually Slimer.  So there, it doesn't even really count towards another Slimer on this list!





Contest Update!  There are only 8 days left to enter to win a copy of the first volume of the Real Ghostbusters steelbook set!



This 5-disc set contains the first 25 episodes of the series (including the 1st thirteen episode Saturday Morning run) as well as some fun special features.  So what do you have to do to win this beauty?  All you have to do is send me an e-mail (or click on the Creature From the Black Lagoon monster in the sidebar) and make sure to include the following:

-Please put "The Real Ghostbusters Contest" in the subject line.
-List your favorite monster/ghost/creature from the series.
-Include your name.

The deadline for entries is October 31st at Midnight eastern standard time.  I'll be drawing a winner at random from the e-mails, and will respond to the winner via e-mail on November 1st.  Also, if you feel inclined, I would love everyone to spread the word about the 31 Days of Monsters countdown and the contest, so hit up those social networks and tell a friend (my twitter handle is smurfwreck)!
Also, if you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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26. 31 Days of Monsters: #22, Squid Alien!
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Well, we're entering the top 10 of the creepiest monsters on this 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

It's day twenty two, and I have to say this is a crazy monster.  I've got the feeling that this is an alien, what with all the tentacles and that dome-like shape to his noggin (I haven't had a chance to watch this episode yet if you can't already tellâ)



The aspect that really creeps me out is the sideways slit of the bottom portion on his mouth.  It's sort of like the mouth on the Predator, only with more protruding teeth/fangs.  Again, like back on day seven with the Devil, I'm really enjoying the use of aqua blue and orange.  As opposite colors go they tend to remind of me of sports team logos, but I think it works well in this floating tentacled monstrosity.  I also think it's a hoot that he's chucking bowling balls (I'm assuming) at the Ghostbusters.   On top of all this is his general squid-ness, which I always respond to in monsters.  Seems like a perfect time to show off the awesome commission my wife had Mark Rudolph draw for me this past summer...



Once again, if you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.   If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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27. 31 Days of Monsters: #21, The 1st demon, Hob Anagarak!
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Welcome back to my 31 Days of Monsters Halloween countdown!  We're closing out the third week and it's really been a blast so far.  For those of you who are just coming to this Halloween blogging event here at Branded in the 80s, in honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today's monster is a favorite amongst fans of the Real Ghostbusters.  Its name is Hob Anagarak and he hails from episode 52, "Cold Cash and Hot Water".  According to Inuit legend, this beast is the 1st demon sent to watch over a pre-human fledgling Earth.  Eventually he was magically frozen in an obelisk-esque block of lack ice and was lost in the frozen tundra of Alaska.  Peter Venkman's father ends up finding him, and all Carl Denham-like (from King Kong), he brings the frozen monster to New York and then stupidly sets him free...



All I know for certain is that after taking a look at those massive claws, those glowing yellow eyes, and that incredibly long purple tongue jutting out of that mouth full of razor shard teeth and I was a bit frightened.  Add to this the fiery red glare emanating off of him, and it just makes for a creepy image.  I wish I could get a better look at this guy...



Even in the episode this guy ends up blending into the background, so these cels are probably some of the clearest images available of the demon.  I found a slightly different view of this crazy beast.  Just look at those tusk fangs!   Sheesh.  This guy is freaky.



Also, for any of you Real Ghostbusters fans out there that haven't picked up any of the new DVDs, I've decided to give away a copy of the Volume 1 Steelbook edition of the show!  There are only 10 days left to enter the contest, so get cracking.



This 5-disc set contains the first 25 episodes of the series (including the 1st thirteen episode Saturday Morning run) as well as some fun special features.  So what do you have to do to win this beauty?  All you have to do is send me an e-mail (or click on the Creature From the Black Lagoon monster in the sidebar) and make sure to include the following:

-Please put "The Real Ghostbusters Contest" in the subject line.
-List your favorite monster/ghost/creature from the series.
-Include your name.

The deadline for entries is October 31st at Midnight eastern standard time.  I'll be drawing a winner at random from the e-mails, and will respond to the winner via e-mail on November 1st.  Also, if you feel inclined, I would love everyone to spread the word about the 31 Days of Monsters countdown and the contest, so hit up those social networks and tell a friend (my twitter handle is smurfwreck)!
If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the orange banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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28. 31 Days of Monsters: #20, Dracula or a Man-Bat!
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It's beginning to feel a lot likeâDay 20âhere at my 31 Days of Monsters Halloween countdown!   I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

So, how do you follow up a really big purple and green spider monster?  Why with something that would eat said spider monster as a snack, namely this freakishly creepy bat monster of course!



Whereas I have a huge phobia of spiders, I was never really all that bothered by bats.   In my eyes they fall more into the cool section of the animal kingdom what with their natural use of sonar, their keen fashion sense (read, neat looking wings) and their hanging front one foot sleeping arrangements.   I know a lot of folks get easily freaked out by bats, most likely because of the fear of rabies, but I think they get a bad rep most of the time.  This guy here though, he might deserve itâ



As far as bat monsters go, I'm really fond of the whole man-bat sort of creatures, particularly with examples like the Man-Bat on the Batman: the Animated Series and the scenes with Gary Oldman as the monster bat in Coppola's version of Dracula.   There's also a great, though quick, shot of Dracula as a man-bat in the Monster Squad that I've always loved.  There is a bit of an identification dilemma with this guy though.  In this episode of the Real Ghostbusters (epi. 91, "Translyvanian Homesick Blues") there is a character, a vampire, named Count Volstock who morphs into a creature like this.  But there are also holographic (but none the less scary) man-bats that are huge and take this form as well...



I couldn't find either of these exact cels, so I'm not sure if this is Volstock or the man-bats.  Also, I would have loved it of I'd managed to find a cel where the eyes of the bat were translucent red (for the neat backlit effect in the screencap above.)  Maybe one day.  Also, I really dug that the character designers worked a little bit of Christopher Lee into old Volstock.  Just a nice touch...

If you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.  If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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29. 31 Days of Monsters: #19, Eww, just ew...
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Welcome back to my 31 Days of Monsters Halloween countdown!  I can't believe itâs already day 19.  Well, as I've been saying, in honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

So what's more frightening than a 8 legged brown hairy spider crawling on the wall next to you while you watch TV?  How about a half ton purple and green spider with 10 appendages (two of which end in tiny pinching crab claws)â



I hate spiders.  I mean I REALLY hate spiders.  Hates them so.  I think the day I run across a brown recluse I'm going to stroke out on the spot.  To make matters worse, we've been getting these super creepy red spiders in the apartment lately that have slick hard bodies (my wife loved me enough to describe the crunching sound it makes when you kill one with a tissue), and honestly that was one of my worst nightmares.  Red spiders means that I'll almost always be able to pick them out when they're slinking around as we have beige carpeting and white walls.  At least some of the lighter brown ones blend in.  Out of sight, out of mind you know.   Anyway, I always hate having to sit through giant spider scenes in flicks like Return of the King or the MistArachnophobia and Kingdom of the Spiders, for some reason, I can handle.



Once again, if you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.  If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

30. 31 Days of Monsters: #18, Inside-out Rat thing!
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Welcome back to my 31 Days of Monsters Halloween countdown!  We're up to Day 18.  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today we've got an ugly little bugger.  It's looks like a rat that was turned inside out.   I guess I'll call him Pinky.



When I received this one in the mail I was surprised to find that it was a heavily corrected cel.   So much so that there was a copy of the original line work on a second layer that was colored correctly.  It took a bit of work to separate the two layers as the pink paint on the back of the top layer had adhered to the layer beneath, but after I worked them apart I was treated to an alternate color scheme.  The much more muted and realistic red-brown is kind of creepy.  I wonder if that was the reason it was changed to a day-glo pink, or if it was just a mistakeâ



This guy hails from episode #50, "Lost & Foundry".  He was spooking up a metal processing plant and he ends up having his ions dispersed into a batch of molten metal.  Of course he ends up getting processed into items that end up in the Ghostbuster's firehouse and he eventually forms into a gigantic metal specter/creature.  In the episode he moves pretty quickly so there aren't a lot of great shots where you really get a chance to see him in detail, which is another nice aspect of collecting cels like this.





Once again, if you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.  If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

31. 31 Days of Monsters: #17, Just a Thug (a Mutant Thug)!
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Well, it's day 13 of my 31 Days of Monsters Halloween countdown and I haven't been slowing down at all (which is nice considering how grueling this posting schedule was in years past.)  Like I've mentioned about two hundred thousand times so far, in honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today's monster is pretty straight forward, the Mutant Ghost Thug. Complete with tipped forward bowler, wife-beater shirt, and hitched up waders, this guy looks like he could knock your head off just as soon as look at you (with all four of his beady yellow eyesâ)



In the episode, #104 "Partners in Slime", this guy is an example of the muscle utilized by a mob boss ghost named Poso.  What kind of struck me while watching it was how off the mark the series was starting to get around this time.  At this point ghosts are trying to take down the Ghostbusters left and right, and there's no rhyme or reason to the styling of the characters.  Why a mob boss?  Why not I guess, as it doesn't do anything for the story.  Also, when I first saw this cel, I expected the voice to come out of this guy would be really imposing.  In reality he ended up in the very whiney annoying kind of range.  I still love his design though...



He's just a pretty imposing yet simple figure.  The one aspect that I really dig is the pencil under-drawing, which is just rendered so well.  I'm not sure if this was a favorite of the animator, or if he was just in the zone that day, but the line work looks so fluid and perfect.  It doesn't feel rushed like so many of these drawings tend to (knowing the time crunch these studios were under to turn around 65 hand-drawn and painted episodes in under a year.)  This is one I'm going to consider framing when I get the time.



Also, for any of you Real Ghostbusters fans out there that haven't picked up any of the new DVDs, I've decided to give away a copy of the Volume 1 Steelbook edition of the show!



This 5-disc set contains the first 25 episodes of the series (including the 1st thirteen episode Saturday Morning run) as well as some fun special features.  So what do you have to do to win this beauty?  All you have to do is send me an e-mail (or click on the Creature From the Black Lagoon monster in the sidebar) and make sure to include the following:

-Please put "The Real Ghostbusters Contest" in the subject line.
-List your favorite monster/ghost/creature from the series.
-Include your name.

The deadline for entries is October 31st at Midnight eastern standard time.  I'll be drawing a winner at random from the e-mails, and will respond to the winner via e-mail on November 1st.  Also, if you feel inclined, I would love everyone to spread the word about the 31 Days of Monsters countdown and the contest, so hit up those social networks and tell a friend (my twitter handle is smurfwreck)!
Once again, if you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.   If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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32. 31 Days of Monsters: #16, Mr. Sandman, leave my dreams be!
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Welcome back to my 31 Days of Monsters Halloween countdown, day 16!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today's monster is one of the more infamous in the Real Ghostbusters cannon, the Sandmanâ



For me, it's not the visuals that make this character so frightening; it's a mixture of his power (being able to put you to sleep and making your nightmares a walking reality for others) and his super eerie voice.   Click here, or on his ugly mug below to hear him go on a diatribeâ



The idea that my unconscious fears would both be revealed to others while I slept, and find their way into reality is just bone chilling to me.  We all have our secret secrets, and there's a reason we keep them hidden so deep that only your subconscious dwells on them.  That's one of the things I hate about nightmares, it's not confronting these demons as much as this weird feeling that while I'm fighting them in my sleep others can see them.   If my friends and family worm their way into m dreams it's like they're really there and when I wake those people will have a memory of my dream.   It's like a shared experience, at least for me in my own head and it makes it hard to look some of these people in the eye afterward.  The Sandman has domain over this realm and the idea that he could pry open your mind and makes this dark stuff slither out is just plain scary.



Luckily for me this is only a cartoon.  It's only a cartoon, It's only a cartoonâ

Make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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33. 31 Days of Monsters: A Halfway Countdown Recap and a Contest!
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Welcome back to my 31 Days of Monsters Halloween countdown!  This is just a quick post to recap the first half of this year's countdown (including the #0 cel I posted towards the end of September.)  I can't wait to get to the next 16 monsters!

   

   

   < img border="0" src="http://farm4.static.flickr.com/3596/3798361911_cf1c8815 99_t.jpg"/>

   

Also, for any of you Real Ghostbusters fans out there that haven't picked up any of the new DVDs, I've decided to give away a copy of the Volume 1 Steelbook edition of the show!



This 5-disc set contains the first 25 episodes of the series (including the 1st thirteen episode Saturday Morning run) as well as some fun special features.  So what do you have to do to win this beauty?  All you have to do is send me an e-mail (or click on the Creature From the Black Lagoon monster in the sidebar) and make sure to include the following:

-Please put "The Real Ghostbusters Contest" in the subject line.
-List your favorite monster/ghost/creature from the series.
-Include your name.

The deadline for entries is October 31st at Midnight eastern standard time.  I'll be drawing a winner at random from the e-mails, and will respond to the winner via e-mail on November 1st.  Also, if you feel inclined, I would love everyone to spread the word about the 31 Days of Monsters countdown and the contest, so hit up those social networks and tell a friend (my twitter handle is smurfwreck)!
If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging event!

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34. 31 Days of Monsters: #15, Minotaur!
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We're all the way up to the halfway point of the 31 Days of Monsters Halloween countdown!  I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today's monster is a Minotaur/animal Spirit from episode #80, "It's a Jungle Out There".  This guy ends up making a bunch of animals throughout New York super intelligentâ



Minotaurs are already sort of imposing and scary, but this guy takes the cake in that department.  Just look at all those extra tusks & horns (not to mention that sharp set of choppers he's sporting!)  What's kind of weird is that while watching the episode I was really getting freaked out by the clopping of his hooves.  Don't know why exactly, but it just got to me.



I think to offset the creepy factor of this monster, the writers decided to add a bit of levity in the episode by introducing Egon's patented rocket roller skates. 



Also, to get a flavor of what some of the super intelligent animal imagery was like, check out these cels (from last year's countdown.)  I had assumed that the ape, deer, and hippo were standing in front of the fall out from an explosion, but it turns out it was just the exhaust from the Ecto-1's tail pipe.



Once again, if you're enjoying these daily Real Ghostbusters monster posts, make sure to come back tomorrow for another installment and tell a friend about the 31 Days of Monsters.  If you'd like to read more Halloween-y goodness, you can also click on the Halloween Archive link to the left (the banner with King Kong), as well as heading on over to the Countdown to Halloween to check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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35. 31 Days of Monsters: #14, Moss Monster!
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Welcome back to my 31 Days of Monsters Halloween countdown!  I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

It's day 14 of the countdown, and we're getting pretty close to the halfway mark.  Whew.  Today's Moss Monster digs into that dark recess of fear in my psyche with his multiple sets of arms.  To be honest, most of my fears stem from slightly odd irrational places.  Sure I have a fear of spiders, an intense one, and it because of all the classic reasons be it the fear of being bitten, crawled on, the sticky clinging webs, their little hairy bodies, the quickness with which they scuttle about, etc.   But the overarching issue is with the multiple legs.  The idea of multiple appendages just really creeps me the hell out.  There are some exceptions; ants for instance don't do much except make me mad.  Well, with Moss Man here, it's leaning towards the uncomfortable nature of multiple limbsâ



It doesn't help his case that his mouth looks so drippy, and that he has some weirdly spaced teeth.  This guy is also a great example of where/when the character designs on the ghosts and the tone of the stories started diverging in the series.  The episode that features ol' Moss Man here is #113b, "Slimer's Streak", and it has a pretty silly premise involving a weird train conductor ghost that puts the Ghostbusters in a game world.



This guy, as weird and frightening as he appears (to me at least) is basically a ghost dedicated to the game of tag.  You know, Ghosts in the Graveyard, "Tag you're it!"  With a goofy high-pitched, child-like voice and his playful demeanor he comes off very harmless.  The eyes should have been a tip off to his more cartoon-y nature, but that mouth and his many limbs still freak me out...



If you're enjoying these monsters and ghosts, then come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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36. Paying tribute to a gentle monster...
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I just wanted to take a second and help spread the word about another interesting blogging event coming up next month.  In honor of the amazing Boris Karloff, Pierre Fournier of the wonderful Frankenstenia is putting together a week-long discussion of the master thespian and all around gentle monster. I'll let Pierre explain in his own wordsâ

"Beginning on November 23 â Karloff's 122nd birthday â and on through the 29th, bloggers far and wide are invited to post something about Boris, his life and his wide-ranging career.

There is much to exploreâ His film work spanned five decades.  He clocked some 75 films through the silent era before he landed and nailed the iconic part of The Monster in Frankenstein, a film that is almost 80 years old and still seen and admired.  The sequel, The Bride of Frankenstein, is a motion picture classic.  In his path through the history of horror films, Karloff collaborated with James Whale, Val Lewton, Mario Bava and Roger Corman.  He proved equally at ease in all genres, including comedies.

Away from films, Boris Karloff became a Broadway star with Arsenic and Old Lace, The Lark and he was Captain Hook in Peter Pan.

He enjoyed a successful radio career and he was one of the first Hollywood actors to embrace television, appearing in live drama, in his own series â notably Colonel March of Scotland Yard and Thriller â and as a frequent and popular guest on talk and variety shows.  He was the model and the Grammy Award-winning voice of The Grinch.  He made numerous spoken word records, reading fairy tales to children and, in print, he lent his name to horror and mystery anthologies and a line of comic books.

In real life, Boris Karloff was a gentleman, a cricket fan and a brave founding member of the Screen Actor's Guild.

It's been forty years since Boris Karloff passed away, yet his star shines as bright as ever.  This November 23, bloggers will come together and share film reviews, profiles, images, thoughts and remembrances and, I am sure, surprises.  I, as a reader, am looking forward to it."

I plan on participating in this event.  It'll help to wean myself off of all of this Halloween blogging, and honestly, I'm always eager to talk about Mr. Karloff.  For more information head on over to Frankensteinia, which is also always a treat.

37. 31 Days of Monsters: #13, Sewer Rats Redux!
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Welcome back to my 31 Days of Monsters Halloween countdown!   In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today's set of sewer rat monsters is sort of a repeat from last year's countdown.   These were actually the cels that got me excited enough to try and compile a whole month's worth of Real Ghostbusters monsters for this years countdown, so I figured they deserved to be on the list.  Also, I didn't have a whole lot to say last yearâ



Looking back at these, I have to wonder if huge sharp teeth were the writer/character designer's ace in the hole in terms of bringing really creepy imagery into the Real Ghostbusters cartoon.   In preparation for this month's countdown I watched a bunch of episodes and quickly scanned through the rest to try and get an overview of what the various monsters, ghosts, and creepazoids looked like as I hadn't sat down and watched this show in years. 

The more I watched the more I realized that even though there are a lot of scary aspects to the show, a lot of the imagery was more on the tame side of things. I mean it is a cartoon aimed at kids after all, but there are some interesting ghostly concepts that were in the movies that didnât make it into the show.  Take for instance the initial library ghost.   Whereas her spectral visage was pretty intimidating in and of itself, her transformation into a wailing banshee with sunken eyes and whipping hair was terrifying for the few seconds it appeared on screen.  This sort of thing probably didn't work for the network censors.

But time and again, while scanning through the episodes, I kept noticing that on the creatures that the writers really wanted to come across as terrifying there would almost always be a mouthful of gnarly sharp teeth.  I mean, I'm assuming that as long as these teeth weren't used to actually visually render a background character limb from limb, then it was probably kosher to stick them on a creature.  Teeth in an of themselves aren't really weapons per-se, we've all got 'em (to one extent or another.)  Anyway, these overgrown subway/sewer rats use this idea in spadesâ



Here's a bit I wrote last year about the pencilsâ

"As for interesting aspects to this first cel, I really dig the pencil under drawing that I scored with it.  I'm not sure if the under drawing is hinting at the next drawing (which I suspect), or referencing the previous drawing and cel, but I love the alternate view of the creatures with their sharp-toothed mouths all agape.  The creatures sure seem a heck of a lot more fierce that way to boot."

Again, I love getting a glimpse into the process like this.





Hope you're all enjoying these monsters, I know I'm enjoying posting about them.  If you do, make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging event.   If you're so inclined, you can also dig into my Halloween Blogging archives and read through the last few All Hallows Eve seasons...

38. 31 Days of Monsters: #12, Road Warrior Troll!
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Welcome back to my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.  

Today I present one of my favorite monsters from the series, the King Troll from from the 5th, first season episode, "Troll Bridge"â



Besides the fact that this is one of the episodes that I remember watching back in the 80s, it's also one of the few cels that I've managed to pick up that feature the Ecto-1â



As for the King Troll, I really dig the character design.   He's imposing and weirdly satyr-like with his legs resembling a goat'sâ



Also, the writers/design artists on the series took inspiration for a weird source when it came to the trolls in this episode.  They drew from Road Warrior imagery, a sort of rag-tag group that's scrounged pots and pans as armor and they've constructed vehicles that look a lot like the stuff in that George Miller film.  You can see the design of the two main villains from Road Warrior in the King Troll as wellâ





Make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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39. 31 Days of Monsters: #11, Mummy Zombie!
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Welcome back to my 31 Days of Monsters Halloween countdown!  It's day eleven and in honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve. 

Today's monster, like Moriarty yesterday, sort of has that Scooby Doo-esque vibe to him.   This Pharaoh Zombie character design is pretty cool, especially in a Stargate sort of wayâ



The design reminds me a whole heck of a lot of a pair of Vans shoes I saw recently that featured the Iron Maiden mascot Eddie re-imagined as a pharaoh/Sphinx godâ



This monster hails from episode 69, "The Long Long Log Etc. Goodbye", and is actually the final form of a possessed (by King Todd) thief named Blackie who morphs into this ancient Egyptian mummy monster.  I only got a chance to skim the episode, but if nothing else, picking up these monster cels has really lit a fire under me to go back and watch through the entire Real Ghostbusters series.  There really were a lot of cool concepts being thrown around on the show...





Make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging event.  Tell 'em Shawn Robare of Branded sent ya!

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40. 31 Days of Monsters: #10, The game is a(severed)foot!
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Welcome to day 10 of my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today's monster comes from one of my favorite episodes of the Real Ghostbusters, "Elementary My Dear Watson".  It features the odd appearance of Sherlock Holmes & Dr. Watson, as well as their evil arch enemy Moriarty (as well as his creepy hound.)  These characters are exactly ghosts, but physical manifestations based on the energy of a million of people's collective subconsciouses.   The episode has a very Time After Time vibe to it (even though in that flick it's H.G. Wells in the Holmes role, and Jack the Ripper as Moriarty)  I came across a couple of Moriarty cels, the first of which is a bit unrecognizable.

Of all monster imagery I tend to respond to three general archetypes, the lumbering Frankenstein's monster, the various incarnations of the Creature from the Black Lagoon, and the utter simplicity of the reanimated skeleton.    I love the skeleton fights in the Harryhausen flicks, the cheap scare in the House on Haunted Hill, and the weird obsessive nature of the titular antique in the Peter Cushing Amicus vehicle the Skull.  The human skull in general has reached a point of iconography so common that it's almost losing meaning as a form of shorthand.  Also, much like the nude form, it's always more potent when loosely draped with something, be it sinew or muscle tissue, or in the least defined eyes instead of deep black pools of nothing.  This skeleton is the initial incarnation of the evil Moriarty, and though it's not his final form, with its eerie halo of noxious ectoplasm, it makes for a very striking image.  It's also the beginning of a very similar (thought vastly truncated) "coming together" sequence as seen in the first two Hellraiser films.





This is my first exposure to a cel that has any for of airbrushing instead of flat painting.  For some reason the airbrushed paint didn't fare so well over time.  The separate layer with the green was basically flaking off the cel.  The paint is almost a fine powder that was being held in place by the skeleton cel on top of itâ







Anyway, on to a more defined look for the master criminal.  Whereas the trio of monster/ghosts yesterday seemed to be of the Muppet variety, the character design on Moriarty and his Hound (of the Baskervilles persuasion I'm assuming) seem more in line with something you'd see on an episode of Scooby Doo...





There's something about a pale-skinned gaunt guy in a riding coat and top hat that makes me feel all warm and fuzzy on the inside.  I think it's because I equate this getup with the character design of the hitchhikers in Disney's Haunted Mansion ride, which was one of the attractions that my parents tended to avoid whenever we'd hit up Disney World (my parents were creatures of habit and would avoid stuff like Splash Mountain, Tom Sawyer Island, and the Toontown Fair every tripâ)  I think because I visited it the least, by the time I first rode the Haunted Mansion it pretty much blew my mind.  Mixed with my love of Halloween and all things horror, it's probably my favorite ride at Disney, though I do so lament the long closed 20,000 Leagues Under the Sea...



There are still 21 monsters left to showcase, so make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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41. 31 Days of Monsters: #9, A trio of cartoon-y monsters!
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Welcome back to my 31 Days of Monsters Halloween countdown!   In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.   These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.  

For day nine of the countdown I've got another trio of monster/ghosts that illustrates the level of cartoon-y-ness this series reaches.  On the one hand there are a lot of very freaky monster designs (coming later this month), yet on the other it's not strange to find a group like this one that feels a little more at home with the Muppets than in the netherworldâ



Of course even with these three the spectrum of creepiness is sort of represented.  While the big light purple guy up front looks like a mutant Kermit, the red on the right is pretty weird.  Just look at those weird tube worm-looking deals on his head.  Are those eyes at the end of those?  Ew.



Personally, my favorite of the three is the unassuming light blue guy in the background.  Turns out this was a series of cels, and you can get a bit of a clearer idea of what he looks like by removing the cel with the purple monster in the front.  Unfortunately he's still obscured a bit by the red guy as they're on the same cel, but you get the basic gist of his design.   I like his way-too-thin skeletal hips, and his humpbacked stanceâ



These guys hail from one of the later series episodes, #100, Something's Going Round to be more precise.  The red eye-tentacle/worm guy is Dr. McCatheter, a devious ghost who masqueraded as a health expert doctor trying to convince the Ghostbusters that they're allergic to ghosts. 



Though it's kind of fun watching the guys morph into all sorts of old shapes and colors (even plaid), it definitely falls on the more cartoon-y side of the scale in terms of the tone of the series.  The story isn't very tight and it ends up feeling a lot like your basic 80s cartoons.







Make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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42. 31 Days of Monsters: #8, Spengler Monster!
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Welcome to the second week of my 31 Days of Monsters Halloween countdown!  I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.   These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve. 

Opening up this 2nd week (as far as the count of days goes) is one of the Ghostbusters themselves, Egon Spengler.  This cel is from episode 45, "Egon on the Rampage".  Basically, Egon gets possessed by a demon from another dimension and hulks out going on a, a, well,  rampage like the title suggests, scooping up damsels in distress and the likeâ



I thought this cel was kind of interesting because of the mixture of character homages mixed into the design.  There's a little bit of the Hulk in there, with the increased size and tattered jumpsuit still clinging to him (not to mention the unnatural coloring), but there's also a little bit of the Wolfman to that design too with his hairy forearms and fangs.  On top of this Egon's already bouffant hair is taken to a drastic height that borders on a Bride of Frankenstein level. 



Also, in some of the other cels from this same episode I noticed he sort of has a King Kong aspect to him, the unruly beast that really does have a heart of gold and just want to be left aloneâ



Again, there are what I'm pretty sure are Japan ese Katakana kana notating where the artwork needs to remain clear.   Not sure of the translation just yet, but the syllable translations of the kana to English are "chi" (the kana that looks like a fancy seven) and "ki" (the kana that looks like a "t" with a double cross.)  This whole process is like the reverse of a typical illustrative shorthand when inking line art where the artist makes "x" tic marks in areas that need to be filling in with solid blacks.

Again, I hope everyone has been digging this countdown, and if so make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging event.   I know I've been enjoying the heck out of what others are putting together this yearâ

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43. 31 Days of Monsters: #7, the Devil!
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Welcome back to my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.

Today brings probably the ultimate baddy, though it might depend on which side of the fence you sit on, spirituality-wise that is.  What more can I say then, the Devil (insert DUH DUH DUNNNNN reveal music hereâ)



Actually, it's not exactly the Devil per-se, but a dybbuk.  According to the show (he appears in episode 71, The Devil to Pay), a dybbuk is just a minor demon, but according to Jewish folklore it's a demon denied access to Gehenna for committing a serious transgression in life that spends the after life maliciously possessing humans. 



The character on the show is named Dyb Devlin the host of a hot (couldn't resist the pun) new game show called Race the Devil.  He figures he can get a promotion (according to the episode's writer Dennys J. McCoy in the special features on the DVD) to a highler level by taking the Ghostbuster's souls, but I'm betting the initial idea was that he was just trying to gain access to Hell.  At the same time I think the writers also wanted this to be the one and only Devil as this episode fits the Devil's archetypical "purchasing your soul" story structure.  This is the kind of concept and brave writing (for a children's show) that I think makes the Real Ghostbusters series stand apart from a lot of other 80s cartoons (t hough we did see something very similar in the Wizard of Stone Mountain episode of He-Man.)

Is it weird that I was super excited about the color of today's monster/deity?  When putting the list together one of the thoughts in the back of my mind was color, and trying to make sure that I represented the spectrum with these creatures and ghosts.  So we've got that orange thing covered.  I'll be honest though, I'm not all that excited about the coat matching the face in terms of color scheme, but what-are-ya-gonna-do?   I am digging the blue hair thoughâ

As far as the imagery goes, call him Satan, ol' Scratch, Beelzebub, the Source of All Evil, Lucifer, Baphomet, Belial, Mephistopheles, Randall Flagg, Apollyon Satan, Clute, Diablo, Ol' Gooseberry, or that drunk guy my mom married when I was six, the Devil is pretty much the end all be all of bad guys (well, except for maybe the Nothing from the Neverending Story.)   He's kind of low on the list because of all his various incarnations (visually), this is one of the tamer versions.  My personal favorite on the way creepy meter is from the Christopher Lee-starring Hammer flick the Devil Rides Out, where he appears momentarily on a stump with the full on goats head and all.  C-R-E-E-P-Y, creepy.



I'm just warming up, so make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.   If you're interested in reading up on some of the Halloween seasons past, you can check out my All Hallows Eve archive.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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44. 31 Days of Monsters: #6, Tenctonese+Bart Simpson+Spongebob+a Block of Cheddar=Creepy!
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Welcome to day six of my 31 Days of Monsters Halloween countdown! All through October I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve. 

Today's monster is, well, to be honest, I'm not sure what he is.  For the most part the episodes that I remember from the show are those first which aired on Saturday morning during the fall of 1986.  I do remember watching the show for years beyond, but with my insane cartoon watching schedule I think I missed out on a lot of episodes.  I'm dying to relive the entire series but my copy of the complete series just came this past Thursday and I haven't had a chance to get to this one yet.  I want to say he's the son in a family of monsters (aliens?) that seek out the Ghostbusters for help, but I'm not positive...

Anyway, this guy is one heck of a cheddar head, who's one part Spongebob Squarepants, one part Timer (from those crazy PSAs during the 80s), one part Bart Simpson, and one part freaky Alien Nation-esque Newcomer (Tenctonese for the detail oriented researchers out there) weirdoâ



I saw what I believe were a couple of other cels that I think are from the same episode that feature a much more sinister female version of this guy and another odd yellow fiend that looked a lot like Homer Simpson mated with a banana.  Like I said, it's certainly got me burning to watch through the series again.   Unfortunately this cel didn't have an accompanying pencil under-drawing, so this is a solo in the picture department today.  Aside from this poor sap's unfortunate head, what really drew me to it was his very disturbing, skull-like teeth.  Creepy!

Hope you're all enjoying these monsters, I know I'm enjoying posting about them.  If you do, make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging event.  If you're so inclined, you can also dig into my Halloween Blogging archives and read through the last few All Hallows Eve seasons...

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45. 31 Days of Monsters: #5, Some of the ghosts that kicked off the animated series!
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Welcome back to my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve. 

Today's trio of ghosts are some of my favorite, not necessarily for their design or concept, but because they're the protagonists in the very first episode (2nd produced) of the Real Ghostbusters, "Ghosts R Us", that aired in the initial Saturday morning run of the show during the fall of 1986.  This family of ghosts is based on a familial conceit that probably dates back to the Stone Age, though for me it recalls the Looney Tunes shorts with the three bears and Bugs Bunny playing the part of Goldilocks.  You've got the seriously hot-headed father, the slightly distant mother, and the doofus overgrown babyâ



If I remember correctly, these three want to put the Ghostbusters out of business by opening up a rival outfit that both causes disturbances and is always on the scene first to stop it.   Though I'm not a huge fan of the visual character design, I do kind of dig the faux-50s costuming, in particular the soda jerk getup the father is wearing.   It's a weird but nice touch, and it's yet another example of the 50s era nostalgia that was wildly rampant all throughout the late 70s to the end of the 80s.

Below are some screen-shots from the episode in question.  The first (on the left) is what these ghosts looked like in their normal ghastly form, and then on the right is the Ghosts R Us makeovers.  Also, that second screen-shot features my actual cel/frame of animation which is pretty neat.  Now you can put the cel in the context of the overall scene...



To add to the whole 50s theme, this episode also opens with a loose homage to the I Love Lucy Show where she gets a job in a chocolate factory.  When the GBs arrive at a call it's at a chocolate factory where all the employees look a bit like Lucy, and there's a gag where the ghosts are making the machines spit out chocolate pieces like a torrential rain.



If you've been enjoying these ghosts and monster animation cels, make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging event.  Tell 'em Branded in the 80s sent ya!

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46. 31 Days of Monsters: #4, Zombie Pirates are 50% nerd gold!
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Welcome back to my 31 Days of Monsters Halloween countdown!  I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.   These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.  

Today's monster evokes one-fourth of the nerd hierarchy of the most important creatures/beings on the planet, the pirate (rounded out by monkeys, ninjas, and zombies.)  Actually he's also a skeletal, un-dead, zombie-pirate to boot.  Considering I posted a very monkey-like Yeti yesterday, I'm well on my way in working in three-fourths of the nerd-approved gold standard into this countdown.  Now, if I could only find a ninja monster/ghost I'd be setâ



When I picked this one up there were a few zombie pirate themed cels to choose from, but there was something about this little guy that really jumped out at me.  Though I love his fiendish throttling of the parrot, but I also dig the slightly sardonic smirk that's creeping into his expression.  I always dig it when animators find ways to make a skeleton's grin malleable enough to show some emotion, something the Filmation artists did with expert glee when drawing Skeletor for the He-Man and the Masters of the Universe cartoon.  This is another example, which is skewed just enough to show how much this guy loves choking that bird, but not so much as to make the jaw bone lose it's rigid definition.



This is the skeleton of Captain Jack Higgins, the leader of the scurvy crew of zombie pirates in episode #17, Sea Fright, which made it's debut in 1986.  As you can see from the screen capture below, my cel is missing a couple layers of proton pack blasting energy, as well as the background, but those are both a little tough to come by.  Capt. Jack is a millisecond away from being sucked into a ghost trap, and wants to make sure his parrot comes with.  If nothing else, the above cel is the clearest depiction of this scene because it's unobstructed...



Also, in the pencil under-drawing below there is a bit of a childhood fascination of mine with the Asian text crammed into the empty spaces between the parrot and Capt. Jack annotating where no color is needed and the cel needs to remain transparent.  There's a weird regressive wonder at work in my brain when I see other languages in print, particularly the non-romance/Latin based languages like Sanskrit, Cyrillic, or the various Asian characters.  I realize that highlights my un-traveled, slightly isolationist (if only because these written languages take on an almost runic quality to me) attitude towards other cultures, but it's a fascination I can't help but wear on my sleeveâ



Anyway, make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to the Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging event.   See you guys tomorrowâ

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47. 31 Days of Monsters: #3, Bigfoot that looks more like a Yeti!
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Welcome back to my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve. 

Today's monster is one of the rarest of the Bigfoot family, the Yeti (or abominable snowman if you preferâ)  Well that's what I thought anyway...



When I picked up this cel I hadn't seen the episode that this big guy came from.  I've since rectified that (my complete Real Ghostbusters set came in the mail on the 1st), and it turns out that this is in fact a Bigfoot, though from another dimension.  I still think he looks more like a Yeti, so I'm sticking to that.

I'm partial to the more simian designs of this east-Asian crypto-zoological marvel, though I do like the various carvings and masks I've seen (particularly the demonic looking ones that decorate the Expedition Everest ride at Disney's Animal Kingdom.)  Also, as I found out last Halloween, I love their one big on-screen monster movie success, the Peter Cushing Hammer classic the Abominable Snowman.



This monster debuted in episode #89, Camping it Up, where the gang goes on a camping trip only to stumble across some trouble.  This bigfoot somehow managed to find a portal from his alien home-world dimension to Earth via a section of limbo.  The gang has to weather through a night with this monster before helping him get back home.

As for this cel, it's one of my favorites because the image is both detailed and it takes up so much of the cel's surface area.   I've mentioned before that one of the pitfalls of collecting animation cels is that so many of what you find is visually kind of deficient.   Like the episode of the Simpson's where Bart wants the Itchy and Scratchy cel that just has an arm in frame, typically cels, even the ones with full character illustrations on them can seem kind of anticlimactic.  This stems from the design of traditional hand-drawn animation process and the multiple layers used to get both depth, and ease of movement.  It's always more stunning when you can find a piece that has a background sheet included, or in the case of the Yeti above, when it take up enough space that it basically looks like a scene right out of the cartoon.

Part of the detail that I love in this piece is the slobber coming off of the big guy's mouth and teeth.  It's another example of the process of visual design that is more or less unique to cel animation and painting in general, the concept of using color to outline and suggest shape.  You're starting to see this concept used widely in illustration these days, as artists are moving away from traditional pen and ink towards a more digital process or at least digitally coloring (replacing parts of the black line work with colored lines to either give the perception of depth of field or just as a stylistic choice.)  It's cool how with just some light blue paint used in outline and not filled in gives the shorthand impression of drool.



As far as the pencil under-drawing goes, I liked that the animator marked off the live are of the cel to concentrate on.  I also like the annotations on keeping the color separate on the tongue and gums, and the red ink needed for the veins in the eyesâ

Make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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48. 31 Days of Monsters: #2, Sp-Ham-Man!
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Welcome back to my 31 Days of Monsters Halloween countdown!  In honor of the 25th anniversary of the Ghostbusters franchise, not to mention my love of 80s animation, I'm counting down 31 of my favorite monsters from the Real Ghostbusters cartoon.  These animation cels are culled from my personal collection, and my wife and I tried our best to put them in a not-so-scary to really-freaking-creepy kind of order with the creepiest falling on All Hallows Eve.   My wife Carrie and I disagreed of today's placement order, but I went with her advice to put him on the not-so-scary section of the creep-o-meter.  So may I present, Spam Man!



So about that disagreement.  I have a weirdly obsessive fear/fascination with anthropomorphized food, which I've written about in detail before.  There's something completely unholy about food walking around, talking, dancing and looking up at you with puppy dog eyes (or in the case of Spammy above, utter contempt.)  I know a lot of my fear stems back to the scene in Young Sherlock Holmes with the cute little puff pastries seemingly coming to life and stuffing themselves down Watson's gullet, but I also have to wonder how much of it derives from the all but complete anonymity of how our meats are provided cut, cleaned, and prepackaged in our grocer's meat case.   If I was forced to kill animals for my own meat consumption, I can pretty much guarantee that I've become a vegan in record time.   Just visiting a working dairy farm was enough to turn my wife off of meat and dairy for a year.   So my fear of food having sentience, eyes, or a mouth that could bite me back reminds me that a lot of the stuff I put in my body was living at one point.  If it were just up to me, Spam Man here would fall way far down on the "poop-in-my-pants" section of the creep-o-meter.



This guy comes from episode 109.B, Kitty-Cornered.  Slimer happens upon a witch's lost cat that has the power to grant wishes.  He inadvertently brings all the food in the firehouse kitchen to life, which then break free of the fridge and terrorize Luis Tully (the Ghostbuster's Accountant/friend.)  Seriously, look at that anthropomorhic foodstuff.  It's haunting my waking thoughts, in particualr that ketchup riding the ear of corn.  HAUNTING I say.



Anyway, back to the actual cel at hand.   Again, when I picked up this beauty it came complete with a pencil under-drawing, and like yesterday's Stay Puft, the drawing was slightly different than the finished cel which is kind of rare since the pencils are usually kept with the finished cel to act both as a protective layer between it and the other painted cels, and as possible reference later if there is an error.  What's kind of cool about this though is that the pencil drawing provides a slightly different variation on the figure with his mouth closed and the annotation showing the movement that the character is going to be doing (in this case tapping his foot.)  These little bits of behind the scenes stuff fascinate me endlessly (about as much as Iâm horrified by the idea of a walking talking hunk of ham!)



Make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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49. 31 Days of Monsters: #1, The Stay Puft Marshmallow Man!
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Alright, welcome to the first official post of the Halloween season here at Branded in the 80s.  This Countdown to Halloween is sort of becoming a tradition around the internet blogging community, and I'm happy to be participating for my fourth straight year.  As I mentioned in a previous post, I've decided on a theme this year in honor of the 25th anniversary of the Ghostbusters franchise.  Since I love cartoons, in particular the Real Ghostbusters, and I've been actively collecting 80s era animation cels for the past couple of years I thought it would be fun to showcase some of the monsters and ghosts that appeared in the series.  All this month I'll be counting down through 31 of my favorites culled from my personal collection of cels and animation under-drawings.

Again, as I mentioned previously, my wife and I sat down and did our best to order these monsters and ghosts from the least scary to the "crap-my-pants-creepy".  Today's entry is as cute as a 40 foot-tall button, and is "..something that could never possibly destroy usâ"  Of course, I couldn't kick this countdown off without talking about one of the most iconic of all creatures that have popped up over the years of the franchise, the one and only Stay Puft Marshmallow Man!



Whether he's the physical form of Gozer the Gozerian (the Sumerian god of destruction) innocently chosen by Ray Stantz (Dan Akroyd) in the first film, or the eventual three-story tall baby-like sidekick of the animated GB crew, Stay Puft is as synonymous with the Ghostbusters as Slimer.  Stay Puft's concept origin comes from a mixture of advertising giants, the Michelin Man and the Pillsbury Doughboy.   The eventual design was so convincing to me that for years I assumed there was a brand of marshmallows called Stay Puft.

His appearances in the cartoon are a great example of how weirdly twisted spin-off adaptations can become.   In fact, the Real Ghostbusters is the center of a lot of weird adaptation issues.  Adding Slimer as somewhat of a pet/mascot, making Egon blonde, and turning Janine into a new wave punker are just a few examples of where the cartoon differs from the original flick.  What's interesting is that some of these changes worm their way into the second film.   I'm surprised we didn't see a return of the Marshmallow Man in GBII instead of the happy-tized-goo-animated Statue of Liberty.



In the cel above we have Stay Puft strolling along the streets of NY, using what's probably the corner of the GB firehouse headquarters as a turning point pivot.  There's also a little Slimer hovering over Puft's right shoulder, no doubt trying to convince him to help the Ghostbusters take down a big baddy.  I was kind of happy when I received this cel in the mail as it came with a pencil under-drawing from a slightly different segment.  It's also kind of neat to see how the animator illustrated where the shadows were to be applied to the eventual painted cel.



I'm not sure how many of you GB fans out there love or hate Slimer (I'm guessing it's pretty close to 50/50), but this tiny version (as well as his E.T.-esque appearance in the cel from last week) is pretty much all the Slimer we're going to get on this countdown.  There might be one more, but I'm really trying to concentrate on the other creatures, monsters, and ghosts from the series.

Make sure to come back tomorrow for another installment of the 31 Days of Monsters here at Branded in the 80s.  Also, you can head on over to Countdown to Halloween and check out lists of a bunch of other sites participating in this year's Halloween blogging eventâ

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50. They look awesome, but they taste like 1950s science...
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Description: Before I start my Countdown to Halloween proper, I wanted to give a quick update on my candy findings for this season.  Thanks to the Insidious Bogleach who indirectly urged me not to give up hope on pharmacy Halloween sections.  I really haven't found anything good at Walgreens, CVS, or Rite Aid in years, but that has turned around a bit.  From Flix Candy, the same makers of the Box of Boogers, Zit Poppers, Bed Bugs, Freaky Fingers, and the Spooky Lip Pops comes the insanely awesome series of Monster Gummys!

          

These things are huge, and the concept is just fan-freaking-tastic.  Personally, with my goofy love of cephalopods, I think the gummy tentacle is probably the best designed confection known to mankind.  The choice of color, the little sugarcoated crunchies inside the suckers, it's just a brilliant work of art.   And the gummy earthworm?  Well that is just the perfect grotesque extension of one of the most basic gummis out there.  It's the Tremors sandworm of gummi worms.   It puts the gummy worm in the chocolate cake "mud" to shame.  Scratch the Tremors reference.  It's the Dune worm of gummi worms.  I want to strap on a nose plug, put in some neon blue contacts, and ride this worm.

But, like almost all Flix candy, these monster gummis have one unfortunate flaw.  They taste a lot like what I'd imagine licking the Toxic Avenger's mop would taste like.  I could barely get a bite of the tentacle down, and don't get me started on the earthworm.  It smelled like a racquetball with a similar consistency to boot.   Seriously, all kidding aside, this is a plea to the folks at Flix Candy:

"For the love of all that's holy, please fire your chef and make your overpriced and exquisitely designed gummi candy edible.  Thank you."



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51. It's coming, creeping and crawling its way like a shambling zombie towards your mortal soul...
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I was going to hold this post until Friday, but I've got a short week at work, and since today feels a whole heck of a lot like Friday I thought why the hell not!  Have I ever mentioned that I really dig Halloween?  Oh yeah, I guess I have.  Well there are only seven days left until the season starts proper, and I have to say that I'm super jazzed about participating in another round of daily Halloween blogging, my fourth to date.   I've been prepping for this year's countdown to Halloween for the last four months, trying to come up with a theme that'll be fun on a lot of levels, and then it hit me sometime towards the end of this past June.   2009 has been a banner year for a particular 80s film and cartoon franchise, the one and only Ghostbusters.   It's the 25th anniversary of the original film, the 20th anniversary of the sequel, and this past year we saw the release of the complete animated series on DVD (which, by the by, is available on Amazon for only $114), as well as a new line of action figures released by Matty Collector that are pretty darn cool.  Also on a personal note, it was just about three years ago that I really began banging this website into a shape that was more along the lines of what I had in mind when I started this whole Branded in the 80s venture with the first official Peel Here sticker column that featured, you guessed it, the Ghostbusters.

So I was thinking back to last year's countdown and one of the things that I enjoyed sharing were a handful of animation cels from the Real Ghostbusters cartoon.  So, for this year's countdown, in honor of the various anniversaries and releases, I thought it would be fun to dig back into my collection of animation cels and share some of my favorite monsters featured on the RGB cartoon.  One of the things that's really special about the cartoon was the vast variety of monsters, ghosts, and creeps that were in the episodes.  I've picked up a handful of these over the last year and each day in October I'll feature a new monster-centric cel (and any accompanying pencil under-drawings) from my collection.  My wife and I sat down and tried to order these from least scary to uncomfortably creepy, so it should be really fun come All Hallows Eve.  It's the 31 Days of Monsters!

To give a hint of what's to come, I thought I'd share an appropriately themed cel from the Real Ghostbustersâ



I fell in love with this cel from the first moment I laid eyes on it because it combines two of my favorite things, 80s cartoons and Halloween.  When I share these on the site I like to try and use it as an opportunity to try and learn something about the process of animation by investigating contextural clues.  For instance, I thought it was interesting that the kid bringing up the rear, the mad scientist or whatever he is, has some weird repaints to him.  If you look closely (click on the image to zoom in), his brain/helmet was touched up on top of the cel.  Typically all of the painting is done on the back of the cel so that the photocopied black line art sits on top of all the layers of paint underneath.  The artist also had to touch up his eye, so my guess is that they painted his entire head and face the same flesh color and had to fix it.

Also, you'll notice that a lot of the black line work is super faded on the cel, turning to a light purple/brown in spots.   I've noticed this in a lot of the Real Ghostbusters cels, and it's one of those aspects to American companies sending their physical animation work overseas to save time and money.  Part of what makes it cheaper is the supplies anf materials used.   Honestly though, I don't know how much of this mattered at the time the animation was done, as it's stuff that could have faded over time, and these cels were certainly not meant to be scrutinized 22 years after they were produced.



I also really enjoyed the pencil under-drawing for this piece.  I love it when the animators put that extra bit of effort into the drawings with separate colors and such to illustrate the differences between overlapping characters and where shadows need to be placed in the final painted cel.   It's also kind of neat to pull back the curtain a bit and see any notes, even if it is in code (or sometimes other languagesâ)

So I hope everyone enjoys the theme, and I can't wait to start posting some proper monsters.   I'm going to update the site each night, 13 minutes after midnight, so check back often to see what's in store! 

Also, this is a perfect opportunity to point to a bunch more blogs that'll be participating in this year's Halloween Countdown.  As I've mentioned over the past month, I helped create a site that will hopefully act as a resource, corralling the sites that are joining in on the spooky fun.  You can find it at the Countdown to Halloween or you can click the handy banner belowâ



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52. Some candy selections from the 2009 season...
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Description: The Halloween season is pretty much in full swing.  It looks like the Netherworld Haunted Houses are just about to open their doors here in Atlanta (as well as accepting a new performer/puppeteer, congratulations Liz from Puppatoons!)&nbs p; Most of the stores have their seasonal sections up, and the candy is flowing freely.  Also, it seems like every year I go through a similar phase during September.  Around the 1st of the month I start getting excited for the holiday, and then before I know it the entire month flies by in a haze.  The Countdown to Halloween night begins in just one week!

As I mentioned on Monday, I plan on announcing my theme on the 25th (this Friday), and then the festivities will properly begin just after midnight on October 1st.  We should also have the preliminary list of Countdown to Halloween bloggers up around the same time as well, so keep and eye out for that.  As for today, I thought I'd take a second and mention some of the interesting candy I've seen so far.  Honestly, besides the Bat and Candy Corn Dots, I really haven't found anything that's peaked my interest.  Most of the stuff is pretty standard fare, or repeats of stuff from the last couple years.  Aside from the various mini candy bars, Twizzlers, and multi-packs of Wonka branded confections (like the Giant Nerds), I've seen a lot more off-brand "gourmet" candy corn in all sorts of odd fruity flavors.   I've even seen some chocolate covered candy corn which sounds utterly decadent, and not in a good way.



One thing that popped out at me this year is another selection from Flix candy called Spooky Lip Pops.  These have been around for the last couple years but I've hesitated in picking them up because the track record for decent tasting Flix candy isn't all that good.  They seem to have a great handle on design, but that's about it.  Surprisingly, these creepy variations on the tried and true Ring Pop are pretty darn tasty.



I was glad too because I'd of hated myself if I ended up only liking the packagingâ

Next up we have a staple of candy lovers everywhere, Pez.  Though it's nothing new or exciting, I did think it was interesting to see a bag of mini Pez refills on the bulk candy shelves.  Typically you only see some season dispensers in the novelty candy section, and most people probably wouldn't pop for a bunch of those to give out to trick-or-treaters.  Hell, most kids these days probably aren't enamored with Pez (relegating it to the much maligned Smarties category), but I've always loved it.  There are even mini packs of Cherry Pez, which I've never actually seen in stores (only heard about in movies like Stand By Me.)



Ever since the appearance of the Gummi Frog Dissection Kit at Target a couple years ago, it's become a yearly tradition to try and find the most ostentatious gummi product on candy shelves, and each year I've managed to find something bigger and crazier.  Last year Wal-Mart had a three-foot long gummi snake.  This year they're offering something doubly as crazy, a 48", two-headed monstrosity of a realistic gummi snake that even features two gummi rats as snake food!







Granted, I'm well aware that if you really want an insane gummi you can order one of the 5lb bears from Vat19 for $30, but for only $5 you can have more freaky gummi goodness than most people can handle.  The two-headed snake design is just crazy, but 48" of solid gummi candy is insane.  Luckily it even tastes good; though there's no way I'll be able to finish it.   It's just too much gummi for one man.

I had wanted to do a write up of this year's Wal-Mart Halloween section, but honestly it was pretty bland.   I did want to mention a weird trend in their candy pail offerings this year though.  Aside from the growing number of cartoon and movie branded candy buckets which are never very seasonal, I noticed that the large display of your standard plastic pumpkins have abandoned their tried and true orange hue.  All that were on the display were various neon variations in blue, purple, green and yellow.   Maybe the store hadn't fully deployed it's plastic pumpkin army, but if they have then it's a crying shameâ





53. Peel Here #94: A lone Snork...
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Description:

I still have a small stack of stickers that are in desperate need of scanning, so to buy myself another week I present a lone Snorks foil vending sticker from 1984â



Though I've had this sticker for awhile, it didnât really dawn on me until I was putting together this post that Allstar here is rocking out to a video game that looks like it involves blowing up other Snorks.  On the one hand, it's not all that disturbing, I mean it's not like we donât have six trillion games that involve hunting down and killing other people.  But there's something a little off about a cartoon character playing Grand Theft Snork.

I never really got into the Snorks all that much, though I do remember watching some episodes here and there on the USA Cartoon Express.   I think they always sort of felt like a low-rent version of the Smurfs to me.  I'm kind of curious to revisit the cartoon though since I really dig the underwater environment.

I also wanted to take a second and let everyone know that my posting schedule might slow down for a bit during the next 10 days as I gear up for the insanity of this years Countdown to Halloween event.   I hope to get everything in order before Friday, which is when I'm going to reveal my theme for 2009.  If you're curious about all the community Halloween blogging that's going to start up on October 1st, then you might want to head on over to the Countdown to Halloween blog and see what's up.

54. The new Target Halloween and some thoughts on commercialistic branding...
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Description: I talk a lot about this idea that I have about branding and how one can transmute the miasma of corporate products and logos that clogs our everyday existence into something useful.   All of this packaging, product placements, all these mascots, and these slogans are really just glyphs on a Rosetta stone.   It's an obscure dialect that contains a key to our memories.   If we're going to live in a manufactured world we have to learn to use it to our best advantage.

Similarly there's an odd rift that develops in the level of acceptance for this monster of commercialistic branding.  The further away we get from something, or if we have a window into which we can see the process of business entropy, the fonder our memories become.  As a for instance, who absolutely, 100% adores the corporate branding of McDonald's?  My guess is that most people would say "Not me."  Of the various demographics that would respond to the corporate branding and products offered, I'd be willing to bet a good percentage wouldn't hate McDonald's, would even admit that they eat there from time to time, but would also admit that they either don't like being sold food through the various cartoon characters or special promotions or they just plain wouldn't care.  At the same time though, I wonder who out there misses McRib sandwiches, Shamrock shakes, Officer Big Mac, the Professor or Captain Crook?  My guess is that most of the people who would recognize these things would probably admit to a fondness for these products and characters.  It's still the same type of low quality food and shilly mascots, but through the haze of memory they seem so much cooler.



So why am I bringing this up today in a post about some pre-Halloween excitement?  Well, I can't help but love Target around this time of year.  In fact, of all the Halloween traditions I've been adopting over the past decade, exploring the new spooky displays each year at the mega department store chain is fast becoming the start to my seasonal fun.  I know there's something a little unhealthy about getting so excited about new store displays, seasonal branding, corporate themes, and intellectual property partnerships, but I do.  

In fact, for once I can feel the future nostalgia building as all of this stuff, the characters, products, and signage starts seeping into my consciousness.   I can already see the day when the company will switch gears to follow a new, cheaper, pared down trend, and I can already feel myself missing the current one.  It's sort of like that clichà wish where one imagines utilizing time travel to go back and grab all the stuff that you miss from your childhood, except I'm already there.  The future me is sending back messages via brainwave wifi technologies, begging me to scoop up every piece of flat scan-able branding, or elseâ



Honestly, this isn't even a reaction to the undeniable awesomeness of this year's crop of Target Halloween goodies.  Some of it is pretty darn cool, but it's nothing all that special.   I just know I'll miss it when it's gone. 

So what exactly is it that I'll miss?   For one, Target finally hit the nail on the head in terms of finding the perfect pre-existing property to partner themselves with.   In years past they've featured unique branding like the Edgar and Ellen characters, which, though appropriately seasonal, were a little bit too spindly in design, and maybe a little too specific in character as they have a well-defined back story in the book series.  Last year the theme was Domo, which though neat in and of itself, was sort of a misfire in terms of Halloween branding.  Dressing Domo up like Frankenstein doesn't make him seasonal (that's a trick Disney has been attempting to much greater success with much more recognizable branding and characters for years.) 

This year though the partnership is with Skelanimals, a line of gothy, stuffed animals and clothing.  The basic premise revolves around a spooky design for what I assume are dead animals that makes each character look like a living x-ray where the skull and bones are visible.  It has the taste of Johnny and his gang of Cobra Kai during the Halloween dance scene in Karate Kid.  Personally I think this is a genius licensing agreement.  Not only are the Skelanimals cute and iconic, but they've got a head of steam developed via stores like Hot Topic where they've been featured prominently for a few years.  For the uninitiated they don't necessarily carry any anti-goth resentment baggage either.  They're at the perfect buoyant level between under and over exposed, and they just feel like something that Target would have come up with on their own.  Oh and my wife loves them to death.



Along with some neat exclusive glow-in-the dark plush variants, the Target Halloween section also features a million other Skelanimal branded products like pillows, key chains, hats, gloves, t-shirts, hoodies, candies (M&M exclusives and little tins of mints), as well as a trifecta of brand merging with the release of Target specific Skelanimal Bounty paper towels & napkins and Puffs tissues.  There's also a line of hard plastic figurines that could easily be mistaken for vinyl toys (because we did)â



One of the aspects of the Target Halloween section that I love is that they don't put all their eggs in one basket.  In addition to the main theme each year there are also mini ones directed at different demographics.   Where as Skelanimals are there to target the tween, teen and twenty-something's, there is also a more generic house branding that aims at the 30-something's and older crowd.  For the past few years this section has been devoted to El DÃa de los Muertos, the Mexican Day of the Dead holiday.  This year this is being morphed into a more tattoo centric crowned skull and dragon themeâ



Personally I think it's a little weird and trendy, but then I tend to stray away from most generic iconography when it doesn't have a particular story to tell.   I love skulls in general, but they're so simple and relatable (we've all got 'em.)  When you throw a crown on them, then it becomes pointlessly specific and enters into that realm of punk/biker clip-art that just makes my stomach queasy (like the ace of spaces, a set of snake eyes dice, barbed wire, an eyeball in a ball of flame, or a burlesque girl lounging in a martini glass.)  I just donât get the appeal, especially considering that this subculture tends towards individuality, but these symbols just become a uniform.

Along with this theme Target is offering a new version of their over-sized skull candy dish greeter that I fell so hard for last year, though it's less Day of the Dead and more brushed metalâ



The last demographic that Target has been attempting to capture is the more obvious youth market which is the bread and butter of Halloween.  In the last couple of years they've been doing this a little awkwardly with the Edgar and Ellen and Domo branded products, but there's always been an in-house branding that hasn't gotten a lot of attention featuring cute child-like versions of Frankenstein, Dracula, a witch and some creepy animals like cats and spiders.  Mainly these characters have ended up on the various paper products (plates, one-use table cloths, paper towels, etc.) and in my opinion they weren't pimped quite enough.  This year Target has introduced seven new characters, three of which are being heavily featured on a lot of different products ranging from candy to candy bowls.  There's a neat b lue witch (that looks like a cross between Sally from A Nightmare Before Christmas and Jill Thompson's Scary Godmother), a little kid dressed up as a devil (that's reminiscent of Lock, also from A Nightmare Before Christmas), a ghost, a weird one-eyed bat, and three monsters.  These three monster characters are what really impressed me with the new spread in the store..



They've even gone so far as to name them, giving them a little bit more individual identities.   First up we've got Trex, the green Godzilla-esque lizard monsterâ



Next up is Schmorg, the furry, orange, one-eyed, Cousin It, chocoholic of the gangâ



And last, Zen, the three-eyed, happy, blue gangly monsterâ



On the one hand I love the character designs, even on Zen who is straying from the typical Halloween color-scheme.  These are a weird cross between the work of comic writer/artist Evan Dorkin (of Milk & Cheese, Hectic Planet, and Dork fame) and the tone and feel of the monstrous characters on Foster's Home for Imaginary Friends.  In fact Dorkin has been doing a series of monster drawings on his blog that are so close to these Target characters that if they didn't hire him to design them, then the folks who did must have been fans and heavily influenced.  My favorite bit of branding with these monsters are the ceramic candy dishesâ



Unfortunately, as far as the actual candy and goodies go, besides the new additions to the Dots family, there wasn't much to speak about this year at Target.  The Jones Soda offerings are the same from last year and I haven't found any interesting candy that wasn't available before.  I was hoping to find a new series of the Nerds test tubes or some other obnoxiously giant gummies, but there really wasn't anything exciting.  Oh well, I guess I'll just have to make due with the new branding.

Again, since I'm invoking Halloween, I thought I should point to the Countdown to Halloween site.   It's a resource for finding excellent Halloween blogging content during this coming season.  As I've mentioned, it's the home for a list of blogs participating in the ghoulish fun of the holiday.   I've also created a couple badge/buttons you can use to show your creepy pride and participation in the event if you'd like.  I plan on posting every day during October, and I've chosen a wicked theme that I hope everyone digs.  The festivities start in 13 short days!



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55. Peel Here #93: A sad substitute for a lack of BJ and the Bear stickers...
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I figure that since I have an essay up this week at Monkey Goggles (the swell Archie McPhee online literary magazine), I should try and keep with a simian theme.  I've been sitting on this week's selection of stickers for awhile now and I don't know why.  These came from Anne and Jerzy Drozd and were part of a larger collection, but I felt they deserved to sit apart and shine because they're so damn APpEaling.  Stupid pun aside, seriously who doesn't love a monkey?  Well my friend Darrel for one.  On his first trip to Thailand he reported on just how annoying these little critters can get when they become used to living side by side with a human population.  It's all poop flinging, inappropriate goosing, and theft.  I'm not saying all apes and monkeys are horrible to deal with, I saw King Kong (the '31 on thank you very much), I cried during Project X, I have a heart.

I guess I didn't want to just go the normal route when evoking the monkey and pander to the nerdgasm that tends to come in their wake (can you imagine if there were ninjas, pirates, and zombies in this post?)  Anyway, I'm not sure what year these hail from, though the collection I received had stuff that ranged from late 70s to around '84-'85, so something around there sounds about right.  I'm thinking earlier rather than later judging by the style of the striped shirt on banana-eating-monkey number one, and the abundance of orangutans (which were like KISS-huge in the late 70s.)



I can't even begin to convey how cool it is that we got a fez wearing organ-grinder monkey in the set.  That would have been the first one I chose to include, that's for sure.  I'm also glad there are no see-no-hear-no-speak-no trio as that gag can get kind of tired (unless the speak-no gets booted and they make a movie starring Gene Wilder and Richard Pryorâ)   To be honest, I'm kind of missing a rainbow-butted baboon or a creepy winged monkey though, but I can't have everything.

Seriously, where are all the BJ and the Bear sticker sets at?


56. I paid 1000 monkeys to write the great American novel of my youth, and the result, Spam...
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I just wanted to take a second and point to the super rad new online literary magazine called Monkey Goggles (an offshoot of the schizo-kitsch store Archie McPhee.)   For one there's a lot of swell content up like the trials and tribulations of a corporate wolf man (by David Wahl), Close Encounters with Penn Jillette (by Geoff Carter), the Do's & Don'ts of Eponymous Album titles (by Kirk Demarais of the Secret Fun Blog), as well as the heartfelt confessions of a former fast food employee (by Shel Carrigan of the Surfing Pizza.)

Secondly, I have an article/essay up today that centers around my high school era obsession with absurdist Spam humor (the pork product, not that junk mail.)  There's a lot of passion over there and it can be blinding, so do yourself a favor and pull on some imaginary Monkey Goggles, if not just to read my piece than to check out some great stories and essays by the other talented folk.  You'll thank yourself in the morning.



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57. Allee Willis is simply the bee's knees...
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(Allee Willis and Paul "Pee Wee Herman" Reubens)

Do you ever have one of those days where everything seems to just coalesce?  Last Friday I woke up to a pseudo press release in my inbox announcing the opening of the Allee Willis Museum of Kitsch on September 14th, and of course the first question that would come out of my mouth had I been awake enough to be enthusiastically talking to myself was, "Who is Allee Willis?"   I tend to get a decent amount of press releases about 80s themed or kitsch/ephemera projects, usually revolving around hip hop groups featuring a bunch of geeky white guys name dropping Axel Foley, He-Man and Rubik's Cubes.   It becomes an automatic process to read through them just far enough to know when it's time to stop and then I flush 'em out of my short term memory.  There was something about this one that stuck with me though.

I didn't think about it all that much, but it was the beginning of a day of odd connections.  When I got into work I stuck one of my favorite mixed CDs into the computer, psyching myself up for a long day of data entry and cataloging media tapes.  The CD features some of my favorite movie anthems including Michael Sembello's Rock Until You Drop from the Monster Squad, Cyndi Lauper's the Goonies are Good Enough, the Fight Song from the Karate Kid, the Cherry Bombs songs from Howard the Duck, the Pointer Sister's Neutron Dance from Beverly Hills Cop, as well as some stuff from Rad, the Legend of Billie Jean and Thrashin'.   Little did I know that almost half of the tunes I was rocking out to were written or co-written by Ms. Willis.  Part of the reason I broke out this CD was that my good friend Kevin and I were going to watch Howard the Duck for the upcoming evening's movie night we hold each Friday.

Anyway, as the day wore on I hit a bunch of sites while on break looking for some fun stuff to read about.   One stop was finally sitting down to read Kirk Demarais' first article on Archie McPhee's new online literary magazine, Monkey Goggles.   The article takes a look at some selections from the 1959 PICO Novelty catalog, in particular a great flask with an awesome kitschy plastic head called the Hip Nip.



I've seen a bunch of novelty flasks, but none quite this novel and fun.  I mean drinking out of a flask that looks like a little tipsy man is just bizarre.  After a bit more web browsing, I remembered to take a closer look at what this Allee Willis was all about.  I whipped over to her blog and started digging through the archives, marveling at her insane collection of odds and ends.  Lo and behold Ms. Willis has her own Hip Nip in the collection.  She even has the sister flask, the Hot Nip. I love it when I find these kind of connections in the junkyard of pop culture.   It's like some sort of affirmation for my interests, as if everything is starting to make sense.  Flipping through the entries in Willis' blog I couldn't help but fall in love with some of her treasures like a fleshy pink cup molded in the image of Mr. Peanut, or this Monty Python Nights-of-Ni-esque four-headed Monkees dollâ

   

She even has one of the coolest pieces of wall art known to mankind, a vintage Billie Dee Williams endorsed Colt 45 malt liquor electric sign.  Who do I have to kill to get a hold of one of these beauties?



This is the sort of stuff that I would love to find while digging through antique shops and flea markets.  I never have this kind of luck though, so I can't help but love the idea of the Allee Willis Museum of Kitsch!  You can check out a sneak peek at what to expect by watching this trailer...



As I mentioned above the website is set to open proper tomorrow, Monday the 14th of September in tandem with a week-long physical exhibit in Los Angeles at the newly relocated Ghettogloss art gallery on Melrose.  The gallery will be "âdisplaying hundreds of amazing artifacts from her rarely-seen-in-person kitsch collection and will frequently be on hand greeting visitors and discussing the Allee Willis Museum of kitsch. Allee's grand kitsch exhibition will feature two fabulous AWMoK launch parties (on Monday, Sept. 14th and Monday, Sept. 21st); the debut of her delightful "What Is Kitsch?" short film series; Allee's unveiling of her featured "Kitsch O' The Day" blog item live at noon daily in the gallery's front window on L.A.'s ever-popular Melrose Avenue; her usual megaton of scrumptious junk food; specially created gourmet treats from L.A.'s hottest new restaurant, Susan Feniger's Street, of which Allee is part owner; live auctions of spectacular kitsch masterpieces hand-picked by Allee herself; a first-time-ever public raffle to win a guided tour of Allee's exclusively private Willis Wonderland; a not-to-be-missed karaoke sing-off of Allee's classic Earth Wind & Fire hit, "September," at the party on the night of the 21st."

To cap last Friday off, and after watching Howard the Duck with my friend, we were scanning to credits to see if Lea Thompson actually sang on any of the Cherry Bombs' songs, when I noticed that Allee Willis co-wrote practically everything on that soundtrack.  Though she's probably better known for writing Boogie Wonderland and co-writing the theme song to Friends, it's her work on the various movie soundtracks of the 80s that I appreciate the most.   I never knew just how much she influenced me and I can't believe I didn't even know her name until this past weekend.   If you get a second and want to be wowed by an insanely awesome collection of sublime pop culture, head on over to Allee Willis' blog and be sure to check out the launch of her Museum on Monday.  Be sure to tell her that Shawn from Branded in the 80s sent ya!

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58. Peel Here #92: Smurf Me up the smurf...
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You know, aside from the couple of upcoming DVD announcements here and there it's hard to believe that I really haven't talked all that much about the Smurfs over the last three years.  Then again, I'm not sure what I really have to add to the pantheon of pop culture commentary on these little blue Belgian guys and gals created by Peyo (Pierre Culliford) back in 1958.   Like most kids who grew up in the 80s I watched the Hanna Barbera cartoon every Saturday morning, and like most reminisces I've read over the years I got bored of the show and stopped watching as soon as Johan and Peewit came on the scene (even though the characters pre-date the Smurfs and seem to be beloved in much of the rest of the world, I felt they just got in the way on the cartoon.)  I never really got into collecting the little PVC figures as a kid, probably because they seemed kind of cutesy and my mom knew I was really into He-Man at the same time.

For me the Smurfs have sort of become the perfect icon for Saturday morning cartoons of the 80s.  They had such a huge revival here in the states at the time and thereâs something so simple and pure about the character design that they speak to me much in the same way that Mickey Mouse speaks to most other people.   In the mid 90s when I was fumbling around for an online handle and e-mail address I couldn't get my brain off the idea of utilizing the Smurfs.  It was around that time that I first started feeling pangs of nostalgia for my childhood, and it just seemed fitting.  Somehow or another I ended up with smurfwreck, and it's just stuck.

Anyway, I haven't really tried that hard to put together a collection of Smurfs stickers.   I think I received all of these as extras with other sticker orders I've placed on ebay or from friends who've sent some collections my way.  But they added up enough to be worth a Peel Here post.   First up is a sheet of sports-themed puffy stickers dated 1980, though I think these actually hit store shelves around 1982â



Then we have a handful of these die-cut stickers from 1983 that were originally offered on large rolls.  You'd tear off the number you wanted and pat for them by the sticker.  There's something kind of neat about that idea, almost like stickers by the pound or something.   Again, it just goes to show how crazy the sticker collecting phenomenon was back in the dayâ





These are only a small sample of what was available.  Being part of one of the largest fads in the 80s, the Smurfs were on all kinds of merchandise from t-shirts to lunchboxes.  I know I've seen a series of Trend-like scratch-n-sniff stickers, and I'm sure there were the more standard sticker sheet stickers as well.  You know, considering how popular they once were, it's surprising that the Smurfs haven't made a comeback before now.  I just recently saw some new plush toys at my local Toys R Us, and then there's also that new all CG film on the horizon, but this franchise really does seem like it's ripe for something bigger.  My idea for the perfect product tie-in are Gargamel brand gummi smurfs, so you can eat them just like he always wanted to...

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59. Spoiler Alert! Orson Welles is looking for a lost sled. It answers to the name Rosebud...
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Description: I'd like to think that I don't go on all that many ranting jigs here at Branded in the 80s, but I've had something stuck in my craw for awhile that I'm sick of trying to tongue out from between my teeth.   It's time to get a tooth pick and scrape it out.  Spoilers.  Every time I read the word it makes the hair on my neck stand on end.  Unless I'm talking about a sweet 80s era Lamborghini Countach (which I an want to do), spoilers refer to any bit of information in a, typically fictional, creative work that reveals a thought, idea, plot point, or action that would ruin any surprise in partaking said narrative.  Soylent Green isâa classic example of why the word spoiler has become so common that it's starting to really piss me off.

I should back up a second and clarify that I don't intend to spoil any movies, books, or even the 3rd movement Rondo in Mozart's E-flat piano concerto #9, K. 271.  My gripes with spoilers have little to do with the classic definition of the act, but more in how people react to the phenomenon, and in particular those people interested in any sort of movie, television or literary criticism.  I get so sick of this fear of using spoilers when reading reviews or listening to podcasts that attempt to host a discussion about a creative work.  My feeling is that worthwhile and useful criticism comes from a through deconstruction of the work at hand.  Even if it's a targeted deconstruction, I think the dialogue has to be explicit.  Generalities and tip-toeing around a subject can only lead to allusions, confusion or an ambiguous and therefore pointless discussion.   If you're going to talk about a damn movie, than talk about the damn movie.

Everyone seems so concerned with being spoiled or spoiling something for someone else.  Again, I understand why, but there are unspoken ground rules that come with talking about stuff, and writers or hosts shouldn't have to censor for the benefit of the audience.  The audience should have the wherewithal to know when to turn off a podcast or to stop reading a review before they've seen a film or whatever.  If I'm going to listen to a podcast about the original Heston Planet of the Apes flick then it should be obvious the hosts are going to talk about Planet of the damned dirty Apes.  It reminds me of one of my favorite quotes, it's from Michael Crichton (by way of his father) where he learns a lesson in the uselessness of continuing any sentence that begins with "Obviouslyâ"  His father said, and I'm paraphrasing here, that if a statement is truly obvious then it doesn't need to be stated.  To me spoiler warnings in reviews and movie themed podcasts fall under this category.  Now, if I'm reading a review comparing Capt'n Crunch w/Crunchberries with Capt'n Crunch's Choco Crunch and the author lets slip that Darth Vader is really Luke Skywalker's dad, then maybe a case can be made for bad judgment.

On a separate note, and this is just my opinion, but as far as the actual spoiling of creative work goes, if it can be spoiled by revealing a single fact then that fact is not much more than a gimmick.  Gimmicks tend to be devious by nature, they're utilized to deceive and trick one into thinking that something is more than it really is.  Granted not all gimmicks are about the con, there are some that are more about the novelty factor, adding some form of functional or artistic enrichment.  Either way it's fleeting.  Camera phones are nifty, but they're no replacement for a real camera when it comes to quality.  The reason I spoiled Empire Strikes Back at the end of the last paragraph is because the film doesn't hinge on learning that Luke is Vader's son.  It only adds depth to a great film; it's just a moment with a little bit of gravitas.   It's textbook Greek Tragedy.  Besides, you didn't hear anyone pissed off at Lucas for ruining the un-filmed back story to the first Star Wars flick during the opening credits text crawl.   If the reveal of the plot is so important to a story, my question is how important is the rest of that story? 

Most of the famous film spoilers are interesting, but they hardly ruin the experience of seeing the film.   It's also a weird statement on what it means to enjoy a creative work.   If spoiling ruins an experience, how does anybody ever watch something a second time without throwing their arms up and declaring that they ruined the film for themselves by watching it that one time before?  Surprise is fun sometimes, but it's not the end all be all of experience.  Same thing for romanticizing first experiences.   I don't know about anyone else, but my first exposure to most things are usually interesting but not as fulfilling as when I've got a little bit of experience under my belt, including my appreciation of film and literature.

60. Who'd of thought Dots candy would be this cool?
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Description: I swear I'm starting to get a little crazier every year now.  The beginning of September rolls around and I tell myself Iâm not going to start getting all antsy for the Halloween festivities.  There are two full months before the actual holiday and a solid 30 days before I start belting out my annual Halloweeny posts at Branded.  I keep telling myself that and then I walk into a Target looking for some pistachios and I find some new Halloween candy that I can't ignore.  If it's just been the seasonal wrapping on some packages of M&M's I would have walked right past them.  Even a candy combo bag with Frankenstein's monster peering at me wouldn't have been enough to break my icy patient exterior of waiting-on-the-season sternness.  I don't want to turn into one of those retail zombies that starts shopping for Christmas wrapping paper on Black Friday.   I'm supposed to rally against big box giants pushing holiday merchandise on me three months in advance.   Halloween is for October damnit!  Sigh.  Here I am though.   It's Sept. 5th and I've officially started my season off by picking up some great packages of candy that were just daring me to buy them, take them home, unwrap them, photograph them, and taste test themâ



I suppose I should start with something old.  My favorite Halloween candy from the past two years has to be the genius Ghost Dots from Tootsie.  When I first saw these in 2007 I couldn't believe just how perfect this variation on your standard Dots candy seemed.   It's so simple, and yet so intriguing.  They started with the run of the mill mystery flavor gimmick, removing the typical colors (but keeping the original flavors) and going with a monochromatic scheme.  The first inspired stroke of genius was choosing the glow-in-the-dark pale minty and slightly translucent green evoking all sorts of ectoplasmic ecstasy.  Then it must have been clear to call them Ghost dots as they're already iconicly shaped (just a jagged trim along the bottom short of being the perfect Pac-Man ghosts.)  It's just so freaking simple and pureâ



There were no new additions to the spectral Dots family last year, but this year the guys and gals at Tootsie surprised me by introducing two new varieties.  The first one I'd like to showcase is better, both design and taste-wise, of the new duo (though it doesn't quite trump the awesomeness of the Ghost Dots.)  Blood Orange flavored Bat Dotsâ



Though visually these aren't as interesting as the Ghost Dots, I have to say that I'm digging the inky black little guys.   I'm not a big fan of the licorice flavored gummi candies, but I've always thought black candy just looked cool.  Hell, everything looks so much better in black.  I'm sort of lamenting the fact that Tootsie chose to stick with the classic shape for the candy.  I think these are screaming out for bat wings, though I'm sure it would have been cost prohibitive for a seasonal confectionâ



As for the taste, these guys aren't half bad.  They strike a nice balance between sweet and tart with a good hint of citrus, though I'm not sure how accurate the blood orange flavor is.  I'm pretty sure they chose to utilize the creepy nomenclature specifically to evoke the holiday, but this opens up another area where these candies could have become legendary.  Though classic Dots (as well as the Ghost variety) are individually comprised of a single color, the other new entry into the Dots family this year introduced a dual-colored Dot.  Since the technology already apparently exists, I think the Bat Dots should have utilized this and had transparent red tops or bottoms.  It would have just had that extra bit of fun.  These are hardly a failure thoughâ

Anyway, the other new variety is another in a long line of candy corn influenced sweetness.   I've written about my feelings towards the uber sweet tri-colored kernels before, and I have to say that Iâm really not a fan of candy that tries to disguise itself as the classic Halloween staple if for no other reason than the flavors end up tasting way too much like cotton candy (which I despise, at least flavor-wise.)



I have to give this variety points for looking pretty cool, but it pretty much ends there.  The first CC Dot I popped into my mouth wasn't bad.  It had a mellow flavor more along the lines of caramel or sweet cream.  The second was just too sweet.  The 3rd, 4th, and 5th just tasted like chemicals, and the rest will probably find a home in the trash.



One out of two isn't bad though, and adding Bat Dots to the family portrait with the Ghost Dots gets me excited for future installments.   I'm personally holding out for Witch's Warts Dots, all white Ghost Dots II in a new flavor, and Silver Bullet Dots (you know, for killing gummi werewolves.)

While I'm on the subject of Halloween, I might as well take this opportunity to announce a new website called Countdown to Halloween!



Basically, over the last three years I've noticed an amazing trend in some spooktactular holiday spirit when it comes to the celebration of all things Halloween.  There have certainly been those (like Matt at x-entertainment.com) that have been spreading the good word for awhile, and there are a plethora of wonderful sites out there dedicated to making every day of the year a little bit more orange and black, but in the last few years there has been a surge in fiendish fun around the month of October that really gets this dried up and dusty ticker of my beating again.  In particular, in the past two years there has appeared a list, usually cobbled together by a couple of swell guys John Rozum and John Knutson, that gets passed around from site to site and really makes the whole experience fun and exciting.  For one, it provides a virtual vault of horror, a crypt of terror, a, um (well geez, I guess EC Comics should have come up with another great title for me to lift from), oh wait I know, a tomb of dread, a virtual cornucopia of amazing stories, photos, comics, reviews, crafts, toys, songs, radio plays, jokes, and general commentary on a holiday that a lot of us hold dear.  This list also serves as a centerpiece for a spur of the moment community, a virtual meeting place, and the type of communal experience where the internet is the perfect forum.

Countdown to Halloween is a home for this list.  Note, it's not the home.  Part of what makes this season of creepy blog-a-thons so special is that there is no expectation, no rules or guidelines, but at the same I think it would also be beneficial to have a place to point to, a hub.  This isn't a union; it's intended as a resource.

So if you're planning on another year of terror inducing blogging during the Halloween season, or if this is your first time trick-or-treating alone, feel free to let your intentions be known.  You can either comment at the Countdown to Halloween site, add your voice to the comments on Mr. Rozum's blog, or you can @tweet or follow Halloween_Blogs, on twitter.

As for my plans for this season, well, I'll announce those as we get a little closer to Octoberâ

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61. Peel Here #91: Attempting to jump over the flagpole only results in racking Mario in the nuts...
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Most of the time I feel like I'm pretty in tune with the geeky nerd milieu having an appreciation for comic books, cartoons, toys, and general pop culture.  There are areas where I feel seriously deficient though, in particular gadgets, but more importantly video games.  If there is anything in this world that has the reach and power to bring together almost all of the splintered groups and cliques in our society it's a well constructed and executed video game.  This has been true since before the first Pac-Man arcade cabinet was placed in the corner of a Pizza Hut, when teens were hanging out and playing pinball and table-top bowling in soda shoppes.

On the one hand the mass appeal of games in general is so rooted in our culture that it's hard to imagine any household in the world that doesn't at least have a chess board, some dominoes, or a set of Rummikub tiles.  The culture moves with technology, so even when we have a character like R.J. MacReady surviving in the frozen wasteland of the Antarctic in John Carpenter's the Thing, heâs playing computer chess.  The mass appeal of video games just makes sense.  On the other hand the intricate plots, insanely anal retentive button combo sequences, and the tendency towards extreme genre themes really should keep the audience for games at the niche level.  When I bring up my favorite episodes of the Justice League Unlimited cartoon in conversation with most co-workers I get that blank, sort of bemused stare in return belying their true inner reaction which is wondering if I'm really a moron or if I'm borderline retarded for watching cartoons as an adult.  But if World of Warcraft, Grand Theft Auto or even the new Ghostbusters game is brought up they become a virtual fountain of nerdy, excited info.  I don't understand the disconnect.

Anyway, this is a very long way of getting back to the point, which is that I'm not really into video games.  I should be based on most of my interests, but I'm not, at least not since I was twelve, which is when these great Topps Nintendo themed stickers were released back in 1989â



The summer of 1989 was probability the apex of the era of classic video gaming.  It was still common to find arcades in most suburban strip malls, Nintendo Power was in full swing with a very successful first year under its belt, and the Wizard was mere months away from opening in theaters.  In fact, by the time that flick bombed during December of that year everything was beginning to change, though that's a story for another time.  In '89 classic gaming was still king, and this sticker set features some of the best that Nintendo had to offer at that point. 

Though I was weaned on the Atari 2600, the NES was my console of choice, not that I had a lot of choices.  The video game market was pretty much overrun by Nintendo and that goofy little meatball Mario was the new Pac-Man.  Though I spent a fair bit of my parent's mad money on renting a million NES games from the local video store, there was really only one game that kept my interest, the original Sup er Mario Bros. 

For me, the most important aspect of video games is the value of repeat playability.  Most Atari and early arcade games were designed this way, eschewing plot and story for exponentially difficult versions of the same levels that seemed to go on infinitely.  Super Mario Bros. both epitomized and broke this convention.  The game introduced a very structured environment with a clear beginning, middle, and end goal, but at the same time kept the difficulty level of the gameplay moderately stable so exploring every little facet of each level became key.   For the first time the idea of playing a video game wasn't just about surviving through level after level, but to also systematically stomp or fireball every enemy while also making sure to bust every set of bricks, unlocking every single hidden coin or 1-up mushroom.  I spent more time trying to perfectly uncover every single hidden block, getting more than 100 lives by trapping a turtle shell in mid bounce-back, and finding every single warp zone than I did trying to fight Koopa and rescuing the princess.



By the time S uper Mario 2 came out I was a maniac for the franchise.   I can't express how jazzed I was that the designers integrated the concept of picking up objects, digging up veggies, or having the ability to play different characters (each having a slight advantage over others.)  It was simply mind blowing to me at the time.   Anyway, Mario was my main man even though that Toad sure could dig.  As far as these stickers go, I think they're pretty neat.   In particular I like the roadster Mario because it's a completely unintentional foreshadowing of the Mario Kart games that would come.  Also, it looks like he's driving a larger version of the car token from Monopoly.  I also like the use of multiple stickers on a single card.  This calls back to the Fleer Pac-Man and Topps Donkey Kong game cards from earlier in the 80s.  Typically Topps only has one full or die-cut sticker on each card, though they did go the multiple-sticker route with the Superman movie stickers from the late 70s.  Anyway, it's a nice touch that makes these stickers feel more in line with mini sticker sheets from Hallmark or something.  Also, I have to say that the art on the Princess and Birdo stickers is pretty rough which is a little strange seeing as the game had been out for a while before these sticker cards hit store shelves.   I guess Topps didn't work too hard to find nicer artâ



This set of stickers consisted of 33 cards and featured characters from three game series in addition to the Mario stickers above including the recently re-titled Punch Out!! (Nintendo didn't re-up their license with Mike Tyson to keep his likeness and moniker associated with the game), the Legend of Zelda, and Double Dragon.   I was a pretty big fan of Mike Tyson's Punch Out!! and the first couple of Double Dragon games, but I didn't get into Zelda until awhile later when the 1st Super Nintendo game was released.  I really love these stickers though, in particular the Zelda and Double Dragon stickers because they used some of the more Japanese styled artwork.  The art on the Punch Out stickers looks like it was copied from the production artwork for the game box and instruction booklet.  It's a little bit more ghetto in that respect.





Each of the cards featured random game hints on the back, no doubt culled from the experts at Nintendo Power.   This just reminds me of the Nintendo Game Counselor 900 number that used to be in place.  I never called it, but I always wondered what it was like to talk to the expertsâ



I've certainly turned into a crusty bitter old man when it comes to video games, as looking at these stickers just reminds me how much I used to love the "good stuff" that was out in the 80s.  I'll be honest, I have little need for 3-D modeled graphics, 1st person perspective, or extravagant cut scenes.  Give me an 8-bit side-scroller any dayâ

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62. Extreme!
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This evening is was an extreme honor to sit next to my wife as she guest hosted an episode of the Art & Story Extreme!! podcast.  Jerzy, Mark, my wife and I spent a half an hour talking about scary movies, inspiration to get off our butts and do something creative, and her new project demonals.com!   It was a swell super rad conversation.





63. Some more animation cels from He-Man and the Masters of the Universe...
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In honor of episo de 22 of the Saturday Supercast I thought I'd break out some of my Filmation He-Man animation cels.   I have a few from one of the episodes we discussed on the podcast, episode 56 of season 1, Quest for the Swordâ

The first one I wanted to share today is of the character Raybar which comes from the last scene with this character in both the episode and the seriesâ



Raybar is an adventurous member of a race of rock people who live in a vast cave on Eternia.  The cave contains a hole that leads to the center of the planet and provides a vast amount of mystic energy that is most likely the source of this race.   In the episode Raybar finds He-Man's power sword and uses it to become what he believes is a great leader of the rock people, but in the end, as He-Man eloquently states, it just makes him a bully.

Anyway, I mainly picked up these rock men cels for a friend, but before I shipped them off I thought I'd scan them in and discuss them in hopes of digging a little deeper into the He-Man series.   The thing that stood out to me the most about these cels is the color of the paint.  When compared to the screen captures from the episode in question on DVD, the paint on the original cels appears a bit darker and a little more brown than gray.  Part of this is my scanner, but the original is still a bit off from the original episode.   I wonder is this is because the cels have sat around in storage for 26 years or if maybe BCI touched up the episodes on the DVDs, color correcting them digitally?



This cel also came with an accompanying pencil under-drawing which I always love to see.   In this case the pencil drawing is missing the mouth of the creature as Ray bar was talking in this scene and it required a series of different mouth drawings.  The cel I picked up came with a secondary cel that just had the one mouth position, so I guess there are a few other cels floating around with just Raybar mouths on them.  Glad I managed to find the combo with the base drawing/painting of the creature included.



These other cels are all part of a single scene, though because of the movement required it was separated onto various layers.   Included are Raybar with the power swordâ



âand his friend Togar with Man-At-Arms laser gun.



These two aren't nearly as tight when it comes to the line work.  They're a bit sketchy, which I assume came out of a time crunch to get these episodes finished.  Filmation was one of the 1st studios producing first run syndicated cartoons, which meant that they needed to finish 65 episodes of He-Man over the course of a year and that's a lot for any studio to handle.   On top of this they were doing all of the work in-house which is monumental when you think about the hundreds of thousands of cels that needed to be produced for a 65 episode run.  This episode was towards the end of the 1st season so I'd be willing to bet corners were being cut wherever they could.   In this scene in particular Raybar and Togar are only onscreen in this position for a second before Orko swoops in front of the camera, so again, corners could be cut.  Actually, if you'll notice from the screen grab below, the couple of cels that I have a slightly differentâ



In the screen grab you can see that Raybar's face wasn't completely drawn on the right.  The characters were also shifting a little and by the time my two cels show up Orko is obscuring the characters.   It's kind of weird to think that these cels are hidden since they're a bit cleaner than the two that end up unobscured on screen.)

On a slightly different note, I have to say that the character design on Togar is pretty weird and baby-like.  It's kind of disturbing when you see him pitch a fit in the episode.

64. Saturday Supercast Episode 22: A continuation of the discussion on He-Man and the Masters of the Universe!
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I'm really excited to be back this week with episo de 22 of the Saturday Supercast!  In this episode Jerzy, Kevin and I finish off our exploration of the first season of He-Man and the Masters of the Universe.  Again, for those not familiar, in the series He-Man and his friends, the Sorceress, Man-At-Arms, Teela, Ram Man, Orko, and Stratos wage an endless battle defending Castle Greyskull and the planet Eternia against Skeletor and his evil warriors, Beastman, Evil-Lyn, Trap Jaw, Merman, and Triklops, who want to conquer and rule the world.  The series, produced by Filmation Studios in 1983, was a landmark cartoon mixing fantasy and science-fiction, reinvigorating children's television with a sense of action and adventure, as well as helping to instill a solid sense of morality for an entire generation of kids.   Masters of the Universe was also one of the first series to break through the governmental ban on interweaving existing toy lines and cartoons, not to mention paving the way for first-run syndicated animation, defining the distribution format for shows through the 80s and 90s.

Join us as we deconstruct the series, diving into another four of our favorite episodes:

The fan favorite Evilseedâ


âas well as the Dragon's Giftâ


âQuest for the Swordâ


âand Prince Adam No More.


In this Saturday Supercast episode we touch on a lot of the talent that made He-Man possible including series producers Lou Scheimer (who also voiced half of the cast of characters including Orko and Stratos), voice actors John Erwin (He-Man and Beastman) and Alan Openheimer (Skeletor and Man-At-Arms), as well as some of the writers and artists such as Larry DiTillio, Tom Sito and Michael Reaves.

We also dig into the immediately identifiable synthesizer music of He-Man (as well as its Wagnerian themes, lush quality, and a debate on whether or not it helps to bind the sci-fi and fantasy genres of the series or just dates it), the series' budgetary constraints as both boon and bane, 65 episode syndicated seasons vs. the more traditional (at the time) 13 episode Saturday morning seasons, jump-scares, Evilseed's secret under his robes, Billie Holiday's haunting rendition of the tragic song "Stra nge Fruit", Star Trek the Animated Series, solving problems with book smarts and the RIF (Reading is Fundamental) program, Ray Harryhausen, the Rankin/Bass Hobbit cartoon, horrible Irish stereotypes, the T rash Heap from Fraggle Rock, Ents, the Visionaries, He-Man inspiring public office, Andy Mangels and his awesome work on the BCI Ink & Paint editions of He-Man on DVD, Bustatoon's He-Man & She-Ra Blog, Matty Collector's amazing new line of Masters of the Universe action figures, and the insanity of the Bollywood He-Man stage show!

If you're curious about watching this great series you can purchase a copy of season 1-part 1, or season 1-part 2 at Amazon, or head on over to Hulu where you can watch 13 of the 1st season episodes for free.

As for us, well you can find more of Jerzy's work at:
Make Like a Tree Comics
jdrozd.blogspot.com Art & Story Podcast

Kevin is freelance illustrator, comic creator, and podcaster whose work can be found at:
Kevin Cross.net
Big Illustration Party Time Podcast

And you're probably already familiar with my work here at Branded.  

If you have any questions, comments, or heck, even complaints, you can drop us a line at Saturday Supercast

You can find the direct download for the episode here, or you can subscribe to the show via iTunes and find out more over at Sugar y Serials.

Also, the Saturday Supercast is on Facebook and Twitter, so if you'd like to stay up to date with the goings on at the podcast, go on over and become a fan or follow us.  You won't be sorry!

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65. I wonder how much Drew Struzan would charge for doing some Branded in the 80s artwork...
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Description: Over the past two days I've had a couple of nudges towards thinking about movie poster and DVD cover art.  First, Paxton Holley did a really funny write up of horrible DVD cover art over at his blog, Cavalcade of Awesome, and then yesterday Ben Spencer posted one hell of a wish list item over at Nerd City, the original painting for the Masters of the Universe movie poster (only $100,000 for anyone interested in becoming Ben's sugar daddyâ)  On the one hand you've got some horrendous examples of Photoshop "skillz" gone awry, and on the other a breath taking example of gorgeous poster art for a movie that, love it or hate it probably doesn't deserve th is sort of treatment.

Something that kind of flabbergasts me is the uncanny way studios utilize their marketing and advertising budgets these days.  Untold millions are spent on god-awful billboards, websites, and trailers that tend to look like the cumulative work of a 1,000 monkeys sitting at macbooks with way too much time to play with Photoshop or Illustrator.   Most movies end up with posters that look like either a horrible cut & paste/floating head job, or an overly rendered nightmare that looks like a cut scene from a video game.  None of them are memorable (at least not in a good way), and most betray the tone and look of the flick in question.

I'm going too have to play that doddering old fool who is always pointing to the past and proclaiming how much better it was to pay a half penny for a candy bar and $3 for a down-payment on a house for a second.  Growing up during the 80s video boom I can honestly attest to the power of well done cover artwork.  Walking up and down the rows in my local mom & pop shop, I'd be in a trance scanning over the luscious VHS boxes, lulled into renting utter pieces of crap based on these amazing pieces of art.  To this day I still think about some of these movies and I can't believe that studios donât tap into this process anymore. 

Anyway, enough grampa ranting, what I really wanted to get to was one of my favorite 80s era movie poster artists, Drew Struzan.  Mr. Struzan is probably the most famous of his ilk, and undoubtedly he's recognized for his poster work on films such as the Ba ck to the Future Trilogy, the In diana Jones flicks, and more recently the first couple of Ha rry Potter movies, He llboy, and the St ar Wars prequels.   But that's just a taste of his huge body of work.  Stumbling on his website via the Ma sters of the Universe poster from above, I was reacquainted with just how much I love this guy's work.   I was surprised that there were a few flicks I didn't even realize he did work for, like Be tter Off Deadâ



I missed out on this great Savage Steve Holland flick in the theater and I ended up watching it a million times on cable growing up, so I never really needed to rent it.  Was this piece used on the original VHS or posters, because I never knew it existed?  On the other hand, there are plenty of flicks that I have always loved the poster artwork for, I just didn't realize it was Mr. Struzan's work like Bi g Trouble in Little Chinaâ



âthe insane comedy racing classic the Ca nnonball Runâ



âor a film that I didn't see for the first time until the last couple of years, A dventures in Babysittingâ

< img border="0" src="http://farm3.static.flickr.com/2476/3864767034_f111ddc3 29.jpg"/>

These are the kinds of movie posters that I would buy, frame and hang on the wall.  I couldn't imagine doing that with any of the films I've seen in the past 15 years, and it's not for a lesser love of the movies or because I'm just infatuated with flicks from my childhood, they just have terrible posters.  

One of my favorite pieces that Struzan has worked on is the poster for t he Goonies.  Though I haven't seen this on a VHS copy, I have seen the artwork used on the original soundtrack album release and immediately fell in love with itâ



Struzan's ability to capture actor's likenesses without leaving them feeling stiff and too photorealistic, while also not dipping to far into the well of caricature, is just mind blowing to me.  He's also really adept at knowing how to make a floating head work, not to mention creating conceptual pieces that completely get across the tone and feel of a film while having a lot of fun.

Anyway, I highly suggest taking a few minutes to browse through his super awesome commercial portfolio where you'll find work for such flicks as Ba tteries Not Included*, A n American Tail, Du cktales: Secret of the Lost Lamp, t he Muppet Movie, th e Great Muppet Caper, H arry and the Hendersons, J ohnny Dangerously, L adyhawk, P olice Academy (Pa rt 1, 3 , and my favorite P art 4: Citizens on Patrol), R eturn to Oz (as well as some alternate poster art), T hree O'Clock High, and even the short lived 90s cartoon and toy line t he Skeleton Warriors, and that's just naming a few!

He even has a section up featuring unused, alternative and conceptual pieces for flicks like Back to the Future (Parts 1 & 2), B ig Trouble in Little China, Howard the Duck (alternate stuff as well), and the Money Pit.  Now if I only had a sugar daddy of my own I could get some of this fine work for my own wallsâ

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66. What can you really say about a film that involves a nerd deflowering a bowling ball that I didn't already say with this title?
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I've been thinking a lot about 70s/80s teen sex comedies lately in the wake of Severin Films' announcement they'll be releasing the seminal (in every sense of the word) comedy flick Screwballs on DVD.  By the way, the disc comes out today and you can order your copy by clicking on the cover belowâ



Anyway, back to pondering teen sex comedies.   It's really surprising to me how often films don't deliver on what they promise in terms of content, in particular genre flicks.  I can't count how many times I've rented a horror flick that wasn't scary, gory, or disturbing, or a comedy that just didn't try that hard for laughs.  This past year a friend and I sat down and watched a ton of 80s comedies both in the hopes of reliving some nostalgia and to finally expose my friend to the original R-rated bits and pieces that he never got a chance to see growing up as a kid.   My experience to most of the films we watched came through either renting them on video or catching them in the wee hours of the morning on HBO or Cinemax.  My friend on the other hand grew up a bit more sheltered and wasn't allowed to watch most of them, and the stuff that he did catch was on basic cable over the years so he has felt like he's really missed out on the raunchy adult humor.

Turns out he didn't miss all that much.  Even flicks like Porky's really don't have all that much in the way of nudity or language so bad that it'd make his grandma blush.  Granted Porky's was the brainchild of Bob Clark, the same guy who brought us the beloved classic A Christmas Story, but he was also the guy that brought us Black Christmas, so we weren't sure what to expect.  Overall, after watching flicks like Fast Times at Ridgemount High, Meatballs, Sixteen Candles, Revenge of the Nerds, and Risky Business my friend was starting to feel like he hadn't missed that much at all.  Personally, I seem to have memories of more raunch in my 80s comedies, though there are a lot of flicks that I watched back in the 80s that we didn't revisit and were more on the periphery in terms of tasteful content like Hot Dog, Kentucky Fried Movie, Class (which seemed really dirty at the time), and the various academy (Police or Screwball) and school movies (Rock 'n Roll High, or Ski), all the stuff that I'd catch for years on USA Up All Night with Rhonda Shear or Gilbert Godfried.

Sure, most of these films have some rude language and a jiggling pair of boobs here and there, but none of them feel like they're delivering on their potential, not at least in the way that a lot of exploitation flicks did in 60s and 70s.  When you sit down and watch a Herschel Gordon Lewis film like Blood Feast or Two Thousand Maniacs, you get what you pay for.  When you watch a Jack Hill flick like the Big Bird Cage, Foxy Brown or Switchblade Sisters, you get plenty of violence, language and T&A.  So with the 80s teen sex comedies, it sad that for the most part you really don't get more raunch.  That isn't to say that I don't like John Hughes (the Breakfast Club, Pretty in Pink) and Savage Steve Holland (Better Off Dead, One Crazy Summer) flicks, just that there was a relatively untapped market for making flicks that were a bit more visceral.

Well, getting back to the reason for this post, I have to say that I never saw Screwballs back in the 80s and it was one heck of an oversight.   Screwballs is to teen sex comedies what Last House on the Left is to horror.  There are more naked girls, goofy horny guys, and inappropriate jokes than in most other 80s films combined.   In fact the raunch reaches a level of slapstick that is more on par with the feel of a crazy 30s era gag-a-second Fleischer cartoon than an 80s comedy.  The flick was also produced under Roger Corman, which might have something to do with its level of debauchery (but in the best sense of the word.)

If you haven't seen it, the basic gist of the film revolves around a pact made by five senior guys who all have a beef with one girl, the ultimately virginal Purity Busch.  She's either gotten them in trouble or lead them on and the guys decide that by the end of the school year they'll either get to see her "goods" and score, or die trying.  Though the film should be qualified as terrible, where plot is really secondary to the mass amount of gags in the film, the set dressing keeps bouncing between the 50, 60s, 70s, and the 80s, and with acting that for the most part is insanely bad, it's still pretty great.  It's almost like watching a live action adaptation of a much dirtier version of MAD magazine that still manages to be funny.  Between sessions of strip bowling, insane make-out sessions a the drive-in, freshman breast exams, trips to the strip club (with a guest appearance by Russ Meyer star Raven DeLaCroix), ornate brainwashing attempts involving an giant fake hot dog, insanely inappropriate cheerleading practice in bikinis, and a milf mom who is playing the cougar to the point of being overdubbed with animal growls, you'll never be bored.

I can honestly say that I was blown away by this long-overdue-on-DVD gem, for however contrived and clichà a statement like that can be.  I have to give a hand to Severin Films for taking the time and effort to restore this film (as well as stuff like the original Inglorious Bastards.)  The DVD looks pretty good for a lowbudget early 80s film like this, and has a nice set of special features including a commentary track as well as surprisingly insightful interviews with the director Rafal Zielinski and cast (there are clips with the director and some of the actors online.)  I don't know what more I can say except that, again, the DVD is available to purchase as of today. If you're a fan of goofy 80s comedies and boobs, than this is highly recommended...


67. Peel Here #90: I'm only pretending these stickers are gay so my webhosting company doesn't evict me...
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Before I get into today's Peel Here column proper, I wanted to take a second to let everyone know that I've made it ten million times easier to browse through the archives of this column.   In the past the Peel Here banners above and to the left in the sidebar have pulled up all of the previous columns on one page that took roughly eleven months, 7 days, and three hours to load.  Not anymore.  Now these banners will whisk you away to a brand new single portal page that's split up into volumes (each 12 columns get their own volume.)  So if you really wanted to take a second look at those C.H.i.P.s stickers, or you missed out on the 7-Eleven Rock Coins, you can now just browse through the various volumes (each of which list the posts in that volume.)  You can either click on a volume to be taken to a page with all twelve of those posts, or you can click on the individual column you want to see. 

I recently rearranged my archive of Cartoon Commentary! columns in a similar fashion so 90% of Branded is very accessible via the sidebar banners now.  It's a small step, but I hope it improves the browsing of the site.   Someday I'll get Libsyn to include the "next-page, previous-page" functionality in their blogging engine, but I'm not holding my breathâ

Anyway, enough about site maintenance, you came here for some nostalgia right?  Well let me present a fun set of Topps cards originally distributed back in 1978, the almost complete (I'm missing sticker #10) Three's Company sticker setâ



This set is sort of a weird duck.   Like most Topps stickers (and subsets to regular card series) this set comes in a multiple of eleven with 44 total cards.   This is a little weird as the majority of the Topps licensed stickers at this time came in the form of 22 count subsets of a much larger series of bubblegum cards.  This Three's Company set is just stickers, there aren't any regular cards.  From what I can tell, Topps really didn't start doing these 44 card sticker sets until the mid 80s with the Supergirl, 21 Jump Street, Return to Oz and Little Shop of Horrors sets (not to mention the various rock music sets featuring Michael Jackson, Cyndi Lauper, Duran Duran, and Menudo.)   Also, aside from a handful of card-backs illustrating how to peel off the sticker, the majority of the set has blank white backs.  I have seen other blank backed sets, like the Incredible Hulk or Mork and Mindy, as well as sets that just had ads on the card-backs like the stickers for the first Alien flick.  There are some variations of these stickers though, that include at least one set of puzzle backs that form to make a 15-card poster of Suzanne Sommers.

Here's what the poster looked likeâ



Anyway, as far as the stickers themselves go, I have to say that I think it weird that so many sitcoms had this sort of merchandising in the 70s and 80s.  I can clearly see how popular some of these shows were, but it seems like there's a big leap between trying your best to catch the most recent episode of the show for a few laughs and running out to your local 7-Eleven to pick up 10 to 15 packs of cards in hopes of completing a set of Three's Company stickers.  It's really the hobby of the young or borderline obsessed, and again, I have a hard time seeing kids really getting into these stickers, even if they do love the show.  It seems like an impulse, single pack purchase.  Out of five stickers you're bound to get at least one Suzanne Sommers and John Ritter headshot sticker, and then you're done.  Alright, maybe some kids were looking for a Joyce Dewitt, but seriously at the time, who was pining for a Mr. Roper sticker?  I can totally see the beauty in the sticker now, from a distance though.



Maybe I'm having a hard time getting my brain around this set because my exposure to the series was really limited as a kid.  The only time I ever really got a chance to watch it was on those rare occasions when I was out sick from school.  The show, along with other staples like C.H.i.P.s, Gomer Pyle USMC, Bewitched, and I Dream of Jeanie, primarily played in re-run syndication during the mid-afternoons in my area.  Just hearing the opening bars of the theme song makes my stomach feel a bit queasy since I was usually sick when I saw the showâ



I wonder whose job it was to come up with the flavor text on these stickers?  It's pretty atrocious stuff.  I noticed something similar with the Mork and Mindy card set (which had totally non-show related speech and thought bubbles added to all of the screencaps.)





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68. Cartoon Commentary, a look at the 1st episode of He-Man and the Masters of the Universe!
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A quick note on the organization of the Cartoon Commentary! columns here at Branded in the 80s.  I've been slowly tweaking the tags and archiving of some of the sections on the site for awhile to try and make this beast a little easier to navigate (since the engine Branded is built on doesn't support a lot of the nicer things like next page functionality, or multiple tags.)  Anyway, I wanted to take a second and point to a new portal page I set up for Cartoon Commentary! which divides the articles I've written by cartoon series as well as individual posts.  By clicking on the banner above, or the one in the sidebar to the left you can reach the portal page where you can choose to view all posts on a particular series or the specific episodes from that series.  It should make navigating the site easier so you wouldn't have to load every single Commentary post on one page.  Next up, wrangling the best that is Peel Here, but that's for another dayâ

Anyway, in honor of the release of episo de 21 of the Saturday Supercast (where I and co-hosts Kevin Cross and Jerzy Drozd deconstruct the He-Man and the Masters of the Universe cartoon series) I thought I'd take a closer look at the first broadcast episode of He-Man, the Robby London penned Diamond Ray of Disappearance which had its debut on September 5th, 1983.



As we mentioned in episode 21 of the Supercast, Diamond Ray of Disappearance does a pretty good job of setting the stage for the Masters of the Universe series.  Though it's not an origin episode (not many 80s cartoons had the foresight to set up a continuity), it does spend some time introducing a lot of the main characters that populate the world of Eternia, as well as giving a pretty good overview of what He-Man is capable of.   One subtle aspect to this episodeâs introductory nature is the opening title card screen that was chosen for this first episode, a shot from space of the planet and its main continents.  You can get a general gist of the main body of lush green jungle-like land, with the icy mountains to the north, a treacherous desert to the south and to the east, which separates the peaceful region with the fire and brimstone of the region that Skeletor overseas to the far east.

As far as the episode proper, it opens on a shot of the imposing Snake Mountain, which again is a subtle way of starting off the series by introducing the main struggle.  I mean, we're already watching a show called He-Man, and in the opening credits we get the point by point on Adam and his quest, so it makes sense to get into the nitty gritty with Skeletor summoning his minions.  What I really dig about this sequence is that it does a fairly good job of setting the tone for some of the dark fantasy that makes up the periphery of the show.   Between Snake Mountain, and the various spikes and skeletal accoutrements that make up the dÃcor, it sets a pretty creepy tone for a kids show.   Some of the imagery is downright Giger-esque< /a> in design, and Skeletor's throne of bone is only slightly removed from the seriously f-ed up human and animal bone furniture in the Texas chainsaw Massacre flick (or for that matter TCMâs real world influences of Ed Gein and Ilse Koch.)  Granted skeletal imagery and evil in fantasy worlds sort of go hand in hand and could be viewed as pretty tame, but it does has some real world connotations that can get pretty heady, especially for kids.  I just think it was a brave move on Filmation's part.



As Skeletor calls his henchmen to his side to explain his nefarious plot with the Diamond Ray, I always thought it was pretty hilarious that he calls Merman who just happens to be in the middle of wrestling a huge aquatic monsterâ



Another thing that jumped out at me in this opening sequence is some of the Filmation visual trademarks that really define the look and feel of the cartoon.  Because of the limited budget the studio had to produce 65 syndicated episodes of He-Man, there was a lot of limited animation and an extensive collection of stock sequences were devised, so that each episode's new animation burden could be whittled away.  One of these stock sequences features Skeletor in a fit of megalomaniacal fist pumping.   It really is sort of a strange shot, as the edit sort of cuts to an aside soliloquy featuring a mimed or laughing punctuation from the evil leader.



I also thought it was interesting in the first battle sequence that both factions have their own Sky Sleds, though in slightly differing colorsâ



As a kid I never thought twice about this, but from the perspective of a grown man this seems very odd.   I mean I just always sort of thought that each side designed and constructed their own vehicles.  I know Man-At-Arms is always building and tinkering for the good guys.  Maybe Tri-Klops is doing the same for Skeletor? Anyway, because their both using the same sleds (well except that the evil ones have fangs and the good have molded ears on the gargoyle head that acts as a ram), it gives the impression that there is a third party out there designing vehicles and weaponry for the battle waging across Eternia.

Also, a quick note on Trap Jaw's character design from toy to cartoon.   I thought it was cute that Filmation decided to keep his little hook/eyelet on the top of his helmet, a feature from the toy that let him slide down a zip-line, but in the show is just ornamental.  I've talked before about the differences in cartoon and toy design, and it's always fun to see stuff that should be exclusive to the toys end up in either packaging art or the final cartoon versions.   I mean typically these little things don't have to translate from toy design to other media, I mean not that many kids thought too hard about what happens to Optimus Prime's trailer section when he transforms in the showâ



It's also fun to see a little bit of Star Wars influence on the cartoon.   I mean it came out right in the middle of the hype for Return of the Jedi, so it's not surprising, but even so it's fun to see Man-At-Arms wielding a makeshift lightsaberâ



I also love the inclusion of Skeletor's Battle Robots to the show's list of villains.  Because Lou Scheimer and Hal Sutherland had such strong ideas on the virtual non-violence in the action of the He-Man cartoon, these robots become yet another in a very long line of violence-friendly punching bagsâ



There was also a scene with the Sorceress' magic mirror that I thought was neat for a couple of reasons.   One, there is another Filmation visual, a shot framed by He-Man's feet in the foreground which is just really dynamic.   You see this a lot in Filmation's cartoon work, these interesting shot set-ups and uber weird camera angles (either extreme worm's-eye-view or security camera, high up in a corner shots.)   Secondly we get to see the Filmation designer's mind's eye view of what it would look like inside this magical universe, which is apparently a world of Atari?!?



The last thing that really jumped out at me in this episode (that we don't cover in episo de 21 of the Saturday Supercast) is an early Orko sequence that has him getting in on the final battle a bit.  There are a lot of character match-ups in this series and this episode in particular.   In fact the set of evil and good characters is almost symmetrical.   He-Man offsets Skeletor, Evil-Lyn the Sorceress, Man-At-Arms and Tri-Klops, Ram-Man and Beastman, Stratos and Trap Jaw, Man-E-Faces and Merman, not to mention Cringer/Battle Cat and Panthor.  Orko though is sort of the odd man out.  There really isn't a reoccurring character that fits Orko's bill on the evil side, his bumbling ways are only sort of echoed in Merman and Beastman.  He's more of an in for the children as viewers, giving them a character to latch onto, one who is a guide to the world of Eternia.



So it's strange to see him step into the battle at the end of the episode and spin Tri-Klops' head silly.   It's sort of out-of-character for Orko, but fun none-the-less.

Again, to listen to Jerzy, Kevin and I wax nostalgic on this episode of He-Man you can download Episode 21 of the Saturday Supercast from the Sugar y Serials site (or directly here), or you can subscribe to the show through iTunes.   We're really proud of how the podcast is developing so far and we can't wait to tackle more cartoons in future episodes.  We've got a lot of big plansâ

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69. John Cawley will help you Get Animated!
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All around great guy, plastic robot junkie, and iron-fist ruler of the site Please Save Me Robots (now in it's apocalypse edition) Esteban recently turned me on to John Cawley's website where he's selling issues of his vintage fan/professional magazine on 80s animation called Get Animated!, which he originally put together and edited between 1984 and 1986.  The zine includes articles written by fans and pros alike and you can pick up copies of the six available issues on a nice CD-rom for $12.  This is the sort of thing that I've been dying to find for a long time.  There really weren't any magazines covering animation during the 70s and 80s, and the ones that were like Starlog, Famous Monsters, and the like really only did the odd review here and there and almost entirely ignored stuff geared towards television.

Get Animated! is the closest thing I've found that would resemble what it would have been like if the internet and the blogosphere had been around at the time.  The whole zine movement of the 60s through the 90s is pretty much a mystery to me, and I still haven't found a very good "in" on where to find back issues or scans.  These are the sort of fan-run projects that deflated when the internet really caught on, and a lot of these guys seemed to pack it in instead of making a splash online with their projects.

Anyway, back to GA!, I've been reading through the issues and there's a ton of great content, not to mention an articulate peek at the perspective of animations fans during the era that I love so much.  I was only seven when the first issue of GA! Started making the rounds, so I was obviously too young to appreciate training a critical eye on shows like He-Man, Robotech and the Mighty Orbots, but thankfully there were guys like Cawley who were.

Speaking of Robotech, in that first issue there's an interesting piece on the impending reworking of Macross for an American audience.  It covers Harmony Gold's two pronged plan of attack, hoping to establish a fan base for Japanese animation in the States by releasing Macross in two packages.  The first would be a faithful direct to video English dub of the first three series episodes edited into a film with the violence intact, but removing a lot of the repeated sequences.  The plan was to release the entire series edited into seven feature length films, direct to VHS, keeping the tone and story as faithful as possible.   These releases hinged on the success of the first release though.  The second prong of the attack would be a more kid-friendly re-dub of the series repackaged as Robotech, which we of course got and it was a modest success.  Because of the confusing and mired history of home video releases of Macross, I can't say for sure, but my guess is that the original faithful dubs weren't a success because I don't remember getting introduced to Macross proper until the mid to late 90s.  It's interesting to see that Harmony Gold had the best of intentions while importing the show.

This is the sort of perspective I'm really thankful was recorded with a zine like Get Animated!, and even though it only last for six short issues, it's still a treasure trove of information for an animation buff into 80s cartoons.  There's also articles on He-Man, the Mighty Orbots, the Muppet Babies, Cosgrove Hall and Danger Mouse, as well as great studio guides, reviews, editorials and vintage news.  I can't recommend these enoughâ



Again, head on over to Cawley's site where you can find these as well as some other great animation treasures like the text to a book he wrote on the Don Bluth company.

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70. Did you ever notice...
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Description: While reading through some of my older Marvel G.I. Joe comics this past weekend, I noticed a couple of interesting things.  First, though there are some overt Nazi overtones to the Cobra organization, I'd wager that they weren't quite as in your face as say the Visitors from the V mini series.  Anyway, in the cartoon the most you'd get would be the trooper's matching uniforms and some of the megalomaniacal antics of Destro and Cobra Commander, but for the most part cobra has its own feel.  With the action figures, because of the varied character designs, you really didn't get that fascist army vibe.  In the early comics though, there are some tell tale signs that the Nazis were a huge influence, in particular in panels like thisâ



âwith a trooper giving the all too familiar salute to Cobra Commander.  I found that kind of weird.

The other thing that struck me was the more dynamic use of the character designs.  When Hasbro set out to mold the line of 3.75" action figures in the early 80s, they chose to make them more visually interesting by adding guns, grenades, and other stuff to the outfits.  These accouterments weren't removable of course, and it lead to some intentional ignorance when playing with the figures in the sandbox.  I mean Snake Eyes (version 3) isn't going to pull those blades off his chest and chop his way out when captured.  For me it pretty much gets to the point where some of these accouterments lose all of their meaning.  Take the stars on Scarlett's gloves.  Are these patriotic patches or s huriken (ninja stars)?



Well, the comics certainly have an answer for thisâ



Anyway, just some food for thought when it comes to the various incarnations of one of my favorite properties from the 80sâ

71. Peel Here #89: Great Job Kid!
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My wife has been working diligently over the past couple of weeks on a couple of secret stuffed-animal/plush projects, and I've just been so proud of her.  She's really making strides with each project and I'm so glad that she's also challenging herself with each new outing.  Anyway, though I can't really get into what these new awesome plushes are, I can take a second to point to her site at demonals.com.



In honor of her plugging away and doing some fine work, I thought I'd break out a mini collection of "Good Job" achievement-style sticker sheets that have been sitting in the drawer for awhile now.  These are all from the late 70s early 80s and come from the collection of Jerzy and Anne Drozd, who graciously sent them my way (along with a nifty photo book sticker collection that I need to scan.) 

This first set of stickers looks the oldest to me, at least design and art-wise, though it wasn't labeled with a date, just the company, Fassonâ



I get that the designers were going for a food/achievement theme, but a couple of these just don't quite hit the mark, at least not in a good way.  Squeeze Me and Delicious just seem a tad inappropriate for doing well on grade school homework.   Maybe it's just meâ

This next sheet, released by Hallmark in 1980 is probably my favorite.  There's just something really awesome about the thick colored border around early 80s stickers that just sends me back in time (much like the portrait stickers that come in various Topps brand sticker subsets like the Incredible Hulk, Buck Rogers, or Howard the Duck.)



These are also nice for covering the gamut between obvious (the award ribbons), cute (tree-mendous), awesome (dynamite), and subtle and a little odd in the metaphor department (keep it up with the suspendersâ)

The last sheet was produced in 1982 by Dennison.



A little bit on the plain side, though I really dig the outstanding sticker for its intergalactic imagery.  I wonder if the teacher or parent that used these back in the day wondered if they should hold the middle strip of stickers for the really good work considering there weren't duplicates?  I know I would have...

72. Saturday Supercast Episode 21: Deconstructing He-Man and the Masters of the Universe!
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The Saturday Supercast is back this week with our 3rd cartoon deconstruction episode.  This episode is part one of a two part discussion on the landmark 80s cartoon series He-Man and the Masters of the universe.  Join me and my co-hosts, Jerzy Drozd and Kevin Cross as we dig into the He-Man cartoon, trying to figure out why we like it so much, what could be better, and why the show was so important to an entire decade of animation that followed in it's wake.



For those who may not know, He-Man and his friends, the Sorceress, Man-At-Arms, Teela, Ram Man, Orko, and Stratos wage an endless battle defending Castle Greyskull and the planet Eternia against Skeletor and his evil warriors, Beastman, Evil-Lyn, Trap Jaw, Merman, and Triklops, who want to conquer and rule the world.   The series, produced by Filmation Studios in 1983, was a landmark cartoon mixing fantasy and science-fiction, reinvigorating children's television with a sense of action and adventure, as well as helping to instill a solid sense of morality for an entire generation of kids.   Masters of the Universe was also one of the first series to break through the governmental ban on interweaving existing toy lines and cartoons, not to mention paving the way for first-run syndicated animation, defining the distribution format for shows through the 80s and 90s.

Join us as we deconstruct the overall series, and dive into three of our favorite episodes:

The Diamond Ray of Disappearanceâ


Teelaâs Questâ


and The Wizard of Stone Mountainâ


In this episode we touch on a lot of the talent that made He-Man possible including series producers Lou Schiemer (who also voiced half of the cast of characters including Orko and Stratos) and Hal Sutherland, voice actors John Erwin (He-Man and Beastman), Alan Openheimer (Skeletor and Man-At-Arms), and Linda Gary (Teela, the Sorceress and Evil-Lyn), and some of the writers, directors and artists such as Paul Dini, Larry DiTillio, Tom Sito, Bruce Timm, Robby London, and Michael Reaves.

We also discuss the Masters of the Universe toy line, it's inventor Roger Sweet, and its packaging, as well as Star Wars, Clash of the Titans, and Space 1999 toys, getting toys when you're home sick as a kid, Jack Kirby's 4th World, the MOTU mini-comics, rotoscoped animation, Barbarian fantasies in the early 80s (including Thundarr and Conan), the 2002 Mike Young Productions He-Man cartoon, how easy and boring it is to make fun of the He-Man cartoon, alter egos and how Prince Adam is an important aspect to the ideal of the He-Man mythos, the myth of Robert Johnson and his fight against the devil, Andy Mangel's excellent special features on the BCI Eclipse editions of the original He-Man cartoon on DVD, and our friends at the Horror Etc. podcast.

If you're curious about watching this great series you can purchase a copy of season 1-part 1, or season 1-part 2 at Amazon, or head on over to Hulu where you can watch 13 of the 1st season episodes for free.

As for us, well you can find more of Jerzy's work at:
Make Like a Tree Comics
jdrozd.blogspot.com
Art & Story Podcast

Kevin is freelance illustrator, comic creator, and podcaster whose work can be found at:
Kevin Cross.net
Big Illustration Party Time Podcast

âand well I'm Shawn obviously, and if you're reading this than I guess you know my work can be found at Branded in the 80s.com.

We're keeping the podcast's feed over at the Sugary Serials site, so if you want to subscribe to it, you can do it over there or you can use this link. I'm really excited to be podcasting again, and can't wait to dig into more cartoons.  So head on over to the Sugary Serials and check out episo de 21 of the Saturday Supercast today or you can download it by right clicking and selecting save here!

If you have any questions, comments, or heck, even complaints, you can drop us a line at Saturday Supercast!

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73. Peel Here #88: One of my Holy Grail Items, Prismatic Foil Horror Stickers!
http://smurfwreck.libsyn.com/i... download (, 0.00Mb)

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I've talked before about some of the Holy Grail items that I was looking to procure for my sticker collection; stuff that is either wicked expensive for some odd reason (Dune sticker cards from Fleer or the 1980 series of Topps Monstickers, puffy sticker versions of the Ugly stickers they did in the late 60s early 70s), or stickers that just shouldn't exist anymore.  It would be awesome to find books of S&H green stamps from the 70s or 80s, collections of produce or grocery store specific stickers, and some off-brand vending machine stickers from the 80s.  With the Dune and Monstickers, it's only a matter of time before a stash is found and it devalues the current crop on the secondary market, but the others just shouldn't exist.  I mean, people didn't collect green stamps; they either tossed them when the first got them for grocery shopping or they used them.  For some odd reason there are a lot of collections of produce stickers floating around, but they're typically from other countries, so they hold little to no nostalgic value for a guy like me.

As for vending machine stickers, well we've all seen these in Pizza Huts or near the check-out counter at your local grocery store.  Plop down 25 to 50 cents and you get one sticker in a little cardboard sleeve.  These are beyond disposable.  First off, they're typically off-brand or bootleg, and secondly, you never get what you want.  When spying that badass Wolverine or Transformers sticker in the little window that you want, the machine suckers you in, and 50 cents later you've got a smiley face in a scuba mask or a Britney spears sticker.  And that little girl that wanted that smiley face or Britney sticker, she got the prismatic Decpticon symbol, pitched a little fit, and threw it away.  I'm positive that 90% of these get thrown away or used immediately with next to none getting socked away for later use.

Well, you can't discount these things.   That 10% that's floating around out there lost to space and time?  It'll eventually turn up.  Me, I've been waiting for a specific series of vending machine stickers to pop up for years, ever since I got one back in 1990.  Our family was in the process of moving from Florida to New Hampshire, and in some non-descript side of the highway fast food strip mall (you know the kind, it's like a food court with three or four different places like KFC, Carl's Jr. and a Roy Rogers all in one building) I found a sticker machine with a set of the coolest horror movie stickers.  I could only scrounge together enough change to get one sticker, but I loved it.  It was from the movie Nightbreed, one of my all-time favorite horror flicks.   I stuck it to a little bookshelf that was over-packed with Stephen King and Clive Barker books, a shelf that was thrown away sometime in the late 90s when I left home.   I've coveted that sticker, and the rest of the set for years.  Thank god for ebay, as I finally found a handful of stickersâ



All in all, though it's only five of the stickers from a set of 40 or 50, it's a pretty nice haul covering some of my favorite horror series, Nightmare on Elm Street, the Friday series, Halloween and the Howling.  I'm not all that into Vamp, though I love Robert Rusler in it (and in Nightmare on elm Street 2, Weird Science, and Thrashinâ.)   In doing some research I stumbled upon a nice collection of these on Dr. Death-Threads' Headstone City blog.  He shared his collection over a few posts (Pa rt 1, Part 2, and Part 3.)  In part one you can see the Nightbreed sticker I loved so much.  Personally, it's at time like this that I think the internet truly shines, as I can sit here and marvel at stickers that just shouldn't exist, and throw in my own rescued treasures as well.   I'm having a Tiny Tim moment (Christmas Carol, not the falsetto-singing ukulele-playing wonder.)

Also, I typically hold this sort of horror content aside for the Halloween season, but I'm sort of putting this edition of Peel Here out as a initial call to arms.  The season of the witch, warlock, vampire, pumpkinhead, werewolf, creature from the Black Lagoon, Frankenstein's Monster and what-ever-creep-you-lov